Throughout her prolific writing career, Nell Painter has published works on such luminaries as Sojourner Truth, Ralph Waldo Emerson, and Malcolm X. Her unique vantage on American history pushes the boundaries of personal narrative and academic authorship. Led by an unbridled curiosity for her subjects, Painter asks readers to reconsider ideas of race, politics, and identity. I Just Keep Talking assembles her writing for the first time into a single volume, displaying the breadth and depth of Painter’s decades-long historical inquiry and the evolution of Black political thought—and includes a dazzling introduction and coda being published for the first time in this collection. From her mining of figures like Carrie Buck and Martin Delaney for their resonance today, to a deep dive into the history of exclusion through the work of Toni Morrison, to a discussion of the American political landscape after the 2016 election, Painter nimbly portrays the trials of a country frequently at war with itself. Along with Painter’s writing, this collection offers her original artwork, threaded throughout the book as counterpoint and emphasis. Her visual art shows a deft mind turning toward the tragedy and humor of her subjects; pulling from newspapers, personal records, and original sketches, Painter’s artwork testifies to the dialectic of tremendous change and stasis that continues to shape American history. These essays resist easy answers in favor of complexity, the inescapable sense of our country’s potential thwarted by its failures. This collection will surely solidify Painter’s place among the finest critics and writers of the last half century.

Naomi Westerman was an anthropologist studying death rituals in other cultures, then her entire family died. Death moved from being academic to deeply personal. Encouraging people to think and talk more openly, and break taboos, Happy Death Club explores how death is everywhere in our culture, but grief often isn't, whether it's writing horror movies for a living, true crime podcasts, working in the death industry, death peer support groups, and looking to death rituals in other countries.

A deeply compelling exploration of the death industry and the people—morticians, detectives, crime scene cleaners, embalmers, executioners—who work in it and what led them there. We are surrounded by death. It is in our news, our nursery rhymes, our true-crime podcasts. Yet from a young age, we are told that death is something to be feared. How are we supposed to know what we’re so afraid of, when we are never given the chance to look? Fueled by a childhood fascination with death, journalist Hayley Campbell searches for answers in the people who make a living by working with the dead. Along the way, she encounters mass fatality investigators, embalmers, and a former executioner who is responsible for ending sixty-two lives. She meets gravediggers who have already dug their own graves, visits a cryonics facility in Michigan, goes for late-night Chinese with a homicide detective, and questions a man whose job it is to make crime scenes disappear. Through Campbell’s incisive and candid interviews with these people who see death every day, she Why would someone choose this kind of life? Does it change you as a person? And are we missing something vital by letting death remain hidden? A dazzling work of cultural criticism, All the Living and the Dead weaves together reportage with memoir, history, and philosophy, to offer readers a fascinating look into the psychology of Western death.

Lizzie has made endless mistakes. Kitchen fires, pyramid schemes, bangs (of the hair and human variety), you name it, she’s done it… and made a mess of it too. One mistake she’s never made is letting anyone get closer to her than a single hook-up. But after losing yet another bakery job due to her uncontrolled ADHD, she breaks her cardinal rule and has a two-night-stand that changes everything. Once burned, twice shy, Rake has given up on relationships. And feelings. And any form of intimacy for that matter. Yet something about charming, chaotic Lizzie has him lowering his guard. For two nights, that is. Then it’s back home to Australia and far away from the pesky feelings Lizzie pulls from him. But when Lizzie tells him she’s got an unexpected bun in the oven, he’ll do whatever it takes to be a part of his child’s life… except be emotionally vulnerable, obviously. He’s never going to make that mistake again. Through a series of mishaps, totally “platonic” single bed sharing, and an underground erotic baking scheme, Lizzie and Rake learn that even the biggest mistakes can have the most beautiful consequences.

A collection of 16 unique, spicy stories by and for women who love—and lust after—women. YARN & YEARNING: Two short, neurodivergent girls in a craft store vs. one crucial ball of lesbian-colored yarn in a very high basket. One car running on empty in a snowstorm vs. one distracting audiobook sex scene, and an even more distracting girl in the passenger seat. What could possibly go wrong? FOX SPIRIT: What if a multi-tailed fox spirit—the East Asian equivalent of a succubus—was sapphic? What if the pleasure shared between women could be a source of magical strength? In this gentle mythological reimagining, a princess runs away with her faithful (and secretly supernatural) bodyguard . . . MOTHER SUPERIOR: There’s a rebellious new nun at the abbey, and she is just begging for punishment. Against all her better judgment, Mother Veronica might have to give it to her . . . ...And 13 more! Written for those readers who want more of the spicy scenes in their LGBTQIA+ Romance, this collection of erotic shorts portrays a variety of Queer expressions—femme, butch, lesbian, bisexual, demisexual, polyamorous, neurodivergent—from earlier adulthood to maturity. It also encompasses a range of tropes and from meet-cutes to yearning friends-to-lovers to established relationships; from realism to fantasy, mythology to historical to sci fi. The common denominator, besides the promise of spice, is a sense of readers can trust that these characters' hearts and bodies will be treated with respect and deep admiration.

A moving, candid account of one woman’s experience with stillbirth. Emma Hansen is 39 weeks and 6 days pregnant when she feels her baby go quiet inside of her. At the hospital, her worst fears are confirmed: doctors explain that her baby has died, and she will need to deliver him, still. Hansen gives birth to her son, Reid, amidst an avalanche of grief. Nine days later, she publishes a candid essay on her website sharing photos from the delivery room. Much to her surprise, her essay goes viral, sparking positive reactions around the world. Still shares what comes next: a struggle with grief and confusion alongside a desire to better understand stillbirth, which is experienced by more than two million women annually, but rarely talked about in public. At once honest, brave, and uplifting, Still is about one woman’s search for her own definition of motherhood, even as she faces one of life’s greatest challenges: learning to live after loss.

Dispatches of radical political engagement from people taking a stand against the Dakota Access Pipeline It is prophecy. A Black Snake will spread itself across the land, bringing destruction while uniting Indigenous nations. The Dakota Access Pipeline is the Black Snake, crossing the Missouri River north of the Standing Rock Indian Reservation. The oil pipeline united communities along its path—from North Dakota, South Dakota, Iowa, and Illinois—and galvanized a twenty-first-century Indigenous resistance movement marching under the banner Mni Wiconi—Water Is Life! Standing Rock youth issued a call, and millions around the world and thousands of Water Protectors from more than three hundred Native nations answered. Amid the movement to protect the land and the water that millions depend on for life, the Oceti Sakowin (the Dakota, Nakota, and Lakota people) reunited. A nation was reborn with renewed power to protect the environment and support Indigenous grassroots education and organizing. This book assembles the multitude of voices of writers, thinkers, artists, and activists from that movement. Through poetry and prose, essays, photography, interviews, and polemical interventions, the contributors, including leaders of the Standing Rock movement, reflect on Indigenous history and politics and on the movement’s significance. Their work challenges our understanding of colonial history not simply as “lessons learned” but as essential guideposts for current and future activism. Contributors: Dave Archambault II, Natalie Avalos, Vanessa Bowen, Alleen Brown, Kevin Bruyneel, Tomoki Mari Birkett, Troy Cochrane, Michelle L. Cook, Deborah Cowen, Andrew Curley, Martin Danyluk, Jaskiran Dhillon, Roxanne Dunbar-Ortiz, Liz Ellis, Nick Estes, Marcella Gilbert, Sandy Grande, Craig Howe, Elise Hunchuck, Michelle Latimer, Layli Long Soldier, David Uahikeaikalei‘ohu Maile, Jason Mancini, Sarah Sunshine Manning, Katie Mazer, Teresa Montoya, Chris Newell, The NYC Stands with Standing Rock Collective, Jeffrey Ostler, Will Parrish, Shiri Pasternak, endawnis Spears, Alice Speri, Anne Spice, Kim TallBear, Mark L. Tilsen, Edward Valandra, Joel Waters, Tyler Young.

Five years of history. Four weeks on the road. Two rival copywriters learning love is the hardest sell of all.Mattie French has always known how to tell a good story. It’s why she stopped at nothing to land her dream career as a copywriter at a scrappy independent advertising agency. In fact, if it weren’t for one person, Mattie would probably be the most-talked-about rising star in town.Campbell Porter is a senior copywriter at Chicago’s slickest agency. Absurdly talented, incredibly aware of it, and the bane of Mattie’s existence since they were interns together, Campbell is always just…there, with his golden-boy smirk and the familiar gaze that never fails to taunt her across a crowded room.Mattie would love nothing more than to avoid Campbell forever. But when their agencies are pitted against each other to compete for a luxury resort account, it’s her chance to prove she can beat him—and earn the promotion she covets.During the month of travel required for the pitch, Mattie and Campbell are thrown together as fierce competitors and, slowly, as unexpected witnesses to each other’s hidden wounds and softest parts. As their trip barrels toward its final pitch, Mattie is forced to confront the increasingly obvious the story she’s crafted for her and Campbell over the years might need a new ending.

On June 24, 2022, the Supreme Court’s Dobbs v. Jackson Women’s Health Organization decision overturned Roe v. Wade, stripping federal protection for abortion rights and placing control in the hands of individual states. This monumental shift in policy underscores the need for deeper historical perspectives on reproductive rights. The Nursing Clio Reader answers that call, bringing together essays that examine reproductive health through historical research and personal experience. Featuring both new and classic pieces from the Nursing Clio blog, leading historians of reproductive health provide insights that connect past struggles with today’s ongoing battles over bodies, reproductive rights, and health care. This collection offers intimate, urgent scholarship that speaks to the present moment. A powerful resource for classrooms and individual readers alike, The Nursing Clio Reader invites reflection on how the past informs current debates, urging us to engage deeply with the history of reproductive justice in a time of unprecedented change, underscoring that indeed "the personal is historical."  

The best-selling author of Smoke Gets in Your Eyes expands our sense of what it means to treat the dead with “dignity.” Fascinated by our pervasive terror of dead bodies, mortician Caitlin Doughty set out to discover how other cultures care for their dead. In rural Indonesia, she observes a man clean and dress his grandfather’s mummified body. Grandpa’s mummy has lived in the family home for two years, where the family has maintained a warm and respectful relationship. She meets Bolivian natitas (cigarette-smoking, wish-granting human skulls), and introduces us to a Japanese kotsuage, in which relatives use chopsticks to pluck their loved-ones’ bones from cremation ashes. With curiosity and morbid humor, Doughty encounters vividly decomposed bodies and participates in compelling, powerful death practices almost entirely unknown in America. Featuring Gorey-esque illustrations by artist Landis Blair, From Here to Eternity introduces death-care innovators researching green burial and body composting, explores new spaces for mourning—including a glowing-Buddha columbarium in Japan and America’s only open-air pyre—and reveals unexpected new possibilities for our own death rituals.