"I dance. Naked. For large (and occasionally insultingly modest) sums of money." It all started five years ago in Sydney, Australia when she was just 23: “I still wanted to be a traveler, just not a poor one anymore. So I shaved my legs and bush, showed up to the first Google search result that came up for ‘gentlemen’s club Sydney,’ got naked for this old fat guy named Jim and, to my surprise, I liked it. A lot.”

A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.In May of 2022, Columbia University’s Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary’s Baby and Johnson had a sudden horror cinema engages directly with the combustive politics of women’s rights and offer a light through the darkness and an outlet to scream. With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives. While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power.

Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love, and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different from our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or where the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule. In this richly illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored, and experienced their physical selves in the Middle Ages, from Constantinople to Cairo and Canterbury. Unfolding like a medieval pageant, and filled with saints, soldiers, caliphs, queens, monks and monstrous beasts, this book throws light on the medieval body from head to toe―revealing the surprisingly sophisticated medical knowledge of the time. Bringing together medicine, art, music, politics, philosophy, religion, and social history, Hartnell's work is an excellent guide to what life was really like for the men and women who lived and died in the Middle Ages. Perfumed and decorated with gold, fetishized or tortured, powerful even beyond death, these medieval bodies are not passive and buried away; they can still teach us what it means to be human.

An alternative cover edition for this ISBN can be found here. Olive Torres is used to being the unlucky twin: from inexplicable mishaps to a recent layoff, her life seems to be almost comically jinxed. By contrast, her sister, Ami, is an eternal champion . . . she even managed to finance her entire wedding by winning a slew of contests. Unfortunately for Olive, the only thing worse than constant bad luck is having to spend the wedding day with the best man (and her nemesis), Ethan Thomas. Olive braces herself for wedding hell, determined to put on a brave face, but when the entire wedding party gets food poisoning, the only people who aren’t affected are Olive and Ethan. Suddenly there’s a free honeymoon up for grabs, and Olive will be damned if Ethan gets to enjoy paradise solo. Agreeing to a temporary truce, the pair head for Maui. After all, ten days of bliss are worth having to assume the role of loving newlyweds, right? But the weird thing is . . . Olive doesn't mind playing pretend. In fact, the more she pretends to be the luckiest woman alive, the more it feels like she might be.

Falling in love just got sweeter in this charming, romantic YA graphic novel from WEBTOON, the #1 digital comic platform. Ray, a young seer struggling with her powers, discovers first love and friendship in her town's magic bakery. In a very special town, there’s an even more unusual bakery with a selection of baked treats hand-crafted to help your dreams come true. For Ray, a quiet young woman with special powers of her own, the order is always the same: a hot tea with a delicious side of romance. When Ray meets Laurie, the kind barista who aspires to be a professional musician, she gets a real taste of love for the first time. But even with a spark of magic, romance isn’t so simple. Both Ray and Laurie are chasing their own dreams and even when Ray starts to see the future, she can’t predict her fate with Laurie. Based on the beloved webcomic from WEBTOON, this sweet coming-of-age story of friendship and first love comes to life in graphic novel format with gorgeous illustrations and exclusive content.

A second chance at love is in the cards for two women working a stylish California wedding in this charming debut romance. If Kit Larson believes one thing, it’s that the cards never lie. She’s seen it proven time and time again as a tarot reader and mystic influencer. But unfortunately the cards didn’t warn her about her most recent breakup or her parents’ divorce, so when Kit is offered a gig at another influencer’s boho-chic Joshua Tree wedding she accepts for the distraction. And distract it does when she finds out her high school crush, Julia, is the wedding planner. Julia Kelley is her agency’s most sought-after wedding planner, and for a good reason—she's a perfectionist. Control means never showing others the vulnerable, blobby mess she really is deep down inside. Having an ex-girlfriend in the bridal party is a problem, sure, but reconnecting with the beautiful tarot reader who broke her heart as a teenager is so much worse. Kit’s cards once told her that she and Julia were Twin Flames, two halves of the same soul. With wedding events pushing them together, their spark reignites . . . and so does a chance at being lovers.

Ross Gay’s The Book of Delights is a genre-defying book of essays—some as short as a paragraph; some as long as five pages—that record the small joys that occurred in one year, from birthday to birthday, and that we often overlook in our busy lives. His is a meditation on delight that takes a clear-eyed view of the complexities, even the terrors, in his life, including living in America as a black man; the ecological and psychic violence of our consumer culture; the loss of those he loves. Among Gay’s funny, poetic, philosophical delights: the way Botan Rice Candy wrappers melt in your mouth, the volunteer crossing guard with a pronounced tremor whom he imagines as a kind of boat-woman escorting pedestrians across the River Styx, a friend’s unabashed use of air quotes, pickup basketball games, the silent nod of acknowledgment between black people. And more than any other subject, Gay celebrates the beauty of the natural world—his garden, the flowers in the sidewalk, the birds, the bees, the mushrooms, the trees. This is not a book of how-to or inspiration, though it could be read that way. Fans of Roxane Gay, Maggie Nelson, and Kiese Laymon will revel in Gay’s voice, and his insights. The Book of Delights is about our connection to the world, to each other, and the rewards that come from a life closely observed. Gay’s pieces serve as a powerful and necessary reminder that we can, and should, stake out a space in our lives for delight.  Preface 1. My Birthday, Kinda 2. Inefficiency 3. Flower in the Curb 4. Blowing It Off 5. Hole in the Head 6. Remission Still 7. Praying Mantis 8. The Negreeting 9. The High-Five from Strangers, Etc 10. Writing by Hand 11. Transplanting 12. Nicknames 13. But, Maybe .. 14. "Joy Is Such a Human Madness 15. House Party 16. Hummingbird 17. Just a Dream 18. "That's Some Bambi Shit" .. 19. The Irrepressible: The Gratitudes 20. Tap Tap 21. Coffee without the Saucer 22. Lily on the Pants 23. Sharing a Bag 24. Umbrella in the Café 25. Beast Mode 26. Airplane Rituals 27. Weirdly Untitled 28. Pecans 29. The Do-Over 30. Infinity 31. Ghost 32. Nota Bene 33. "Love Me in a Special Way" 34. "Stay," by Lisa Loeb 35. Stacking Delights 36. Donny Hathaway on Pandora 37. "To Spread the Sweetness of Love" 38. Baby, Baby, Baby 39. "REPENT OR BURN" 40. Giving My Body to the Cause 41. Among the Rewards of My Sloth . . 42. Not Grumpy Cat 43. Some Stupid Shit 44. Not Only . . 45. Microgentrification: WE BUY GOLD 46. Reading Palms 47. The Sanctity of Trains 48. Bird Feeding 49. Kombucha in a Mid-century Glass 50. Hickories 51. Annoyed No More 52. Toto 53. Church Poets 54. Public Lying Down 55. Babies. Seriously 56. "My Life, My Life, My Life, My Life in the Sunshine 57. Incorporation 58. Botan Rice Candy 59. Understory 60. "Joy Is Such a Human Madness": The Duff Between Us 61. "It's Just the Day I'm Having" .. 62. The Purple Cornets of Spring 63. The Volunteer 64. Fishing an Eyelash: Two or Three Cents on the Virtues of the Poetry Reading 65. Found Things 66. Found Things (2) 67. Cuplicking 68. Bobblehead 69. The Jenky 70. The Crow's Ablutions 71. Flowers in the Hands of Statues 72. An Abundance of Public Toilets 73. The Wave of Unfamiliars 74. Not for Nothing 75. Bindweed ... Delight? 76. Dickhead 77. Ambiguous Signage Sometimes 78. Heart to Heart 79. Caution: Bees on Bridge 80. Tomato on Board 81. Purple-Handed 82. Name: Kayte Young; Phone Number: 555-867-5309 83. Still Processing 84. Fireflies 85. My Scythe Jack 86. Pawpaw Grove 87. Loitering 88. Touched 89. Scat 90. Get Thee to the Nutrient Cycle! 91. Pulling Carrots 92. Filling the Frame 93. Reckless Air Quotes 94. Judith Irene Gay, Aged Seventy-six Today! 95. Rothko Backboard 96. The Marfa Lights 97. The Carport 98. My Garden (Book): 99. Black Bumblebees! 100. Grown 101. Coco-baby 102. My Birthday

Cultural archetypes have long been used to subjugate women, binding them within the restrictive roles of Venus, bride, wife, mother, and monster. These portrayals echo throughout the paintings and sculptures of western art—Titian, Botticelli, and Giambologna—and more contemporaneously in fashion photographs, ads, and across social media. By society empowering men to represent women, women imbibe a distorted vision of themselves and their bodies, coming up against notions of impossible beauty, idealized passivity and violence, and horrifying Medusas. In this impassioned work, art historian Catherine McCormack evaluates the production and display of portrayals of women, exposing the underlying meanings, whether overt or symbolic. She counters them by turning to women artists like Berthe Morisot, Beyoncé, Suzanne Lacy, and Faith Ringgold. These women have been overturning confining depictions of identity, sexuality, race, and power to explore the breadth and multiplicity of women’s visions of their own lives.

Art historian Catherine McCormack challenges how culture teaches us to see and value women, their bodies, and their lives. Venus, maiden, wife, mother, monster―women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art―think Titian, Botticelli, and Millais―and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women’s identity, sexuality, race, and power in more complex ways. 20 illustrations

Through the unforgettable stories of five Atlanta families, this landmark work of journalism exposes a new and troubling trend—the dramatic rise of the “working homeless” in cities across America The working homeless. In a country where hard work and determination are supposed to lead to success, there is something scandalous about this phrase. But skyrocketing rents, low wages, and a lack of tenant rights have produced a startling People with full-time jobs cannot keep a roof over their head, especially in America’s booming cities, where rapid growth is leading to catastrophic displacement. These families are being forced into homelessness not by a failing economy but a thriving one. In this gripping and deeply reported book, Brian Goldstone plunges readers into the lives of five Atlanta families struggling to remain housed in a gentrifying, increasingly unequal city. Maurice and Natalia make a fresh start in the country’s “Black Mecca” after being priced out of DC. Kara dreams of starting her own cleaning business while mopping floors at a public hospital. Britt scores a coveted housing voucher. Michelle is in school to become a social worker. Celeste toils at her warehouse job while undergoing treatment for ovarian cancer. Each of them aspires to provide a decent life for their children—and each of them, one by one, joins the ranks of the nation’s working homeless. Through intimate, novelistic portraits, Goldstone reveals the human cost of this crisis, following parents and their kids as they go to sleep in cars, or in squalid extended-stay hotel rooms, and head out to their jobs and schools the next morning. These are the nation’s hidden homeless—omitted from official statistics, and proof that overflowing shelters and street encampments are only the most visible manifestation of a far more pervasive problem. By turns heartbreaking and urgent, There Is No Place for Us illuminates the true magnitude, causes, and consequences of the new American homelessness—and shows that it won’t be solved until housing is treated as a fundamental human right.

On the morning of April 29, 1986, a fire alarm sounded in the Los Angeles Public Library. As the moments passed, the patrons and staff who had been cleared out of the building realized this was not the usual fire alarm. As one fireman recounted, “Once that first stack got going, it was ‘Goodbye, Charlie.’” The fire was disastrous: it reached 2000 degrees and burned for more than seven hours. By the time it was extinguished, it had consumed four hundred thousand books and damaged seven hundred thousand more. Investigators descended on the scene, but more than thirty years later, the mystery remains: Did someone purposefully set fire to the library—and if so, who? Weaving her lifelong love of books and reading into an investigation of the fire, award-winning New Yorker reporter and New York Times bestselling author Susan Orlean delivers a mesmerizing and uniquely compelling book that manages to tell the broader story of libraries and librarians in a way that has never been done before. In The Library Book, Orlean chronicles the LAPL fire and its aftermath to showcase the larger, crucial role that libraries play in our lives; delves into the evolution of libraries across the country and around the world, from their humble beginnings as a metropolitan charitable initiative to their current status as a cornerstone of national identity; brings each department of the library to vivid life through on-the-ground reporting; studies arson and attempts to burn a copy of a book herself; reflects on her own experiences in libraries; and reexamines the case of Harry Peak, the blond-haired actor long suspected of setting fire to the LAPL more than thirty years ago. Along the way, Orlean introduces us to an unforgettable cast of characters from libraries past and present—from Mary Foy, who in 1880 at eighteen years old was named the head of the Los Angeles Public Library at a time when men still dominated the role, to Dr. C.J.K. Jones, a pastor, citrus farmer, and polymath known as “The Human Encyclopedia” who roamed the library dispensing information; from Charles Lummis, a wildly eccentric journalist and adventurer who was determined to make the L.A. library one of the best in the world, to the current staff, who do heroic work every day to ensure that their institution remains a vital part of the city it serves. Brimming with her signature wit, insight, compassion, and talent for deep research, The Library Book is Susan Orlean’s thrilling journey through the stacks that reveals how these beloved institutions provide much more than just books—and why they remain an essential part of the heart, mind, and soul of our country. It is also a master journalist’s reminder that, perhaps especially in the digital era, they are more necessary than ever.