Rachel and Adam are sent to stay with their grandmother, following their parents' divorce. But the quiet English village is a sinister, unsettling place. Is there a dark heart beating beneath the thatched roofs of Triskellion?

Horror Movie meets the scope and emotion of Stephen King in this heart-pounding, magnetic tour de force novel, destined to become an instant classic, about a woman pulled into a cult horror film that is determined to have a sequel, by critically acclaimed author Michael Wehunt. This program features light sound design throughout.Ten years ago, Jorie Stroud was the rising star of the October Film Haunt – a trio of horror enthusiasts who camped out at the filming locations of their favorite scary movies, sharing their love through their popular blog. But after a night in the graveyard from Proof of Demons – perhaps the most chilling cult film ever made, directed by the enigmatic Hélène Enriquez – everything unraveled.Now, Jorie has built an isolated life with her young son in Vermont. In the devastating wake of her viral, truth-stretching Proof of Demons blog entry — hysteria, internet backlash, and the death of a young woman — Jorie has put it all, along with her intense love for the horror genre, behind her.Until a videotape arrives in the mail. Jorie fears someone might be filming her. And the “Rickies” – Enriquez obsessives who would do anything for the reclusive director – begin to cross lines in shocking ways. It seems Hélène Enriquez is making a new kind of sequel…and Jorie is her final girl.As the dangers grow even more unexpected and strange, Jorie must search for answers before the Proof of the movie’s title finds her and takes everything she loves.This riveting and layered horror novel unleashes supernatural terror in a world where truth can be manipulated, and nothing is as it seems. Beautiful and horrifying, with an unforgettable cast of characters, The October Film Haunt will shock and delight readers all the way to its breathless final page."So unique and steeped in 21st century paranoia and dread you won't be able to read this alone at night." —Paul Tremblay"The horror in here is palpable, but the writing itself is just as How can one pen have this many good lines in it?" -Stephen Graham JonesA Macmillan Audio production from St. Martin’s Press

A single mother working in the gothic mansion of a reclusive horror director stumbles upon terrifying secrets. Harry Adams loves horror movies, so it’s no coincidence that she accepted a job cleaning house for horror-movie director Javier Castillo. His forbidding gray-stone Chicago mansion, Bright Horses, is filled from top to bottom with terrifying props and costumes as well as glittering awards from his career making movies that thrilled audiences—until family tragedy and scandal forced him to vanish from the industry. Javier values discretion, and Harry always tries to keep the house immaculate, her head down, and her job safe. Then she hears noises from behind a locked door, noises that sound remarkably like a human voice calling for help. Harry knows not asking questions is a vital part of keeping her job, but she soon discovers that the house may be home to secrets she can’t ignore.

A New York couple's dream of a summer retreat turns into a nightmare when they rent a serene old mansion

From the Man Booker Prize-winning author of The Sea and Ancient Light, a new novel--at once trenchant, witty, and shattering--about the intricacies of artistic creation and theft, and about the ways in which we learn to possess one another, and to hold on to ourselves.Equally self-aggrandizing and self-deprecating, our narrator, Oliver Otway Orme, is a painter of some renown, and a petty thief who does not steal for profit and has never before been caught. But he's pushing fifty, feels like a hundred, and things have not been going so well lately. Having recognized the "man-killing crevasse" that exists between what he sees and any representation he might make of it--any attempt to make what he sees his own--he's stopped painting. And his last purloined possession--aquired the last time he felt the "secret shiver of bliss" in thievery--has been discovered. The fact that it was the wife of the man who was, perhaps, his best friend, has compelled him to run away: from his mistress, his home, his wife, from whatever remains of his impulse to paint and from the tragedy that haunts him, and to sequester himself in the house where he was born, trying to uncover in himself the answer to how and why things have turned out as they did. Excavating memories of family, of places he's called home, and of the way he has apprehended the world around him ("no matter what else is going on, one of my eyes is always swivelling towards the world beyond"), Ollie reveals the very essence of a man who, in some way, has always been waiting to be rescued from himself.

Perfectly preserved in black peat, the Man in the Moss is one of the most fascinating finds of the century. But for the isolated community of Bridelow, his removal is a sinister sign—a danger to the ancient spiritual tradition. In the weeks approaching the Celtic feast of the dead, tragedy strikes again and again in Bridelow. And, as zealots challenge an older, gentler faith, the village faces a natural disaster unknown since the reign of Henry VII.

In the lineage of Peter Straub's Julia, Scott Thomas’ Violet is the disturbing tale of a woman haunted by her long-abandoned imaginary friend. For many children, the summer of 1988 was filled with sunshine and laughter. But for ten-year-old Kris Barlow, it was her chance to say goodbye to her dying mother. Three decades later, loss returns—her husband killed in a car accident. And so, Kris goes home to the place where she first knew pain—to that summer house overlooking the crystal waters of Lost Lake. It’s there that Kris and her eight-year-old daughter will make a stand against grief. But a shadow has fallen over the quiet lake town of Pacington, Kansas. Beneath its surface, an evil has grown—and inside that home where Kris Barlow last saw her mother, an old friend awaits her return.

Once there was a girl who ran away and joined a traveling carnival. She married a man she grew to hate — and gave birth to a child she could never love. A child so monstrous that she killed it with her own hands... Twenty-five years later, Ellen Harper has a new life, a new husband, and two normal children — Joey loves monster movies, and Amy is about to graduate from high school. But their mother drowns her secret guilt in alcohol and prayer. The time has come for Amy and Joey to pay for her sins… Because Amy is pregnant. And the carnival is coming back to town.