Fungi are not like us – they are entirely, magically something else… Erupting, spreading, decaying, changing.Aliya Whiteley has always been in love with fungi – from a childhood taking blurry photographs of strange fungal eruptions on Exmoor to a career as a writer inspired by their surreal and alien beauty. This love for fungi is a love for life, from single-cell spores to the largest living organism on the planet; a story stretching from Aliya's lawn into Space and back again via every continent. Despite their familiar presence, there's still much for us to learn about the eruption, growth and decay of fungi’s connected world – one that Aliya lays out before us, linking fungal geography and history with myth; fiction and culture with science.From fields, feasts and fairy rings to death caps, puffballs and ambrosia beetles, this is an intoxicating personal journey into the life of extraordinary organism, one that we have barely begun to understand.

Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of Djinn Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world 50 years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city -or face the possibility he could be exactly who he seems…

Award-winning environment and science reporter Zoë Schlanger delivers a groundbreaking work of popular science that probes the hidden world of the plant kingdom and reveals the astonishing capabilities of the green life all around us. It takes tremendous biological creativity to be a plant. To survive and thrive while rooted in a single spot, plants have adapted ingenious methods of survival. In recent years, scientists have learned about their ability to communicate, recognize their kin and behave socially, hear sounds, morph their bodies to blend into their surroundings, store useful memories that inform their life cycle, and trick animals into behaving to their benefit, to name just a few remarkable talents. The Light Eaters is a deep immersion into the drama of green life and the complexity of this wild and awe-inspiring world that challenges our very understanding of agency, consciousness, and intelligence. In looking closely, we see that plants, rather than imitate human intelligence, have perhaps formed a parallel system. What is intelligent life if not a vine that grows leaves to blend into the shrub on which it climbs, a flower that shapes its bloom to fit exactly the beak of its pollinator, a pea seedling that can hear water flowing and make its way toward it? Zoë Schlanger takes us across the globe, digging into her own memories and into the soil with the scientists who have spent their waking days studying these amazing entities up close. What can we learn about life on Earth from the living things that thrive, adapt, consume, and accommodate simultaneously? More important, what do we owe these life forms once we come to understand their rich and varied abilities? Examining the latest epiphanies in botanical research, Schlanger spotlights the intellectual struggles among the researchers conceiving a wholly new view of their subject, offering a glimpse of a field in turmoil as plant scientists debate the tenets of ongoing discoveries and how they influence our understanding of what a plant is. We need plants to survive. But what do they need us for—if at all? An eye-opening and informative look at the ecosystem we live in, this book challenges us to rethink the role of plants—and our own place—in the natural world.

Fungi are not like us – they are entirely, magically something else… Erupting, spreading, decaying, changing.Aliya Whiteley has always been in love with fungi – from a childhood taking blurry photographs of strange fungal eruptions on Exmoor to a career as a writer inspired by their surreal and alien beauty. This love for fungi is a love for life, from single-cell spores to the largest living organism on the planet; a story stretching from Aliya's lawn into Space and back again via every continent. Despite their familiar presence, there's still much for us to learn about the eruption, growth and decay of fungi’s connected world – one that Aliya lays out before us, linking fungal geography and history with myth; fiction and culture with science.From fields, feasts and fairy rings to death caps, puffballs and ambrosia beetles, this is an intoxicating personal journey into the life of extraordinary organism, one that we have barely begun to understand.

With wonder and a sense of humor, 'NATURE OBSCURA' author Kelly Brenner aims to help us rediscover our connection to the natural world that is just outside our front door - we just need to know where to look. Through explorations of a rich and varied urban landscape, Brenner reveals the complex micro-habitats and surprising nature found in the middle of a city. In her hometown of Seattle, which has plowed down hills, cut through the land to connect fresh- and saltwater, and paved over much of the rest, she exposes a diverse range of strange and unknown creatures. From shore to wetland, forest to neighborhood park, and graveyard to backyard, Brenner uncovers how our land alterations have impacted nature, for good and bad, through the wildlife and plants that live alongside us, often unseen. These stories meld together, in the same way our ecosystems, species, and human history are interconnected across the urban environment.

From the National Book Award–longlisted author of The Need comes an extraordinary novel about a wife and mother who—after losing her job to AI—undergoes a procedure that renders her undetectable to surveillance…but at what cost? In a city addled by climate change and populated by intelligent robots called “hums,” May loses her job to artificial intelligence. In a desperate bid to resolve her family’s debt and secure their future for another few months, she becomes a guinea pig in an experiment that alters her face so it cannot be recognized by surveillance. Seeking some reprieve from her recent hardships and from her family’s addiction to their devices, she splurges on passes that allow them three nights’ respite inside the Botanical Garden: a rare green refuge where forests, streams, and animals flourish. But her insistence that her son, daughter, and husband leave their devices at home proves far more fraught than she anticipated, and the lush beauty of the Botanical Garden is not the balm she hoped it would be. When her children come under threat, May is forced to put her trust in a hum of uncertain motives as she works to restore the life of her family. Written in taut, urgent prose, Hum is a work of speculative fiction that unflinchingly explores marriage, motherhood, and selfhood in a world compromised by global warming and dizzying technological advancement, a world of both dystopian and utopian possibilities. As New York Times bestselling author Jeff VanderMeer says, “Helen Phillips, in typical bravura fashion, has found a way to make visible uncomfortable truths about our present by interrogating the near-future.”

According to the Bible, Eve was the first to heed Satan's advice to eat the forbidden fruit and thus responsible for all of humanity's subsequent miseries. The notion of woman as the Devil's accomplice is prominent throughout Christian history and has been used to legitimize the subordination of wives and daughters. In the nineteenth century, rebellious females performed counter-readings of this misogynist tradition. Lucifer was reconceptualized as a feminist liberator of womankind, and Eve became a heroine. In these reimaginings, Satan is an ally in the struggle against a tyrannical patriarchy supported by God the Father and his male priests. Per Faxneld shows how this Satanic feminism was expressed in a wide variety of nineteenth-century literary texts, autobiographies, pamphlets, newspaper articles, paintings, sculptures, and even artifacts of consumer culture like jewelry. He details how colorful figures like the suffragette Elizabeth Cady Stanton, gender-bending Theosophist H. P. Blavatsky, author Aino Kallas, actress Sarah Bernhardt, anti-clerical witch enthusiast Matilda Joslyn Gage, decadent marchioness Luisa Casati, and the Luciferian lesbian poetess Renee Vivien embraced these reimaginings. By exploring the connections between esotericism, literature, art and the political realm, Satanic Feminism sheds new light on neglected aspects of the intellectual history of feminism, Satanism, and revisionary mythmaking.

My name is Meredith 'Merry' Gentry, but of course it's not my real name. I dare not even whisper my true name after dark for fear that one hushed word will travel over the night winds to the soft ear of my aunt, the Queen of Air and Darkness. She wants me dead. I don't even know why... I fled the high court of Faerie three years ago and have been in hiding ever since. As Merry Gentry, I am a private investigator for the Grey Detective Agency: Supernatural Problems, Magical Solutions. My magical skills, scorned at the courts of Faerie, are valued in the human world. Even by human standards, my magic isn't flashy, which is fine by me. Flashy attracts attention and I can't afford that. Rumour has it that I am dead. Not quite. I am Princess Meredith NicEssus. To speak that name after dark is to call down a knock upon your door from a hand that can kill you with a touch. I have been careful, but not careful enough. The shadows have found me, and they are going to take me back home, one way or another. So the running is over. But the fighting has just begun... Rich, sensual, brimming with dangerous magic, A Kiss of Shadows is a dazzling tour-de-force where folklore, fantasy and erotically charged adventure collide.

NEVER VOLUNTEER FOR ACTIVE DUTY ... Bob Howard is a low-level techie working for a super-secret government agency. While his colleagues are out saving the world, Bob's under a desk restoring lost data. His world was dull and safe - but then he went and got Noticed. Now, Bob is up to his neck in spycraft, parallel universes, dimension-hopping terrorists, monstrous elder gods and the end of the world. Only one thing is certain: it will take more than a full system reboot to sort this mess out ...