OnionSoup commented on a post from the Pagebound Club forum
I ran across this article on BBC yesterday: https://www.bbc.com/future/article/20260618-the-weird-and-wonderful-libraries-of-finland
This sounds so wonderful and I am so impressed I had to share! Are there any Finnish people here who can confirm Finland really is a library utopia? 😉
I'm lucky enough to live in a city with a good library network and they really do amazing work with events, promoting reading, yearly challenges, book clubs etc, but it's all obviously focused on literature. Being able to use a sowing machine or a 3d printer at a local library sounds like a dream!
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The Virgin Suicides
Jeffrey Eugenides
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E. Lockhart
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Sponsored Limited Time Quest (June 17-Dec 31, 2026): 6 genre-spanning books featuring queer storylines, mystery, romance, and gothic horror.
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Upside-Down Magic (Upside-Down Magic, #1)
Sarah Mlynowski
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The Pools
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OnionSoup commented on a post from the Pagebound Club forum
i don't read romance of any kind. i'm not going to explain why, but i just don't! i'm slowly but surely losing my love for reading because anything that sounds remotely interesting to me has a romance plot (or is extremely sex focused). i read a lot of middle grade to get away from this but i'd like to be able to read across age genres. i love horror, magical realism and weird fiction in general but i'm open to anything.
i'd really appreciate any and all recommendations, thank you
OnionSoup commented on a post from the Pagebound Club forum
Got a curious question to everyone who reads classics or studied them for their English literature degree.
Did you ever read a classic that turns out to be "bad" (you can define for yourself what "bad" can mean: outdated commentary, politically incorrect takes, horrible writing, unreadability, dislike, etc.)? Or when do you decide that the classic you are reading is "bad"? (Is it even possible to find a "bad" classic as opinions are subjective?)
I guess to narrow the term "classic" down, I'm figuring that this mainly covers the literary works you're analysing in schools or in the majority of university courses. And they mainly consist of works that are older than those published in the later half of the 20th century (but I also don't mind discussing more "modern classics").
Feel free to rant ahead with the takes you have! There are only three classics (well one of them is a required school reading) which I did not enjoy at all:
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Search for identity: Huang Chunming's "Sayonara-Zaijian"
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