From New York Times bestselling and Hugo Award-winning author T. Kingfisher comes Hemlock & Silver, a dark reimagining of “Snow White” steeped in poison, intrigue, and treason of the most magical kind. Healer Anja knows little of politics but much of poisons. When she is summoned to treat the mysterious illness afflicting the king’s daughter, she finds herself against the clock, desperate to track down the source of the poison killing Princess Snow. But the chance discovery of a strange alternate world inside a magic mirror leads Anja to darker discoveries, including what really happened to Snow’s dead sister, Rose, and why their mother seemingly went mad and cut out her heart. Aided by a taciturn bodyguard, a narcissistic cat, and a late Renaissance understanding of the scientific method, Anja must navigate the mysteries of the mirror world before the dark queen that dwells within rises to threaten them all.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman’s modern classic is an important addition to the growing canon of feminist speculative literature.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman’s modern classic is an important addition to the growing canon of feminist speculative literature.

When a party of goblin warriors find themselves trapped behind enemy lines, it'll take more than whining (and a bemused Elven veterinarian) to get them home again. Nine Goblins is a novella of low...very low...fantasy.

When a party of goblin warriors find themselves trapped behind enemy lines, it'll take more than whining (and a bemused Elven veterinarian) to get them home again. Nine Goblins is a novella of low...very low...fantasy.

Dante’s Inferno meets Susanna Clarke’s Piranesi in this dark academia fantasy from R. F. Kuang, the #1 New York Times bestselling author of Babel and Yellowface, in which two graduate students must put aside their rivalry and journey to Hell to save their professor’s soul—perhaps at the cost of their own. Katabasis, noun, Ancient Greek: The story of a hero’s descent to the underworld Alice Law has only ever had one goal: to become one of the brightest minds in the field of Magick. She has sacrificed everything to make that a reality: her pride, her health, her love life, and most definitely her sanity. All to work with Professor Jacob Grimes at Cambridge, the greatest magician in the world. That is, until he dies in a magical accident that could possibly be her fault. Grimes is now in Hell, and she’s going in after him. Because his recommendation could hold her very future in his now incorporeal hands and even death is not going to stop the pursuit of her dreams…. Nor will the fact that her rival, Peter Murdoch, has come to the very same conclusion. With nothing but the tales of Orpheus and Dante to guide them, enough chalk to draw the Pentagrams necessary for their spells, and the burning desire to make all the academic trauma mean anything, they set off across Hell to save a man they don’t even like. But Hell is not like the storybooks say, Magick isn’t always the answer, and there’s something in Alice and Peter’s past that could forge them into the perfect allies…or lead to their doom.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman’s modern classic is an important addition to the growing canon of feminist speculative literature.

Fourteen-year-old Mona isn’t like the wizards charged with defending the city. She can’t control lightning or speak to water. Her familiar is a sourdough starter and her magic only works on bread. She has a comfortable life in her aunt’s bakery making gingerbread men dance. But Mona’s life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona’s city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of Mona’s worries…

A wondrously unusual memoir about a woman who, in the midst of mourning her divorce, retreats into her shell and renegotiates her relationship to solitude, shame, and connection—from an acclaimed 5 Under 35 National Book Foundation honoree.“We've all heard the one about waking up as a cockroach—but what if a crisis turned you into a clam?”After the dissolution of her marriage, a writer is transformed into a "clam" via typo after her mother keeps texting her to "clam down." The funny if unhelpful command forces her to ask what it means to "clam down" during crises—to retreat, hide, close up, and stay silent. Idiomatically, we are said to "clam up" when we can't speak, and to "come out of our shell" when we reemerge, transformed.In order to understand her path, the clam digs into examples of others who have also "succumbed to shellfish" to embrace lives of reclusiveness and extremity. But this is a story that radiates outward from the kernel of selfhood to family, society, and ecosystem. Finally, the writer must confront her own "clam genealogy" to interview her dad who disappeared for a decade to write a mysterious accounting software called Shell Computing. In learning about his past to better understand his decisions, she learns not only how to forgive him, but also how to move on from her own wounds of abandonment and insecurity.Using a genre-defying structure and written in novelistic prose that draws from art, literature, and natural history, she unfolds a complex story of interspecies connectedness, in which humans learn lessons of adaptation and survival from their mollusk kin. While it makes sense in certain situations to retreat behind fortified walls, the choice to do so also exacts a price. What is the price of building up walls? How can one take them back down when they are no longer necessary?

Nationally bestselling author of Daughters of Sparta Claire Heywood returns with an imaginative and female-centered reinterpretation of the myth of the great hero Perseus, told through the voices of three women who are sidelined in the traditional version—his mother, Danae; his trophy, Medusa; and his wife, Andromeda—but whose viewpoints reveal a man who is not, in fact, a hero at all. Danae: Banished from her homeland thanks to a prophecy foretelling that her unborn child will one day cause the death of her father, the king of Argos, Danae finds herself stranded, pregnant, and alone in a remote fishing village. It’s a harsh new world for a young woman who grew up as a coddled princess, and forging a new life for herself and for her young son Perseus will be the hardest thing she’s ever done. Medusa: As a member of a reclusive band of women who live deep in the woods, known as the Gorgons, Medusa has eschewed all contact with the outside world. That is, until the day she finds an injured boy named Perseus in the forest. Andromeda: When a harsh sandstorm threatens to destroy her nomadic desert tribe’s way of life, Andromeda knows that a sacrifice will be required to appease the gods and end the storm. But when a forceful young Perseus interferes, Andromeda’s life is set on an entirely new path. As Perseus becomes increasingly obsessed with the promise of his own destiny, his heroic journey casts a shadow of violence and destruction across all three women’s lives. But even as he tries to silence them, the women may find that reclaiming their voices is their only hope for lifting themselves into a better future.