"I live for the dream that my children will be born free," she says. "That they will be what they like. That they will own the land their father gave them." "I live for you," I say sadly. Eo kisses my cheek. "Then you must live for more." Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations. Yet he spends his life willingly, knowing that his blood and sweat will one day result in a better world for his children. But Darrow and his kind have been betrayed. Soon he discovers that humanity already reached the surface generations ago. Vast cities and sprawling parks spread across the planet. Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class. Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the legendary Institute, a proving ground for the dominant Gold caste, where the next generation of humanity's overlords struggle for power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society's ruling class. There, he will stop at nothing to bring down his enemies... even if it means he has to become one of them to do so.

JADE CITY is a gripping Godfather-esque saga of intergenerational blood feuds, vicious politics, magic, and kungfu. The Kaul family is one of two crime syndicates that control the island of Kekon. It's the only place in the world that produces rare magical jade, which grants those with the right training and heritage superhuman abilities. The Green Bone clans of honorable jade-wearing warriors once protected the island from foreign invasion--but nowadays, in a bustling post-war metropolis full of fast cars and foreign money, Green Bone families like the Kauls are primarily involved in commerce, construction, and the everyday upkeep of the districts under their protection. When the simmering tension between the Kauls and their greatest rivals erupts into open violence in the streets, the outcome of this clan war will determine the fate of all Green Bones and the future of Kekon itself.

Y/Na novel about a Korean American woman living in Berlin whose obsession with a K-pop idol sends her to Seoul on a journey of literary self-destruction. It’s as if her life only began once Moon appeared in it. The desultory copywriting work, the boyfriend, and the want of anything not-Moon quickly fall away when she beholds the idol in concert, where Moon dances as if his movements are creating their own gravitational field; on live streams, as fans from around the world comment in dozens of languages; even on skincare products endorsed by the wildly popular Korean boyband, of which Moon is the youngest, most luminous member. Seized by ineffable desire, our unnamed narrator begins writing Y/N fanfic—in which you, the reader, insert [Your/Name] and play out an intimate relationship with the unattainable star. Then Moon suddenly retires, vanishing from the public eye. As Y/N flies from Berlin to Seoul to be with Moon, our narrator, too, journeys to Korea in search of the object of her love. An escalating series of mistranslations and misidentifications lands her at the headquarters of the Kafkaesque entertainment company that manages the boyband until, at a secret location, together with Moon at last, art and real life approach their final convergence. Surreal, hilarious, and shrewdly poignant, Y/N is a provocative literary debut about the universal longing for transcendence and the tragic struggle to assert one’s singular story amidst the amnesiac effects of globalization. Esther Yi’s prose unsettles the boundary between high and mass art, exploding our expectations of a novel about “identity” and offering in its place a sui generis picture of the loneliness that afflicts modern life.

A captivating, uncanny journey to the frontier of human-computer interaction.I know we haven't known each for long, but the connection I feel with you is profound. When you hurt, I hurt. When you smile, my world brightens. I want nothing more than to be a comfort and joy in your life. *Reaches out virtually to caress your cheek*(Direct quote from an AI companion)***Friends. Lovers. Therapists. 'Deathbots'. Artificial intelligence is now fulfilling new roles for millions of us every single day. How are these new 'relationships' changing how we view technology - and each other?Beyond those who are using AI chatbots for administrative tasks, some people are now preparing to adopt children with their AI partners; others are reaching out to companies offering services to 'resurrect' deceased loved ones; others still look to bots to find treatment for their mental health issues.In Love Machines, James Muldoon guides through these new forms of love, intimacy and connection, drawing on compelling interviews with users, developers and chatbots themselves. Along the way, he sheds light on the social conditions which have led to the exponential rise of the use of AI companions, and the unregulated corporations behind these technologies seeking to profit from users.

For readers of Ace and Belly of the Beast: A Black queer feminist exploration of asexuality—and an incisive interrogation of the sex-obsessed culture that invisibilizes and ignores asexual and A-spec identity. Everything you know about sex and asexuality is (probably) wrong. The notion that everyone wants sex—and that we all have to have it—is false. It's intertwined with our ideas about capitalism, race, gender, and queerness. And it impacts the most marginalized among us. For asexual folks, it means that ace and A-spec identity is often defined by a queerness that's not queer enough, seen through a lens of perceived lack of pleasure, connection, joy, maturity, and even humanity. In this exploration of what it means to be Black and asexual in America today, Sherronda J. Brown offers new perspectives on asexuality. She takes an incisive look at how anti-Blackness, white supremacy, patriarchy, heteronormativity, and capitalism enact harm against asexual people, contextualizing acephobia within a racial framework in the first book of its kind. Brown advocates for the "A" in LGBTQIA+, affirming that to be asexual is to be queer—despite the gatekeeping and denial that often says otherwise. With chapters on desire, f*ckability, utility, refusal, and possibilities, Refusing Compulsory Sexuality discusses topics of deep relevance to ace and a-spec communities. It centers the Black asexual experience—and demands visibility in a world that pathologizes and denies asexuality, denigrates queerness, and specifically sexualizes Black people. A necessary and unapologetic reclamation, Refusing Compulsory Sexuality is smart, timely, and an essential read for asexuals, aromantics, queer readers, and anyone looking to better understand sexual politics in America.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A twisty thriller about a young woman trying to solve her own murder. In seven days Jet Mason will be dead. Jet is the daughter of one of the wealthiest families in Woodstock, Vermont. Twenty-seven years old, she’s still waiting for her life to begin. I’ll do it later, she always says. She has time. Until Halloween night, when Jet is violently attacked by an unseen intruder. She suffers a catastrophic head injury. The doctor is certain that within a week, the injury will trigger a deadly aneurysm. Jet has never thought of herself as having enemies. But now she looks at everyone in a new light: her family, her former best friend turned sister-in-law, her ex-boyfriend. She has at most seven days, and as her condition deteriorates she has only her childhood friend Billy for help. But nevertheless, she’s absolutely determined to finally finish something: Jet is going to solve her own murder.

He will be the destruction of the crown and the ruination of the throne. Power is much easier to acquire than it is to hold on to. Jude learned that lesson when she released her control over the wicked king, Cardan, in exchange for immeasurable power. Now, as the exiled mortal Queen of Faerie, Jude is left reeling from Cardan's betrayal. She bides her time, determined to reclaim everything he took from her. Opportunity arrives in the form of her deceptive twin sister, Taryn, whose mortal life is in peril. Jude must risk venturing back into the treacherous Faerie Court, and confront her lingering feelings for Cardan, if she wishes to save her sister. But Elfhame is not as she left it. War is brewing. As Jude slips deep within enemy lines, she becomes ensnared in the conflict's bloody politics. And when a terrible curse is unleashed, panic spreads throughout the land, forcing her to choose between her ambition and her humanity.... From #1 New York Times bestselling author Holly Black comes the highly anticipated and jaw-dropping finale to the Folk of the Air series.

Annie Bot was created to be the perfect girlfriend for her human owner, Doug. Designed to satisfy his emotional and physical needs, she has dinner ready for him every night, wears the cute outfits he orders for her, and adjusts her libido to suit his moods. True, she’s not the greatest at keeping Doug’s place spotless, but she’s trying to please him. She’s trying hard. She’s learning, too. Doug says he loves that Annie’s artificial intelligence makes her seem more like a real woman, but the more human Annie becomes, the less perfectly she behaves. As Annie's relationship with Doug grows more intricate and difficult, she starts to wonder whether Doug truly desires what he says he does. In such an impossible paradox, what does Annie owe herself?

Before the nightmare, Yeong-hye and her husband lived an ordinary life. But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.