It’s not a crime to steal a heart... Sophie Roseingrave hates nothing more than a swindler. After her family lost their piano shop to a con man in London, they’re trying to start fresh in a new town. Her father is convinced Carrisford is an upright and honest place, but Sophie is not so sure. She has grave suspicions about silk-weaver Madeline Crewe, whose stunning beauty doesn’t hide the fact that she’s up to something. All Maddie Crewe needs is one big score, one grand heist to properly fund the weavers’ union forever. She has found her mark in Mr. Giles, a greedy draper, and the entire association of weavers and tailors and clothing merchants has agreed to help her. The very last thing she needs is a small but determined piano-teacher and composer sticking her nose in other people’s business. If Sophie won’t be put off, the only thing to do is to seduce her to the cause. Will Sophie’s scruples force her to confess the plot before Maddie gets her money? Or will Maddie lose her nerve along with her heart?

When Agatha Griffin finds a colony of bees in her warehouse, it’s the not-so-perfect ending to a not-so-perfect week. Busy trying to keep her printing business afloat amidst rising taxes and the suppression of radical printers like her son, the last thing the widow wants is to be the victim of a thousand bees. But when a beautiful beekeeper arrives to take care of the pests, Agatha may be in danger of being stung by something far more dangerous… Penelope Flood exists between two worlds in her small seaside town, the society of rich landowners and the tradesfolk. Soon, tensions boil over when the formerly exiled Queen arrives on England’s shores—and when Penelope’s long-absent husband returns to Melliton, she once again finds herself torn, between her burgeoning love for Agatha and her loyalty to the man who once gave her refuge. As Penelope finally discovers her true place, Agatha must learn to accept the changing world in front of her. But will these longing hearts settle for a safe but stale existence or will they learn to fight for the future they most desire?

As Lucy Muchelney watches her ex-lover’s sham of a wedding, she wishes herself anywhere else. It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away. Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested. While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?

How animals conceive of death and dying—and what it can teach us about our own relationships with mortalityWhen the opossum feels threatened, she becomes paralyzed. Her body temperature plummets, her breathing and heart rates drop to a minimum, and her glands simulate the smell of a putrefying corpse. Playing Possum explores what the opossum and other creatures can teach us about how we and other species understand mortality, and demonstrates that the concept of death, far from being a uniquely human attribute, is widespread in the animal kingdom.With humor and empathy, Susana Monsó tells the stories of ants who attend their own funerals, chimpanzees who clean the teeth of their dead, dogs who snack on their caregivers, crows who avoid the places where they saw a carcass, elephants obsessed with collecting ivory, and whales who carry their dead for weeks. Monsó, one of today’s leading experts on animal cognition and ethics, shows how there are more ways to conceive of mortality than the human way, and challenges the notion that the only emotional reactions to death worthy of our attention are ones that resemble our own.Blending philosophical insight with new evidence from behavioral science and comparative psychology, Playing Possum dispels the anthropocentric biases that cloud our understanding of the natural world, and reveals that, when it comes to death and dying, we are just another animal.

The acclaimed author of the “disorienting, creepy, paranoia-inducing” (Paul Tremblay, author of The Cabin at the End of the World) A History of Fear returns with a spine-tingling new thriller about a weight loss treatment with potentially murderous side effects.Retail worker Emmett Truesdale has never fit the Southern California mold of six-pack, suntanned masculinity. Over three hundred pounds, he carries the weight of his childhood trauma and millennial ennui around his waist and in his soul. After trying every diet under the sun, he remains stuck—in his dead-end job, in love, and in his body. Desperate for help, he enrolls in a clinical trial for a new weight loss product called Obexity. The treatment is as horrifying as the results are miraculous and as Emmett sheds pounds at superhuman speed, every part of his life improves overnight. Unfortunately, Obexity comes with some killer side effects, including lost stretches of time and overwhelming cravings. Worse, people who were cruel to him have started disappearing and when the police warn of a cannibalistic killer on the loose, he fears that Obexity is turning him into a monster. But how can he give it up now that people are finally starting to treat him like he’s human? Nerve-racking, sinister, and at times surreal, Nothing Tastes as Good is an unputdownable thriller that combines The Substance with the best of Stephen King and keeps you guessing until the final page.

The new vampires in town are sinking their teeth into solving a murder… Married odd couple Arthur and Sal are totally normal. They wear sunscreen, not because the sun can kill them, but because even the undead need a skincare regimen. They eat garlic whenever they want, though it gives Sal indigestion. They can talk to creatures of the night, but only the raccoons that rifle through their garbage. Really, they don’t bite… except into delicious baked goods. Ready to settle down and stay out of trouble, the two have opened a bed & breakfast in the idyllic, if not-so-paranormal-friendly, town of Trident Falls, Oregon. But trouble finds them when the mayor is discovered dead in their begonias with two puncture wounds in his neck. With the help of a werewolf barista, the elven town coroner, and a very human city manager, Arthur and Sal will need to prove they aren’t literally out for blood by catching a killer…

A thrilling exploration of nature's symbiotic relationships, some comforting and familiar, others wildly alien, by the award-winning author of Forget Me Not. What can nature teach us about living together? Investigating eight symbiotic relationships trying to survive the climate and biodiversity crises, Sophie Pavelle explains why it has never been more vital for us to understand symbiosis. Symbiotic relationships regulate ecosystems, strengthen resilience and bind pivotal connections. Species living together in symbiosis is no accident – these dynamics evolved. Species form and sever alliances everywhere, from deep within temperate rainforests to the open ocean, quiet tidal pools or chalk grasslands, and nature thrives on relationships as glamorous as they are grotesque and as bizarre as they are engrossing. In To Have or To Hold, Sophie relishes the interconnectedness between species and celebrates the relationships that underpin natural environments. Low-carbon travelling around the British Isles, she presents nature's frauds, fortune-tellers, misfits and cheaters. The natural world is built on parasitism, a cunning blend of bargaining and exploitation in the name of survival. In our relationship with the natural world, are we the parasites? Will we continue to exploit nature's resources? Or will we vow to love and cherish what remains – shaping a more restorative life alongside nature – till death us do part?

There is a history of humanity that has never been told – overlooked and unrecorded for the story of how we are born.Acclaimed cultural historian Lucy Inglis takes the reader on an epic journey through the stories of women over hundreds of thousands of years. From ancient Mesopotamian birthing practices to the lost contraceptives of Ancient Rome and the strange story of the feminists who fought for the right to forget childbirth, this is a truly sweeping history that explores the competing ideologies and lived realities that have shaped so many lives.Lucy Inglis charts the battle for control throughout history over reproduction, birth and women's bodies - a fight still raging in many places across the world. With birth rates falling and infant mortality in many societies on the rise once more, this bold and timely book raises vital questions about how we think about motherhood and pregnancy today. Lucy Inglis has spent over a decade researching the history of childbirth, drawing on new and unseen sources from a wide-ranging array of disciplines. Charting the powerful interests and dedicated scientists that have shaped women's maternal experiences, this is a must-read for anyone who wishes to understand how we all came to be here.