This first-of-its-kind history of starlings in America reveals an oddball, love-hate story at the intersection of human folly, ornithology, and one bird’s tenacious will to endure in hostile territory.

“Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories -- she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there. Coming home is hard enough for Vera, and to make things worse, she and her mother aren’t alone. A parasitic artist has moved into the guest house out back, and is slowly stripping Vera’s childhood for spare parts. He insists that he isn’t the one leaving notes around the house in her father’s handwriting… but who else could it possibly be? There are secrets yet undiscovered in the foundations of the notorious Crowder House. Vera must face them, and find out for herself just how deep the rot goes.

What would you change if you could go back in time? In a small back alley in Tokyo, there is a café which has been serving carefully brewed coffee for more than one hundred years. But this coffee shop offers its customers a unique experience: the chance to travel back in time. In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know. But the journey into the past does not come without risks: customers must sit in a particular seat, they cannot leave the café, and finally, they must return to the present before the coffee gets cold . . . Toshikazu Kawaguchi’s beautiful, moving story explores the age-old question: what would you change if you could travel back in time? More importantly, who would you want to meet, maybe for one last time?

A contemporary dystopian elegy narrated by a cat imprisoned in a Schrödinger’s box, by the prizing-winning poet and memoirist whose writing "cuts to the core with electrifying force" (The Free-Lance Star). The indelible cat heroine of this unexpected tale recalls her life with “the Mustache,” her beloved owner. Trapped in a one-way mirrored box, displayed in a classroom for people who must contemplate her fate as part of their training to become "Emotional Support Humans," she weaves a self-soothing paean to the poetry, music, and creature comforts she shared with her Mustache—the best products of a society that has gone off the rails in its violence and intolerance. The trainees in the room, a motley crew our kitty describes with a novelistic flair of her own, are assigned to consider what they feel about her. They also argue about whether there’s really a cat in there, or are they just being manipulated? Their daily required quizzes, reproduced in each chapter, are as poignant and witty as our narrator herself; meanwhile, the mystery of her cat-kidnapping is revealed to us, along with her potential next move on a more spectral plane. An elegy to freedom, dignity, and connection for all living beings, this slim novel engenders powerful feelings in the reader, as it shows us to ourselves from the other side of the mirror.

Young Rhea is a miller’s daughter of low birth, so she is understandably surprised when a mysterious nobleman, Lord Crevan, shows up on her doorstep and proposes marriage. Since commoners don’t turn down lords—no matter how sinister they may seem—Rhea is forced to agree to the engagement. Lord Crevan demands that Rhea visit his remote manor before their wedding. Upon arrival, she discovers that not only was her betrothed married six times before, but his previous wives are all imprisoned in his enchanted castle. Determined not to share their same fate, Rhea asserts her desire for freedom. In answer, Lord Crevan gives Rhea a series of magical tasks to complete, with the threat “Come back before dawn, or else I’ll marry you.” With time running out and each task more dangerous and bizarre than the last, Rhea must use her resourcefulness, compassion, and bravery to rally the other wives and defeat the sorcerer before he binds her to him forever. Revised edition: This edition of The Seventh Bride includes editorial revisions.

A historical tapestry of border-crossing travelers, of students, wanderers, martyrs and invaders, The White Mosque is a memoiristic, prismatic record of a journey through Uzbekistan and of the strange shifts, encounters, and accidents that combine to create an identity. In the late nineteenth century, a group of German-speaking Mennonites traveled from Russia into Central Asia, where their charismatic leader predicted Christ would return. Over a century later, Sofia Samatar joins a tour following their path, fascinated not by the hardships of their journey, but by its aftermath: the establishment of a small Christian village in the Muslim Khanate of Khiva. Named Ak Metchet, “The White Mosque,” after the Mennonites’ whitewashed church, the village lasted for fifty years. In pursuit of this curious history, Samatar discovers a variety of characters whose lives intersect around the ancient Silk Road, from a fifteenth-century astronomer-king, to an intrepid Swiss woman traveler of the 1930s, to the first Uzbek photographer, and explores such topics as Central Asian cinema, Mennonite martyrs, and Samatar’s own complex upbringing as the daughter of a Swiss-Mennonite and a Somali-Muslim, raised as a Mennonite of color in America. A secular pilgrimage to a lost village and a near-forgotten history, The White Mosque traces the porous and ever-expanding borders of identity, asking: How do we enter the stories of others? And how, out of the tissue of life, with its weird incidents, buried archives, and startling connections, does a person construct a self? Finalist for the 2023 PEN/Jean Stein Book Award. Winner of the 2023 Bernard J. Brommel Award for Biography & Memoir (Midland Authors Book Award).

“Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories -- she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there. Coming home is hard enough for Vera, and to make things worse, she and her mother aren’t alone. A parasitic artist has moved into the guest house out back, and is slowly stripping Vera’s childhood for spare parts. He insists that he isn’t the one leaving notes around the house in her father’s handwriting… but who else could it possibly be? There are secrets yet undiscovered in the foundations of the notorious Crowder House. Vera must face them, and find out for herself just how deep the rot goes.