For those contemplating religious choices, Unitarian Universalism offers an appealing alternative to religious denominations that stress theological creeds over individual conviction and belief. In this new edition of the classic introductory text on Unitarian Universalism, which includes a revealing, entertaining foreword by best-selling author Robert Fulghum (All I Really Need to Know I Learned in Kindergarten, It Was on Fire When I Lay Down on It), a new preface by UU moderator Denise Davidoff, and two new chapters by the authors, John Buehrens and Forrest Church explore the many sources of the living tradition of their chosen faith.

A red algae bloom has taken over Mercy, Louisiana. Ever since a devastating hurricane, mutated wildlife lurks in the water that rises by the day. But Mercy has always been a place where monsters walk in plain sight. Especially at its heart: The Cove, where Noon’s life was upended long before the storm at a party her older boyfriend insisted on. Now, Noon is stuck navigating the submerged town with her mom, who believes their dead family has reincarnated as sea creatures. Alone with the pain of what happened that night at the cove, Noon buries the truth: she is not the right shape. When Mercy’s predatory leader demands Noon and her mom capture the creature drowning residents, she reluctantly finds an ally in his deadly hunter of a daughter and friends old and new. As the next storm approaches, Noon must confront the past and decide if it’s time to answer the monster itching at her skin.

A highly anticipated, sweeping debut set in a unified Korea that tells the story of three estranged siblings—two human, one robot—as they collide against the backdrop of a murder investigation to settle old scores and make sense of their shattered childhood, perfect for fans of Klara and the Sun and We Are All Completely Beside Ourselves.In a reunified Korea of the future, robots have been integrated into society as surrogates, servants, children, and even lovers. Though boundaries between bionic and organic frequently blur, these robots are decidedly second-class citizens. Jun and Morgan, two siblings estranged for many years, are haunted by the memory of their lost brother, Yoyo, who was warm, sensitive, and very nearly human. Jun, a war veteran turned detective of the lowly Robot Crimes Unit in Seoul, becomes consumed by an investigation that reconnects him with his sister Morgan, now a prominent robot designer working for a top firm, who is, embarrassingly, dating one of her creations in secret. On the other side of Seoul in a junkyard filled with abandoned robots, eleven-year-old Ruijie sifts through scraps looking for robotic parts that might support her failing body. When she discovers a robot boy named Yoyo among the piles of trash, an unlikely bond is formed since Yoyo is so lifelike, he’s unlike anything she’s seen before. While Morgan prepares to launch the most advanced robot-boy of her career, Jun’s investigation sparks a journey through the underbelly of Seoul, unearthing deeper mysteries about the history of their country and their family. The three siblings must find their way back to each other to reckon with their pasts and the future ahead of them in this poignant and remarkable exploration of what it really means to be human.

Sohmeng Par is sick of being treated like a child. Ever since a tragic accident brought her mountain community’s coming-of-age ritual to a halt, she’s caused nothing but trouble in her impatience to become an adult. But when she finally has the chance to prove herself, she’s thrown from her life in the mountains and into the terror of the jungle below. Cornered by a colony of reptilian predators known as the sãoni, Sohmeng is rescued by Hei, an eccentric exile with no shortage of secrets. As likely to bite Sohmeng as they are to cook her breakfast, this stranger and their family of lizards are like nothing she’s ever seen before. If she wants to survive, she must find a way to adapt to the vibrant, deadly world of the rainforest and the creatures that inhabit it—including Hei themself. But Sohmeng has secrets of her own, and sharing them could mean losing everything a second time.

Lauren F. Winner--a leading writer at the crossroads of culture and spirituality and author of Still and Girl Meets God--joins the ranks of luminaries such as Anne Lamott and Barbara Brown Taylor with this exploration of little known--and, so, little used--biblical metaphors for God, metaphors which can open new doorways for our lives and spiritualities. There are hundreds of metaphors for God, but the church only uses a few familiar images: creator, judge, savior, father. In Wearing God, Lauren Winner gathers a number of lesser-known tropes, reflecting on how they work biblically and culturally, and reveals how they can deepen our spiritual lives. Exploring the notion of God as clothing, Winner reflects on how we are "clothed with Christ" or how "God fits us like a garment." She then analyzes how clothing functions culturally to shape our ideals and identify our community, and ruminates on how this new metaphor can function to create new possibilities for our lives. For each biblical metaphor--God as the vine/vintner who animates life; the lactation consultant; and the comedian, showing us our follies, for example--Winner surveys the historical, literary, and cultural landscapes in order to revive and heal our souls.

An intimate investigation of assisted dying in America and what it means to determine the end of our lives. In this groundbreaking book, award-winning cultural anthropologist Anita Hannig brings us into the lives of ordinary Americans who go to extraordinary lengths to set the terms of their own death. Faced with a terminal diagnosis and unbearable suffering, they decide to seek medical assistance in dying—a legal option now available to one in five Americans. Drawing on five years of research on the frontlines of assisted dying, Hannig unearths the uniquely personal narratives masked by a polarized national debate. Among them are Ken, an irreverent ninety-year-old blues musician who invites his family to his death, dons his best clothes, and goes out singing; Derianna, a retired nurse and midwife who treks through Oregon and Washington to guide dying patients across life's threshold; and Bruce, a scrappy activist with Parkinson's disease who fights to expand access to the law, not knowing he would soon, in an unexpected twist of fate, become eligible himself. Lyrical and lucid, sensitive but never sentimental, The Day I Die tackles one of the most urgent social issues of our how to restore dignity and meaning to the dying process in the age of high-tech medicine. Meticulously researched and compassionately rendered, the book exposes the tight legal restrictions, frustrating barriers to access, and corrosive cultural stigma that can undermine someone's quest for an assisted death—and why they persist in achieving the departure they desire. The Day I Die will transform the way we think about agency and closure in the face of death. Its colorful characters remind us what we all stand to gain when we confront the hard—and yet ultimately liberating—truth of our mortality.

An intimate, deeply moving investigation of an underreported phenomenon—the rising number of unclaimed dead in America today—and what it says about the state of our society. For centuries, people who died destitute or alone were buried in potter’s fields—a Dickensian end that even the most hard-pressed families tried to avoid. Today, more and more relatives are abandoning their dead, leaving it to local governments to dispose of the bodies. Up to 150,000 Americans now go unclaimed each year. Who are they? Why are they being forgotten? And what is the meaning of life if your death doesn’t matter to others? In this extraordinary work of narrative nonfiction, eight years in the making, sociologists Pamela Prickett and Stefan Timmermans uncover a hidden social world. They follow four individuals in Los Angeles, tracing the twisting, poignant paths that put each at risk of going unclaimed, and introducing us to the scene investigators, notification officers, and crematorium workers who care for them when no one else will. The Unclaimed lays bare the difficult truth that anyone can be abandoned. It forces us to confront a variety of social ills, from the fracturing of families and the loneliness of cities to the toll of rising inequality. But it is also filled with unexpected moments of tenderness. In Boyle Heights, a Mexican American neighborhood not far from the glitter of Hollywood, hundreds of strangers come together each year to mourn the deaths of people they never knew. These ceremonies, springing up across the country, reaffirm our shared humanity and help mend our frayed social fabric. Beautifully crafted and profoundly empathetic, The Unclaimed urges us to expand our circle of caring—in death and in life.

An enchanting, illuminating, highly personal tour of some of the most iconic cemeteries of the world—part travelogue, part memoir, part hauntology by the author of Our Share of Night and "Buenos Aires's sorceress" (The New York Times)"Enriquez is a queen of horror."—Los Angeles Times"One of Latin America’s most exciting authors."—Silvia Moreno-GarciaMariana Enriquez has been fascinated by the haunting beauty of cemeteries since she was a teenager, visiting them frequently, a goth flaneur taking notes on her aesthetic obsession as she walked among the headstones. But in 2013, when the body of a friend's mother who was dissapeared during Argentina's military dictatorship was found in a common grave, she began to examine more deeply the complex meanings of cemeteries and where our bodies come to rest. In this vivid, cinematic book, Enriquez travels North and South America, Europe and Australia, visiting the catacombs of Paris, Prague's Old Jewish Cemetery, Elvis's grave at Graceland, the above-ground mausoleums of New Orleans, her hometown of Buenos Aires's Recoleta, and more. She investigates each cemetery's history, architecture, its dead (famous and not), its saints and ghosts, its caretakers and visitors. Weaving personal stories with reportage, interviews, folklore, musicology, and literature, Somebody Is Walking on Your Grave is memoir channeled through Enriquez's obsession with cemeteries, revealing as much about her own life and unique sensibility as the graveyards and tombstones she walks among. Exhilarating, unsettling, and unlike anything else, Enriquez's first work of nonfiction is as original and enthralling as the stories and novels for which she's become so admired and beloved.