In a trendy Salt Lake City, Utah, neighborhood, Ben Rosencrantz's board game shop has become a community hotspot for players of all ages--and for killer collectors. Back in his hometown of Sugar House running his family's board game shop and cafe, Ben Rosencrantz just can't seem to get his life to pass go, much less collect $200. Once he was a happily married English professor in Seattle. Now he's a divorced caregiver, looking after his ill father and a chihuahua named Beans while still figuring out the rules of retail management. At least the town has become more LGBTQ+ friendly than when Ben was a teenager--and that flower shop owner Ezra McCaslin enjoys flirting with him. But despite his usual clientele of gamers, Ben is barely earning enough to keep the store running and stay on top of his father's medical bills. Then a local toy and game collector named Clive offers him a winning strategy--to purchase a turn-of-the-twentieth-century edition of The Landlord's Game, the realty and taxation game that inspired Monopoly, at a tenth of the rare edition's true value. Suspicious of Clive's shady, low-priced deal, Ben turns the offer down. Then Clive turns up dead in the dumpster behind Ben's shop and a backpack full of $100 bills appears on his doorstep. Now Ben is the #1 suspect in Clive's death, and unless he and Ezra can prove his innocence and find the real killer, he'll go to jail for murder--and no amount of double dice rolls will set him free . . .

A searing final novel about the collapse of a marriage and its aftermath, by the author of the modern classic Copenhagen Trilogy. I want to write a book about Vilhelm’s room and the events which took place in it, or arose from it; those that led to Lise’s death, which I have survived only so that I might write down the story of her and Vilhelm . . . The ripples from a breakup radiate outward from the room where a married couple once loved each other, and a bizarre Lonely Hearts ad sets off a train of tragicomic events that leads to an inevitable conclusion. Vilhelm's Room, Tove Ditlevsen’s final novel—published a year before her untimely death in 1976—is a powerful conclusion to an extraordinary life as a poet, novelist, and a blackly funny and devastating tour de force that pulses with life even as it journeys toward death.

This is the story of a serial killer. A stolen child. Revenge. Death. And an ordinary house at the end of an ordinary street. All these things are true. And yet they are all lies... You think you know what's inside the last house on Needless Street. You think you've read this story before. That's where you're wrong. In the dark forest at the end of Needless Street, lies something buried. But it's not what you think...

'Gets deep under your skin ... Gaitskill is uniquely attuned to the moment.' Sunday Times 'Gaitskill achieves a superb feat. She distils the suffering, anger, reactivity, danger and social recalibration of the #MeToo movement into an extremely potent, intelligent and nuanced account.' Sarah Hall, Guardian 'I don't know why I behaved the way I did, and I kept doing it; he kept doing it. And though I might once have easily brushed it away, suddenly I could not. Nor could I confront him. The conversation moved too quickly.' This is Pleasure is an extraordinary work by one of the world's finest writers, and achieves more in 15,000 words than most full-length novels. Following the unravelling of the life of a male publisher undone by allegations of sexual impropriety and harassment, and the female friend who tries to understand, and explain, his actions, it looks unflinchingly at our present moment and rejects moral certainties to show us that there are many sides to every story. Mary Gaitskill has spent her whole career mining the complexity of human relationships on both an individual and societal scale with wisdom and grace. Here her insights are more piercing and timely than ever.