Washington Post • 10 Best Graphic Novels of 2022 A vibrant and informative debut with “great documentary power” (Alison Bechdel), Fine is an elegantly illustrated celebration of the transgender community. As graphic artist Rhea Ewing neared college graduation in 2012, they became consumed by the question: What is gender? This obsession sparked a quest in which they eagerly approached both friends and strangers in their quiet Midwest town for interviews to turn into comics. A decade later, this project exploded into a sweeping portrait of the intricacies of gender expression with interviewees from all over the country. Questions such as “How do you Identify” produced fiercely honest stories of dealing with adolescence, taking hormones, changing pronouns―and how these experiences can differ, often drastically, depending on culture, race, and religion. Amidst beautifully rendered scenes emerges Ewing’s own story of growing up in rural Kentucky, grappling with their identity as a teenager, and ultimately finding themself through art―and by creating something this very fine. Tender and wise, inclusive and inviting, Fine is an indispensable account for anyone eager to define gender in their own terms. Two color throughout

Two women. A chance meeting.Friendship is the love story you can count on. Remy is lucky. Her three best friends have always been there for her - until the day that they're not. One of them is moving to New York. One of them is pregnant. And one is busy with her (awful) boyfriend. Suddenly, their foursome is splitting - and it feels like a break-up. Simone doesn't need friends. The only people she needs are her family - but when they cut her off, she realises how alone she is. When Simone and Remy meet in a bookshop, it doesn't go well. But they might just have bumped into exactly what they need...This isn't a romance. But it is about love.

Mississippi, 1927. The groanings are coming. No town is perfect, but East Cobb comes close. It’s a wealthy all-Black Free Town—untouched by white oppression—where ambitious Thea Elliot and her husband plan to make good on their big dreams. Little do they know that the idyllic town teems with ghoulish, walking nightmares . . . that only the women can see. Marah knows the groanings well. She is one of the carriers—women with the ability to pull traumatic memories from men. Populated by men entirely freed of their pain, East Cobb has flourished, even as the remnants of their memories haunt the town’s women. When an unexpected death drives Marah to discover more about her own power, Thea’s and Marah’s worlds collide. The sisters must confront the rotten core at the heart of East Cobb’s prosperity and choose what—and who—will survive the reckoning. A gripping blend of historical fiction and Southern gothic psychological horror, Our Sister’s Keeper is a fierce exploration of Black sisterhood, rage, and resistance.

She’s betting big. He’s playing for keeps. The odds are stacked against Tori Townsend. She loves her life in San Francisco, painting nails by day and playing jazz by night. But now that she’s a bridesmaid in the wedding of one of her best friends, it feels like everyone is pairing off, and she can’t find a seat in a game of musical chairs. When a last-minute errand forces Tori to book a caterer two hundred miles away in Fresno, she meets a burly Armenian baker with an offer she can’t refuse. Vahe Derderian is used to big-city folks dissing his hometown, so when Tori runs her mouth about California’s heartland, they make a bet. If she can prove San Francisco is superior to the Central Valley, he’ll cater the wedding for free. The catch? If Vahe’s victorious, Tori’s promised to lose her shirt—and her pants. She’s never shied away from a casual fling, so one more hookup shouldn’t faze her. But Vahe sees past her bravado, breaking down walls she’s spent years fortifying. She’s always believed that letting people in leads to heartbreak—so why does losing to him feel like winning? As their wager turns into something real, Tori must decide if love is worth the gamble—and whether their relationship can go the distance. Whether you’re living in a skyscraper or the suburbs, you’ll love this opposites-attract rom-com that celebrates culture, cuisine, and finding a place to call home.

A debut about three women whose lives are bound together by a long-lost letter, a mother’s love, and a secret network of women fighting for the right to choose—inspired by true stories.2017: When Angela Creighton discovers a mysterious letter containing a life-shattering confession, she is determined to find the intended recipient. Her search takes her back to the 1970s when a group of daring women operated an illegal underground abortion network in Toronto known only by its whispered code name: Jane. 1971: As a teenager, Dr. Evelyn Taylor was sent to a home for “fallen” women where she was forced to give up her baby for adoption—a trauma she has never recovered from. Despite harrowing police raids and the constant threat of arrest, she joins the Jane Network as an abortion provider, determined to give other women the choice she never had. 1980: After discovering a shocking secret about her family, twenty-year-old Nancy Mitchell begins to question everything she has ever known. When she unexpectedly becomes pregnant, she feels like she has no one to turn to for help. Grappling with her decision, she locates “Jane” and finds a place of her own alongside Dr. Taylor within the network’s ranks, but she can never escape the lies that haunt her.

A gripping historical mystery inspired by the life and diary of Martha Ballard, a renowned 18th-century midwife who defied the legal system and wrote herself into American history. Maine, 1789: When the Kennebec River freezes, entombing a man in the ice, Martha Ballard is summoned to examine the body and determine cause of death. As a midwife and healer, she is privy to much of what goes on behind closed doors in Hallowell. Her diary is a record of every birth and death, crime and debacle that unfolds in the close-knit community. Months earlier, Martha documented the details of an alleged rape committed by two of the town’s most respected gentlemen—one of whom has now been found dead in the ice. But when a local physician undermines her conclusion, declaring the death to be an accident, Martha is forced to investigate the shocking murder on her own. Over the course of one winter, as the trial nears, and whispers and prejudices mount, Martha doggedly pursues the truth. Her diary soon lands at the center of the scandal, implicating those she loves, and compelling Martha to decide where her own loyalties lie. Clever, layered, and subversive, Ariel Lawhon’s newest offering introduces an unsung heroine who refused to accept anything less than justice at a time when women were considered best seen and not heard. The Frozen River is a thrilling, tense, and tender story about a remarkable woman who left an unparalleled legacy yet remains nearly forgotten to this day.

A wondrous, tender novel about a young girl grappling with her role in a tragic loss—and attempting to reshape the narrative of her life—from PEN/Faulkner Award nominee Claire Oshetsky Margaret Murphy is a weaver of fantastic tales, growing up in a world where the truth is too much for one little girl to endure. Her first memory is of the day her friend Agnes died. No one blames Margaret. Not in so many words. Her mother insists to everyone who will listen that her daughter never even left the house that day. Left alone to make sense of tragedy, Margaret wills herself to forget these unbearable memories, replacing them with imagined stories full of faith and magic—that always end happily. Enter Poor Deer: a strange and formidable creature who winds her way uninvited into Margaret’s made-up tales. Poor Deer will not rest until Margaret faces the truth about her past and atones for her role in Agnes’s death. Heartrending, hopeful, and boldly imagined, Poor Deer explores the journey toward understanding the children we once were and the stories we tell ourselves to make sense of life’s most difficult moments.

Diana Quincy returns with a steamy affair between an Arab-American woman who inherits a run-down castle in the English countryside and the duke who asserts the castle is his, in the first book in a brand-new Victorian historical romance series. Anthony Cary, Duke of Strickland, inherits his spendthrift father's title and can finally restore the family castle to its former glory. But at the reading of the will, Strick is stunned to learn that his father has secretly disentailed him, leaving the family manor--home to twelve generations of dukes--to Strick's American stepmother. Everyone knows Strick detests the dowager duchess, and when she dies mysteriously, damning rumors start to surface. When Raya Darwish unexpectedly inherits her glamorous late cousin's castle in the English countryside, she clashes with the charismatic young duke who insists the castle is rightfully his. The estate is practically bankrupt, so she must find a way to work with the duke in order to save both of their futures. The two cannot stand each other, but mutual disdain soon gives way to desire. When questions arise about how her cousin died, Raya cannot help wondering if Strick's sudden unbridled passion for her is part of a scheme to get his castle back...

Capturing the distinct rhythms of Jamaican life and dialect, Nicole Dennis-Benn pens a tender hymn to a world hidden among pristine beaches and the wide expanse of turquoise seas. At an opulent resort in Montego Bay, Margot hustles to send her younger sister, Thandi, to school. Taught as a girl to trade her sexuality for survival, Margot is ruthlessly determined to shield Thandi from the same fate. When plans for a new hotel threaten their village, Margot sees not only an opportunity for her own financial independence but also perhaps a chance to admit a shocking secret: her forbidden love for another woman. As they face the impending destruction of their community, each woman fighting to balance the burdens she shoulders with the freedom she craves must confront long-hidden scars. From a much-heralded new writer, Here Comes the Sun offers a dramatic glimpse into a vibrant, passionate world most outsiders see simply as paradise.

A landmark collection: the first anthology of short fiction by Afghan women that are "powerful, profound, and deeply moving" (Elif Shafak, author of The Island of Missing Trees, a Reese's Book Club pick)"My pen is the wing of a bird; it will tell you those thoughts we are not allowed to think, those dreams we are not allowed to dream."Eighteen Afghan women living in, speaking about, and writing from the country itself tell stories that are powerful and illuminating, unique and universal - stories of family, work, childhood, friendship, war, gender identity, and cultural traditions. A woman's fortitude saves her village from disaster. A  teenager explores their identity in a moment of quiet.  A  tormented girl tries to find love through a horrific act. A headmaster makes his way to work, treading the fine line between life and death.These and more original, vital, and unexpected stories hail from extraordinary voices rooted in Afghanistan's two main linguistic groups (Pashto and Dari), and were developed over two years through the writer development program Untold's Write Aghanistan Project.  My Pen Is the Wing of a Bird comes at a pivotal moment in Afghanistan's history, when these voices must be heard.With an Introduction by [to come] and Afterword by Lucy Hannah, Founder and Director of Untold