A radiant new memoir from beloved artist and writer Patti Smith, author of the National Book Award winner Just KidsGod whispers through a crease in the wallpaper, writes Patti Smith in this indelible account of her life as an artist. A post–World War II childhood unfolds in a condemned housing complex described in Dickensian consumptive children, vanishing neighbors, an infested rat house, and a beguiling book of Irish fairy tales. We enter the child’s world of the imagination where Smith, the captain of her loyal and beloved sibling army, vanquishes bullies, communes with the king of tortoises, and searches for sacred silver pennies.The most intimate of Smith’s memoirs, Bread of Angels takes us through her teenage years when the first glimmers of art and romance take hold. Arthur Rimbaud and Bob Dylan emerge as creative heroes and role models as Smith starts to write poetry, then lyrics, merging both into the iconic recordings and songs such as Horses and Easter, “Dancing Barefoot” and “Because the Night.”She leaves it all behind to marry her one true love, Fred “Sonic” Smith, with whom she creates a life of devotion and adventure on a canal in St. Clair Shores, Michigan, with ancient willows and fulsome pear trees. She builds a room of her own, furnished with a pillow of Moroccan silk, a Persian cup, inkwell and fountain pen. The couple spend nights in their landlocked Chris-Craft studying nautical maps and charting new adventures as they start their family.As Smith suffers profound losses, grief and gratitude are braided through years of caring for her children, rebuilding her life, and, finally, writing again—the one constant on a path driven by artistic freedom and the power of the imagination to transform the mundane into the beautiful, the commonplace into the magical, and pain into hope. In the final pages, we meet Patti Smith on the road again, the vagabond who travels to commune with herself, who lives to write and writes to live.

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.

Honestly, sometimes I think it’s the only recourse. Killing men in times like these.Joan has spent a lifetime enduring the cruel acts of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child—that has haunted her every waking moment—while forging the power to finally strike back. Here is the electrifying debut novel from Lisa Taddeo, author of the #1 New York Times bestseller and international phenomenon Three Women, which was named to more than thirty best-of-the-year lists and hailed as “a dazzling achievement” (Los Angeles Times) and “a heartbreaking, gripping, astonishing masterpiece” (Esquire). Animal is a depiction of female rage at its rawest, and a visceral exploration of the fallout from a male-dominated society. With writing that scorches and mesmerizes, Taddeo illustrates one woman’s exhilarating transformation from prey into predator.

So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes—a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared. The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father’s caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys’ prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings. Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen’s story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature. Ottessa Moshfegh is also the author of My Year of Rest and Relaxation, Homesick for Another World: Stories, and McGlue.

In the cult classic novel Bunny, Samatha Heather Mackey, a lonely outsider student at a highly selective MFA program in New England, was first ostracized and then seduced by a clique of creepy-sweet rich girls who call themselves “Bunny.” An invitation to the Bunnies’ Smut Salon leads Samantha down a dark rabbit hole (pun intended) into the violently surreal world of their off-campus workshops where monstrous creations are conjured with deadly and wondrous consequences. When We Love You, Bunny opens, Sam has just published her first novel to critical acclaim. But at a New England stop on her book tour, her one-time frenemies, furious at the way they’ve been portrayed, kidnap her. Now a captive audience, it’s her (and our) turn to hear the Bunnies’ side of the story. One by one, they take turns holding the axe, and recount the birth throes of their unholy alliance, their discovery of their unusual creative powers—and the phantasmagoric adventure of conjuring their first creation. With a bound and gagged Sam, we embark on a wickedly intoxicating journey into the heart of dark academia: a fairy tale slasher that explores the wonder and horror of creation itself. Not to mention the transformative powers of love and friendship, Bunny. Frankenstein by way of Heathers, We Love You, Bunny is both a prequel and a sequel, and an unabashedly wild and totally complete stand-alone novel. Open your hearts, Bunny, to another dazzlingly original and darkly hilarious romp in the Bunny-verse from the queen of the fever-dream, Mona Awad.

In the cult classic novel Bunny, Samatha Heather Mackey, a lonely outsider student at a highly selective MFA program in New England, was first ostracized and then seduced by a clique of creepy-sweet rich girls who call themselves “Bunny.” An invitation to the Bunnies’ Smut Salon leads Samantha down a dark rabbit hole (pun intended) into the violently surreal world of their off-campus workshops where monstrous creations are conjured with deadly and wondrous consequences. When We Love You, Bunny opens, Sam has just published her first novel to critical acclaim. But at a New England stop on her book tour, her one-time frenemies, furious at the way they’ve been portrayed, kidnap her. Now a captive audience, it’s her (and our) turn to hear the Bunnies’ side of the story. One by one, they take turns holding the axe, and recount the birth throes of their unholy alliance, their discovery of their unusual creative powers—and the phantasmagoric adventure of conjuring their first creation. With a bound and gagged Sam, we embark on a wickedly intoxicating journey into the heart of dark academia: a fairy tale slasher that explores the wonder and horror of creation itself. Not to mention the transformative powers of love and friendship, Bunny. Frankenstein by way of Heathers, We Love You, Bunny is both a prequel and a sequel, and an unabashedly wild and totally complete stand-alone novel. Open your hearts, Bunny, to another dazzlingly original and darkly hilarious romp in the Bunny-verse from the queen of the fever-dream, Mona Awad.

Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.

The beloved Los Angeles astrologer with more than one million fans shows a new generation how to use astrology as a tool for self-discovery, success, and self-care in this revolutionary guide. Modern astrology isn’t about passively accepting our fate, it’s about action, and beloved astrologer Chani Nicholas shows you how to bring this life-changing practice into your life and embrace self-empowerment, intentionality, and spirituality. Gone are the days of "on Tuesday you will meet your prince charming" horoscopes. Instead, Nicholas is spearheading a radical new approach to astrology. In her hip, inspirational weekly horoscopes, she doesn’t tell readers what will happen to them. Instead, she encourages her devotees to take control—to confront themselves, their desires, and their needs—to fulfill their potential using the power of the stars. Written in her lyrical, cool-girl, feminist writing style, You Were Born for This explains how knowing your star signs and what they mean for your individual character can be revelatory. Understanding the astrological chart can help you refine your intentions, identify your strengths, recognize areas for growth, become more connected to your core self, and steer you on your spiritual path. In an era when growing numbers of people feel a sense of meaninglessness and a desire to learn more about themselves, You Were Born for This teaches you how to harness the zodiac to help you become more in tune with yourself and your place in the universe.