“One of America’s greatest storytellers.”—Jonathan Evison The acclaimed Willy Vlautin returns with a heartbreaking and tender novel about two young brothers, the vicissitudes of fate, and unexpected connection—a beautiful and bittersweet portrait that illuminates the power of friendship and how it can save lives in multiple ways. Eddie Wilkens is a workaholic house painter in his early forties. His wife has left him to her regret, and his main employee, Houston, is a loafer and scoundrel who barely shows up for work. Unassuming and self-reliant, Eddie is a thoughtful man who rarely gets angry, despite life's frequent provocations, but he is ruled by a guilt that he has carried for nearly twenty years. Next door, a woman and her two sons move in with her frail and aging mother. The youngest boy, Russell, eight years old, is quiet and small for his age and lives in constant terror of his increasingly lost and troubled fifteen-year-old brother, Curtis. As their mother struggles to keep the family together and the grandmother’s health begins to falter they find themselves unable to protect Russell and themselves from Curtis’s cruelty, which threatens to explode in frenetic violence. Though neither knows it, Russell and Eddie will become each other’s saving grace. While Russell’s home life disintegrates he begins waiting in Eddie’s backyard for him to get off work. Eddie offers the boy small acts of he feeds him, gives him jobs to do, listens to his dreams of escape, and offers Russell a glimpse into a world of hope and humor. A world of misfit painters, a derelict muscle car, an old dog, and the comradery and companionship of Eddie and his crew. In return, Russell gives Eddie a reason to carry on and helps him lay to rest the guilt that has plagued him for half of his life. Together, this makeshift father and son begin to build a better life, daring to trade the bleakness and cynicism around them for hope and friendship. From a writer revered for his thoughtful and compassionate portrayal of realistic American life, The Left and the Lucky is a heartbreakingly honest examination of how circumstance shapes our lives, and how the luck of finding someone who needs us can transcend bitter loneliness and prevent us from giving up on dreaming of a better life.

“One of America’s greatest storytellers.”—Jonathan Evison The acclaimed Willy Vlautin returns with a heartbreaking and tender novel about two young brothers, the vicissitudes of fate, and unexpected connection—a beautiful and bittersweet portrait that illuminates the power of friendship and how it can save lives in multiple ways. Eddie Wilkens is a workaholic house painter in his early forties. His wife has left him to her regret, and his main employee, Houston, is a loafer and scoundrel who barely shows up for work. Unassuming and self-reliant, Eddie is a thoughtful man who rarely gets angry, despite life's frequent provocations, but he is ruled by a guilt that he has carried for nearly twenty years. Next door, a woman and her two sons move in with her frail and aging mother. The youngest boy, Russell, eight years old, is quiet and small for his age and lives in constant terror of his increasingly lost and troubled fifteen-year-old brother, Curtis. As their mother struggles to keep the family together and the grandmother’s health begins to falter they find themselves unable to protect Russell and themselves from Curtis’s cruelty, which threatens to explode in frenetic violence. Though neither knows it, Russell and Eddie will become each other’s saving grace. While Russell’s home life disintegrates he begins waiting in Eddie’s backyard for him to get off work. Eddie offers the boy small acts of he feeds him, gives him jobs to do, listens to his dreams of escape, and offers Russell a glimpse into a world of hope and humor. A world of misfit painters, a derelict muscle car, an old dog, and the comradery and companionship of Eddie and his crew. In return, Russell gives Eddie a reason to carry on and helps him lay to rest the guilt that has plagued him for half of his life. Together, this makeshift father and son begin to build a better life, daring to trade the bleakness and cynicism around them for hope and friendship. From a writer revered for his thoughtful and compassionate portrayal of realistic American life, The Left and the Lucky is a heartbreakingly honest examination of how circumstance shapes our lives, and how the luck of finding someone who needs us can transcend bitter loneliness and prevent us from giving up on dreaming of a better life.

Fernanda and Annelise are so close they are practically sisters: a double image, inseparable. So how does Fernanda end up bound on the floor of a deserted cabin, held hostage by one of her teachers and estranged from Annelise? When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Each day she edges nearer to a total break with reality. Interweaving pop culture references and horror concepts drawn from from Herman Melville, H.P. Lovecraft, and anonymous 'creepypastas', Jawbone is an ominous, multivocal novel that explores the terror inherent in the pure potentiality of adolescence and the fine line between desire and fear.

What do anarchists want? It seems easier to classify them by what they don't want, namely, the organizations of the State, and to identify them with rioting and protest rather than with any coherent ideology. But with demonstrations like those against the World Bank and the International Monetary Fund being blamed on anarchists, it is clear that an explanation of what they do stand for is long overdue. Colin Ward provides answers to these questions by considering anarchism from a variety of perspectives: theoretical, historical, and international, and by exploring key anarchist thinkers, from Kropotkin to Chomsky. He looks critically at anarchism by evaluating key ideas within it, such as its blanket opposition to incarceration, and policy of "no compromise" with the apparatus of political decision-making. Can anarchy ever function effectively as a political force? Is it more "organized" and "reasonable" than is currently perceived? Whatever the politics of the reader, Ward's argument ensures that anarchism will be much better understood after experiencing this book.

Dear animals, I hereby invite all of you to come and visit me. But if nobody comes that's okay too. The hedgehog is feeling rather lonely, so one day he decides to invite all the other animals for party. But the hedgehog is also rather a shy, reserved animal, and is terribly worried about doing or saying something he shouldn't, and about all the things that could go wrong. What if nobody comes? What if too many of them come? What if the elephant shows up and breaks all the furniture? Will anyone be able to hear the hedgehog talk above the frog's croaking? Maybe inviting the others over wasn't such a good idea after all...