She's been driving him wild for years . . . the good kind of wild. The kind of wild that comes with wanting your best friend's little sister and knowing you can't have her. Forbes may have labeled Ford Grant the World's Hottest Billionaire, but all he cares about is escaping the press and opening a recording studio in gorgeous small town Rose Hill. Something that comes to a screeching halt when he ends up face-to-face with a young girl who claims he's her biological father. Now, he spends his days balancing business with parenting a sullen twelve-year-old, all while trying desperately to keep his hands the hell off his best friend's sister, Rosie Belmont. After living in the city, Rosie came blasting back into town like a storm. Beautiful, messy, and chaotic. And one wide-eyed, desperate plea for a job is all it takes for Ford to hire her. He vows to keep her at arm's length. Tries to stick to scowls and grumpy one-liners. But with her, verbal sparring is a type of foreplay―friction that soon turns to blistering heat. Ford knows damn well he shouldn't cross this line. But shouldn't and can't are two very different things. And the only thing he truly can't do is resist her.

An ambitious wedding planner must work with her grumpy florist ex, whose heart she broke, on the most high-profile wedding of her career, in this spicy and emotional romance from popular fanfic author Julie Soto. He loves me; he loves me not...  Ama Torres loves being a wedding planner. But with a mother who has been married more times than you can count on your fingers, Ama has decided that marriage is not the route for her. But weddings? Weddings are amazing. As a small business owner, she knows how to match her clients with the perfect vendor to give them the wedding of their dreams. Well, almost perfect… Elliot hates being a florist, most of the time. When his father left him the flower shop, he considered it a burden, but he’s stuck with it. Just like how he’s stuck with the way he proposed to Ama, his main collaborator and girlfriend (or was she?) two years ago. But flowers have grown on him, just like Ama did. And flowers can’t run off and never speak to him again, like Ama did.  When Ama is hired to plan a celebrity wedding that will bring her business national exposure, there's a catch: Elliot is already contracted to design the flowers. Things are not helped by the two brides, who see the obvious chemistry between Ama and Elliot and are determined to set them up, not knowing their complicated history. Add in a meddling ex-boss, and a reality TV film crew documenting every step of the wedding prep, and Ama and Elliot's hearts are not only in jeopardy again, but this time, their livelihoods are too.

WARNING: This book contains subject matter that may be sensitive for some readers. There is dark and triggering content between these pages. 18+ only. Please read responsibly. When Cora attends her sister’s birthday party, she expects at most a hangover or a walk of shame. She doesn’t anticipate a stolen wallet, leaving her stranded and dependent on Dean—her arch nemesis and ultimate thorn in her side. And she really doesn’t anticipate waking up in shackles in a madman’s basement. To make matters worse, Dean shares the space in his own set of chains. After fifteen years of teasing, insults, and practical jokes, the ultimate joke seems to be on them. The two people who always thought they’d end up killing each other must now work together if they want to survive. But Cora and Dean have no idea their abductor has a plan for them. A plan that will alter the course of their relationship, blur the line between hate and love, and shackle them together with far more than just chains.

“These kisses of his...they're demanding and possessive. They're hungry and deep. They're the kisses of a man who wants more of a woman—who wants everything—and isn't going to stop until he gets it." Author Olivia Rossi hasn’t been able to write a word since tragedy struck two years ago and ripped her world apart. Heartbroken and still haunted by the past, she accepts an offer to spend the summer at a friend’s apartment in Paris in search of healing and her lost muse. What she finds instead is James, an enigmatic stranger who ignites in her an unexpected and all-consuming passion. Agreeing to tell each other nothing more than their first names, Olivia and James embark on a torrid affair. But the more time they spend together, the more Olivia begins to realize her summer fling is turning into a powerful connection…and that the magnetic man she’s falling in love with might not be what he seems at all. Author's Note: This is a work of literary fiction, not a romance. Readers looking for a traditional happy ending should look elsewhere.

The female decline was swift. Nobody knew why women are no longer being born, but it didn’t take long for men to grow restless and aggressive, hoarding any women they could find and claiming them as their own. Parents began to hide their daughters, stowing their females underground to keep them safe. Charlotte, despite her desire to leave, has accepted that she will live out her adult life within the walls of her parent’s home. Tucked away and hidden from the men who would tear her family and house apart to get her. When the Seekers show up for a surprise raid, Charlotte is one of the unlucky women who are caught. Forced out of her home and thrown into a world that she has only experienced through stories from her parents, Charlotte must learn how to stay alive and serve the three powerful demons who have purchased her.

A fierce international bestseller that launched Korea’s new feminist movement, Kim Jiyoung, Born 1982 follows one woman’s psychic deterioration in the face of rigid misogyny. Truly, flawlessly, completely, she became that person. In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A thirtysomething-year-old “millennial everywoman,” she has recently left her white-collar desk job—in order to care for her newborn daughter full-time—as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women—alive and even dead, both known and unknown to her. As she plunges deeper into this psychosis, her discomfited husband sends her to a male psychiatrist. In a chilling, eerily truncated third-person voice, Jiyoung’s entire life is recounted to the psychiatrist—a narrative infused with disparate elements of frustration, perseverance, and submission. Born in 1982 and given the most common name for Korean baby girls, Jiyoung quickly becomes the unfavored sister to her princeling little brother. Always, her behavior is policed by the male figures around her—from the elementary school teachers who enforce strict uniforms for girls, to the coworkers who install a hidden camera in the women’s restroom and post their photos online. In her father’s eyes, it is Jiyoung’s fault that men harass her late at night; in her husband’s eyes, it is Jiyoung’s duty to forsake her career to take care of him and their child—to put them first. Jiyoung’s painfully common life is juxtaposed against a backdrop of an advancing Korea, as it abandons “family planning” birth control policies and passes new legislation against gender discrimination. But can her doctor flawlessly, completely cure her, or even discover what truly ails her? Rendered in minimalist yet lacerating prose, Kim Jiyoung, Born 1982 sits at the center of our global #MeToo movement and announces the arrival of writer of international significance

A sweeping small-town romance about love, loss, and a Montana legacy from USA Today bestselling author Devney Perry. I met West Haven when I was eight years old. He taught me to play poker when I was nine, and we made paper airplanes together when I was eleven. He kissed me when I was sixteen. He was the best part about my family’s summer vacations to Montana. He was the boy who stole my heart. I was twenty-three when life ripped us apart. Years later, I’m breaking my vow and returning to the ranch, not as a guest but its new owner. West might want me gone, but even he has to admit the only way to save his family’s legacy is with my help. It’s not easy working side by side and facing those old memories. But this situation is only temporary. We’re at a crossroads. And as long as I don’t let myself fall in love with West Haven again, maybe this is our chance to put those ghosts to rest. Maybe this time we’ll finally be able to say goodbye.

Two opposites decide to test their chemistry with one steamy night together. But will once be enough? Nova Porter isn’t looking for love, and she certainly has no explanation for her attraction to buttoned-up, three-piece-suit-wearing investment banker Charlie Milford. Maybe it’s his charm? Or maybe it’s his determination to help her fledgling business however he can. Either way, she’s distracted every time he’s around. With her new tattoo studio set to open in her hometown of Inglewild, she doesn’t have time for frivolous flirtations.  In an effort to get Charlie out of her system once and for all, Nova offers a proposition. One night. No strings. They’ll kick their uncomfortable attraction to the curb and return to their respective responsibilities. But their explosive night together scatters their expectations like fallen leaves. And with Charlie in town as the temporary head of Lovelight Farms, Nova can’t quite avoid him.  And Charlie? Well, Charlie knows a good investment when he sees one. He’s hoping he can convince Nova he’s worth some of her time.

Bearded, bad-boy barber Knox prefers to live his life the way he takes his coffee: Alone. Unless you count his basset hound, Waylon. Knox doesn’t tolerate drama, even when it comes in the form of a stranded runaway bride. Naomi wasn’t just running away from her wedding. She was riding to the rescue of her estranged twin to Knockemout, Virginia, a rough-around-the-edges town where disputes are settled the old-fashioned way… with fists and beer. Usually in that order. Too bad for Naomi her evil twin hasn’t changed at all. After helping herself to Naomi’s car and cash, Tina leaves her with something unexpected. The niece Naomi didn’t know she had. Now she’s stuck in town with no car, no job, no plan, and no home with an 11-year-old going on thirty to take care of. There’s a reason Knox doesn’t do complications or high-maintenance women, especially not the romantic ones. But since Naomi’s life imploded right in front of him, the least he can do is help her out of her jam. And just as soon as she stops getting into new trouble he can leave her alone and get back to his peaceful, solitary life. At least, that’s the plan until the trouble turns to real danger.