Assessments of the Chinese Cultural Revolution are usually Cold War indictments or glowing portraits of Maoism. Party, Army and Masses in China a classic account of the Chinese Revolution written by eminent Italian political scientist Livio Maitan, seeks by contrast to present an independent Marxist evaluation of the turbulent and contradictory development of China since the Revolution. Providing a full account of Chinese political developments from the start of the revolution in 1949, to the end of the Cultural Revolution, Maitan offers a perspective that is sympathetic towards the Chinese Revolution, yet critical of the State and Party that presided over it. Maitan's book provided the first coherent narrative account of the sequence of contradictory developments from the unleashing of the Cultural Revolution in 1966 to the disgrace of Lin Piao in 1971, and the re-emergence of such fallen leaders as Teng Hsiao Ping in 1974 - with the accompanying shifts from 'left' to 'right' in Chinese foreign policy.

From a dazzling new international voice, an audacious, darkly funny novel about a young woman whose carefully crafted office persona threatens to crack when she’s forced to attend her company’s annual retreatOn the surface, Marisa's life looks enviable. She lives in a beautiful apartment in the center of Madrid, she has a hot neighbor who is always around to sleep with her, and she’s quickly risen through the ranks at a successful advertising agency. And yet she’s drowning in a dark hole of existential dread induced by the banality of corporate life. Marisa hates her job and everyone at it. She spends her working hours locked in her office hiding from her coworkers, bingeing YouTube videos, and getting high on tranquilizers. When she has the time, she escapes to her favorite museum where she contemplates the meaning of life while staring at Hieronymus Bosch paintings, or trying to get hit by a car so she can go on disability.But Marisa's dubious success, which is largely built on lies and work she's stolen from other people, is in danger of being exposed when she's forced to go on her company’s team-building retreat. Isolated in the Segovia forests, haunted by the deeply buried memory of a former coworker, and surrounded by psychopathic bosses, overzealous coworkers, flirty retreat staff, and an excess of drugs, Marisa finds herself acting on her wildest impulses and is pushed to the brink of a complete spiral.

A groundbreaking anthology that illuminates historical and contemporary solidarity between Black and Asian feminists, helping us make sense of the world we’re in and the world we must imagine and build. For many in the US and abroad, calls to #SayHerName, the uptick in violence against Asian Americans throughout the COVID-19 pandemic, and the 2021 Atlanta spa shootings remain raw and unhealed. Create the World Black and Asian Feminist Solidarities contextualizes a cross-racial feminist politics that explicitly addresses solidarity between Black and Asian feminists. Taken together, the pieces remind us that wherever there is struggle against oppressive systems, there is great possibility for empathy, respect, and solidarity.A collaborative project between Black Women Radicals and the Asian American Feminist Collective, this unprecedented work brings together organizers, artists, journalists, poets, novelists, and more, introducing readers to new ways of understanding and reflecting on race and feminism. The anthology wrestles with contemporary feminism through a multitude of angles—from the Combahee River Collective to nail salons and massage parlors, from misogynoir to the model minority myth.This innovative anthology features poetry, critical essays, interviews, creative nonfiction, and other contributions by Barbara Smith, Tamara Nopper, Franny Choi, Sonya Renee Taylor, and other vital, radical, feminist voices.

What if you woke up one morning and found you’d acquired another self―a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience―she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us―and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now―and an intellectual adventure story for our times.

"Ugresic is also affecting and eloquent, in part because within her quirky, aggressively sweet plot she achieves moments of profundity and evokes the stoicism innate in such moments.”—Mary Gaitskill With characteristic wit and narrative force, Fox takes us from Russia to Japan, through Balkan minefields and American road trips, and from the 1920s to the present, as it explores the power of storytelling and literary invention, notions of betrayal, and the randomness of human lives and biographies. Using the duplicitous and shape-shifting fox of Eastern folklore as a motif, Ugresic constructs a novel that reinvents itself over and over, blending nuggets of literary trivia (like how Nabokov named the Neonympha Dorothea Dorothea butterfly after the woman who drove him cross country) with the timeless story of a woman trying to escape her hometown and find love to magical effect. Propelled by literary footnotes and “minor” characters, Fox is vintage Ugresic, recovering the voices of those on the margins with a verve that’s impassioned, learned, and hilarious.

Trash interweaves the voices of three women with lived connections to the municipal garbage dump of Ciudad Juárez, Mexico.Aguilar Zéleny's English-language debut shows the complexities of survival and joy, love and violence for three women: a teenager abandoned by her guardian at the dump, a scientist doing research on the residents of the dump, and a transwoman living nearby who is the matriarch of a group of sex workers.Each one of the characters navigates family, abandonment, power, jealousy, greed, and multiple taboos around sexuality and gender violence. Their stories are linked by geography and by ideas of waste and abandonment.As Aguilar Zéleny explores these territories in her book, she asks crucial questions: who is seen as disposable and why? How do women find their own means of survival and joy in the midst of a perilous sociopolitical context? What does it mean to live a life in a time of austerity and extreme violence? Trash is a critical intervention in Mexican literature.