Aerial combat brings a thrilling new dimension to the Napoleonic Wars as valiant warriors ride mighty fighting dragons, bred for size or speed. When HMS Reliant captures a French frigate and seizes the precious cargo, an unhatched dragon egg, fate sweeps Captain Will Laurence from his seafaring life into an uncertain future – and an unexpected kinship with a most extraordinary creature. Thrust into the rarified world of the Aerial Corps as master of the dragon Temeraire, he will face a crash course in the daring tactics of airborne battle. For as France’s own dragon-borne forces rally to breach British soil in Bonaparte’s boldest gambit, Laurence and Temeraire must soar into their own baptism of fire.

If on a Winter's Night a Traveler is a marvel of ingenuity, an experimental text that looks longingly back to the great age of narration—"when time no longer seemed stopped and did not yet seem to have exploded." Italo Calvino's novel is in one sense a comedy in which the two protagonists, the Reader and the Other Reader, ultimately end up married, having almost finished If on a Winter's Night a Traveler. In another, it is a tragedy, a reflection on the difficulties of writing and the solitary nature of reading. The Reader buys a fashionable new book, which opens with an exhortation: "Relax. Concentrate. Dispel every other thought. Let the world around you fade." Alas, after 30 or so pages, he discovers that his copy is corrupted, and consists of nothing but the first section, over and over. Returning to the bookshop, he discovers the volume, which he thought was by Calvino, is actually by the Polish writer Bazakbal. Given the choice between the two, he goes for the Pole, as does the Other Reader, Ludmilla. But this copy turns out to be by yet another writer, as does the next, and the next. The real Calvino intersperses 10 different pastiches—stories of menace, spies, mystery, premonition—with explorations of how and why we choose to read, make meanings, and get our bearings or fail to. Meanwhile the Reader and Ludmilla try to reach, and read, each other. If on a Winter's Night is dazzling, vertiginous, and deeply romantic. "What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space."

For fans of Madeline Miller's Circe, a stunning debut following Clytemnestra, the most notorious villainess of the ancient world and the events that forged her into the legendary queen. As for queens, they are either hated or forgotten. She already knows which option suits her best... You were born to a king, but you marry a tyrant. You stand by helplessly as he sacrifices your child to placate the gods. You watch him wage war on a foreign shore, and you comfort yourself with violent thoughts of your own. Because this was not the first offence against you. This was not the life you ever deserved. And this will not be your undoing. Slowly, you plot. But when your husband returns in triumph, you become a woman with a choice. Acceptance or vengeance, infamy follows both. So, you bide your time and force the gods' hands in the game of retribution. For you understood something long ago that the others never did. If power isn't given to you, you have to take it for yourself. A blazing novel set in the world of Ancient Greece for fans of Jennifer Saint and Natalie Haynes, this is a thrilling tale of power and prophecies, of hatred, love, and of an unforgettable Queen who fiercely dealt out death to those who wronged her.

Concrete Botany is a gritty, kick-in-the-guts look at the ecological disturbance humans have caused and the resilience of the plants living amongst it. Delivered in his raw and unapologetic yet botanically accurate tone, Joey Santore—the unforgettable host of Crime Pays but Botany Doesn’t—offers an often unsettling view of human-caused ecological destruction and its impact on the natural ecosystems our very lives depend on. The choices of modern civilization have led to a f***ed-up planet, scraped bare and covered in concrete and invasive species. We’ve wiped out entire ecosystems, moved invasive plants to new continents where they don’t belong, and, in a few hundred years, we’ve managed to muck up the intricate balance of a planet that has been evolving for eons. The consequences of our actions are now at our doorstep, ready to strike a match. But not all is lost. In this groundbreaking examination of plants and their role in the Anthropocene (the age of human disturbance), we see light through the cracks in the concrete and learn that humanity’s course correction starts with an understanding of plant ecology. With this knowledge comes the realization that the lives of humans and plants are interconnected in ways humans cannot live without. Plants are the base of every terrestrial ecosystem on the planet, and their presence can heal the damage humanity has caused. Our willingness to restore native plant communities and the biodiversity they support (starting in our immediate surroundings) is an essential first step in the right direction. While returning every abandoned brownfield and old rail corridor into a native plant–filled, fully restored ecosystem may be out of reach for the average citizen, fostering the native ecology and biodiversity of our own backyards is not. Concrete Botany is ultimately about how the choices we make as individuals can help ensure humanity’s survival on a very disturbed and rapidly changing planet.

This heartwarming story has beckoned generations of readers into the special world of Green Gables, an old-fashioned farm outside a town called Avonlea. Anne Shirley, an eleven-year-old orphan, has arrived in this verdant corner of Prince Edward Island only to discover that the Cuthberts—elderly Matthew and his stern sister, Marilla—want to adopt a boy, not a feisty redheaded girl. But before they can send her back, Anne—who simply must have more scope for her imagination and a real home—wins them over completely. A much-loved classic that explores all the vulnerability, expectations, and dreams of a child growing up, Anne of Green Gables is also a wonderful portrait of a time, a place, a family… and, most of all, love. WITH AN AFTERWORD BY JENNIFER LEE CARELL