PRE-ORDER WE CALL THEM WITCHES NOW, THE HORROR STEEPED IN PAGAN FOLKLORE AND A SAPPHIC ROMANCE SET IN A POST-APOCOLYPTIC WORLD FULL OF HUNGRY ELDRITCH CREATURES . . . -- Most people have been devoured by the eldritch creatures, but Sara and her family have been fighting for survival, armed with their knowledge of folklore and pagan rituals - the only weapon that seems to work against these monsters. And then a young woman, Parsley, comes out of nowhere into Sara's life. Found in their garden, they have no idea where she is from. Sara and Parsley begin to fall in love, but disaster strikes when Sara’s brother Noah is taken by the creatures. They set out to find him, across a landscape of merciless terror, haunted by death. But can Parsley truly be trusted in a world where humanity is as scarse as humans themselves?

Just as Freakonomics brought economics to life, so Storm in a Teacup brings physics into our daily lives and makes it fascinating. What is it that helps both scorpions and cyclists to survive? What do raw eggs and gyroscopes have in common? And why does it matter?In an age of string theory, fluid dynamics and biophysics, it can seem as if the science of our world is only for specialists and academics. Not so, insists Helen Czerski – and in this sparkling new book she explores the patterns and connections that illustrate the grandest theories in the smallest everyday objects and experiences.Linking what makes popcorn pop to Antarctic winds, coffee stains to blood tests or ketchup bottles to aliens in space, every thread you pull in the fabric of everyday life shows you something new about the intricate patterns of our world.Read Storm in a Teacup and you will see and understand the world as you never did before.

A high-stakes drama set against the harsh beauty of the Maine wilderness, charting the journey of four friends as they fight to survive the aftermath of a white water rafting accident, The River at Night is a nonstop and unforgettable thriller. Winifred Allen needs a vacation. Stifled by a soul-crushing job, devastated by the death of her beloved brother, and lonely after the end of a fifteen-year marriage, Wini is feeling vulnerable. So when her three best friends insist on a high-octane getaway for their annual girls’ trip, she signs on, despite her misgivings. What starts out as an invigorating hiking and rafting excursion in the remote Allagash Wilderness soon becomes an all-too-real nightmare: A freak accident leaves the women stranded, separating them from their raft and everything they need to survive. When night descends, a fire on the mountainside lures them to a ramshackle camp that appears to be their lifeline. But as Wini and her friends grasp the true intent of their supposed saviors, long buried secrets emerge and lifelong allegiances are put to the test. To survive, Wini must reach beyond the world she knows to harness an inner strength she never knew she possessed. With intimately observed characters, visceral prose, and pacing as ruthless as the river itself, The River at Night is a dark exploration of creatures—both friend and foe—that you won’t soon forget.

In his long-awaited first novel, American master George Saunders delivers his most original, transcendent, and moving work yet. Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other—for no one but Saunders could conceive it. February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. "My poor boy, he was too good for this earth," the president says at the time. "God has called him home." Newspapers report that a grief-stricken Lincoln returned to the crypt several times alone to hold his boy's body. From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie's soul. Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction's ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

The stunning second novel from National Book Award finalist Andrew Krivak - a heartbreaking, captivating story about a family awaiting the return of their youngest son from the Vietnam War. In a small town in Pennsylvania's Endless Mountains Hannah and her son Bo mourn the loss of the family patriarch, Jozef Vinich. They were three generations under one roof. Three generations, but only one branch of a scraggy tree; they are a war-haunted family in a war-torn century. Having survived the trenches of World War I as an Austro-Hungarian conscript, Vinich journeyed to America and built a life for his family. His daughter married the Hungarian-born Bexhet Konar, who enlisted to fight with the Americans in the Second World War but brought disgrace on the family when he was imprisoned for desertion. He returned home to Pennsylvania a hollow man, only to be killed in a hunting accident on the family's land. Finally, in 1971, Hannah's prodigal younger son, Sam, was reported MIA in Vietnam. And so there is only Bo, a quiet man full of conviction, a proud work ethic, and a firstborn's sense of duty. He is left to grieve but also to hope for reunion, to create a new life, to embrace the land and work its soil through the seasons. The Signal Flame is a stirring novel about generations of men and women and the events that define them, brothers who take different paths, the old European values yielding to new world ways, and the convalescence of memory and war. Beginning shortly after Easter in 1972 and ending on Christmas Eve this ambitious novel beautifully evokes ordinary time, a period of living and working while waiting and watching and expecting. The Signal Flame is gorgeously written, honoring the cycles of earth and body, humming with blood and passion, and it confirms Andrew Krivak as a writer of extraordinary vision and power.

Amsterdam, 1943. Hanneke spends her days procuring and delivering sought-after black market goods to paying customers, her nights hiding the true nature of her work from her concerned parents, and every waking moment mourning her boyfriend, who was killed on the Dutch front lines when the Germans invaded. She likes to think of her illegal work as a small act of rebellion. On a routine delivery, a client asks Hanneke for help. Expecting to hear that Mrs. Janssen wants meat or kerosene, Hanneke is shocked by the older woman's frantic plea to find a person - a Jewish teenager Mrs. Janssen had been hiding, who has vanished without a trace from a secret room. Hanneke initially wants nothing to do with such dangerous work, but is ultimately drawn into a web of mysteries and stunning revelations that lead her into the heart of the resistance, open her eyes to the horrors of the Nazi war machine, and compel her to take desperate action. Beautifully written, intricately plotted, and meticulously researched, Girl in the Blue Coat is an extraordinary, gripping novel from a bright new voice.

Perfectly preserved in black peat, the Man in the Moss is one of the most fascinating finds of the century. But for the isolated community of Bridelow, his removal is a sinister sign—a danger to the ancient spiritual tradition. In the weeks approaching the Celtic feast of the dead, tragedy strikes again and again in Bridelow. And, as zealots challenge an older, gentler faith, the village faces a natural disaster unknown since the reign of Henry VII.

When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.