Claire Keegan's piercing contemporary classic Foster is a heartbreaking story of childhood, loss, and love; now released as a standalone book for the first time ever in the US It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household--where everything is so well tended to--and this summer must soon come to an end. A story of astonishing emotional depth now expanded and newly revised in a standalone edition, Foster showcases Claire Keegan's great talent and cements her reputation as one of our most important and prodigious storytellers.

The long-awaited new novel from the author of global sensation Tender Is the Flesh: a thrilling work of literary horror about a woman cloistered in a secretive, violent religious order, while outside the world has fallen into chaos. From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe. But when a stranger makes her way past the convent walls, joining the ranks of the unworthy, she forces the narrator to consider her long-buried past—and what she may be overlooking about the Enlightened. As the two women grow closer, the narrator is increasingly haunted by questions about her own past, the environmental future, and her present life inside the convent. How did she get to the Sacred Sisterhood? Why can’t she remember her life before? And what really happens when a woman is chosen as one of the Enlightened? A searing, dystopian tale about climate crisis, ideological extremism, and the tidal pull of our most violent, exploitative instincts, this is another unforgettable novel from a master of feminist horror.

A delirious and gripping story of fatherhood and masculinity, told through the reimagined destinies of Greek mythic figures Daedalus, Icarus, King Minos, and the Minotaur. Daedalus of Crete is many things. The greatest architect in the world. The constructor of the Labyrinth that imprisoned the Minotaur. And the grieving father of Icarus—plunged into the sea as father and son flew from the grasp of the tyrannical King Minos. Now that Daedalus is dead, he seeks to reunite with Icarus in the Underworld. Daedalus will confront any terror to see his son again—whether it be the vengeful spirit of Minos, the cunning Queen Persephone, or even the insatiable ghost of the Minotaur. But a shocking realization follows in his wake. As Daedalus encounters the souls from his past, he begins to worry that his identity as a husband and father, mentor and friend was all a lie. And that the truth, stalking him in the labyrinth of his own heart, might be too monstrous for him to bear.

'I regret to see that my book has turned out un fiasco solenne.' James Joyce's disillusion with the publication of Dubliners in 1914 was the result of ten years battling with publishers, resisting their demands to remove swear words, real place names and much else, including two entire stories. Although only 24 when he signed his first publishing contract for the book, Joyce already knew its worth: to alter it in any way would 'retard the course of civilisation in Ireland'. Joyce's aim was to tell the truth — to create a work of art that would reflect life in Ireland at the turn of the last century and by rejecting euphemism, reveal to the Irish the unromantic reality the recognition of which would lead to the spiritual liberation of the country. Each of the fifteen stories offers a glimpse of the lives of ordinary Dubliners — a death, an encounter, an opportunity not taken, a memory rekindled — and collectively they paint a portrait of a nation.