Drawing on inspiration from the Mauryan Empire of Ancient India, debut author Maithree Wijesekara plunges readers into the first amazing book of the Obsidian Throne trilogy, a new fantasy series of hunted witches, romantic angst, and political intrigue. Perfect for fans of The Hurricane Wars and The Jasmine Throne.A prince born into violence, seeking peace.Prince Ashoka is the youngest son of the tyrannical Emperor Adil Maurya. Considered an outcast by his father for his rejection of the emperor’s brutal onslaught against the witches of the empire, Ashoka longs for change. When the sudden and unexpected death of his father leaves the monarchy in disarray, Ashoka is sent to govern a tumultuous region annexed by Emperor Adil that is terrorized by nature spirits—a task many see as doomed to fail. Suspected by a disdainful governor and evaded by distrustful witches, Ashoka must question his rigid ideals and fight against becoming the one person he despises the most—his father.A witch shackled by pacifism, seeking revenge.Shakti is a a witch bound by a pacifist code. After witnessing the murder of her aunt and village at the hands of the emperor, Shakti hurtles down a path of revenge, casting a curse with unexpected consequences. Posing as a maidservant in the famed palace of the Mauryas and armed with newfound powers beyond her imagination, Shakti attempts to dismantle the monarchy from within by having the royal progeny ruin themselves and turn their father’s legacy into nothing but ash.In a world where nature spirits roam the land, and witches are hunted to extinction, Ashoka and Shakti will be forced to grapple with the consequences of to take it for themselves or risk losing it completely.

A couple's fifteen-year marriage has finally gotten too interesting... Our love story is simple. I met a gorgeous woman. We fell in love. We had kids. We moved to the suburbs. We told each other our biggest dreams, and our darkest secrets. And then we got bored. We look like a normal couple. We're your neighbors, the parents of your kid's friend, the acquaintances you keep meaning to get dinner with. We all have secrets to keeping a marriage alive. Ours just happens to be getting away with murder. Alternate cover edition of ISBN 9780451491725

If on a Winter's Night a Traveler is a marvel of ingenuity, an experimental text that looks longingly back to the great age of narration—"when time no longer seemed stopped and did not yet seem to have exploded." Italo Calvino's novel is in one sense a comedy in which the two protagonists, the Reader and the Other Reader, ultimately end up married, having almost finished If on a Winter's Night a Traveler. In another, it is a tragedy, a reflection on the difficulties of writing and the solitary nature of reading. The Reader buys a fashionable new book, which opens with an exhortation: "Relax. Concentrate. Dispel every other thought. Let the world around you fade." Alas, after 30 or so pages, he discovers that his copy is corrupted, and consists of nothing but the first section, over and over. Returning to the bookshop, he discovers the volume, which he thought was by Calvino, is actually by the Polish writer Bazakbal. Given the choice between the two, he goes for the Pole, as does the Other Reader, Ludmilla. But this copy turns out to be by yet another writer, as does the next, and the next. The real Calvino intersperses 10 different pastiches—stories of menace, spies, mystery, premonition—with explorations of how and why we choose to read, make meanings, and get our bearings or fail to. Meanwhile the Reader and Ludmilla try to reach, and read, each other. If on a Winter's Night is dazzling, vertiginous, and deeply romantic. "What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space."

A comet the color of blood and flame cuts across the sky. Two great leaders—Lord Eddard Stark and Robert Baratheon—who hold sway over an age of enforced peace are dead, victims of royal treachery. Now, from the ancient citadel of Dragonstone to the forbidding shores of Winterfell, chaos reigns. Six factions struggle for control of a divided land and the Iron Throne of the Seven Kingdoms, preparing to stake their claims through tempest, turmoil, and war. It is a tale in which brother plots against brother and the dead rise to walk in the night. Here a princess masquerades as an orphan boy; a knight of the mind prepares a poison for a treacherous sorceress; and wild men descend from the Mountains of the Moon to ravage the countryside. Against a backdrop of incest and fratricide, alchemy and murder, victory may go to the men and women possessed of the coldest steel...and the coldest hearts. For when kings clash, the whole land trembles. Here is the second volume in George R.R. Martin magnificent cycle of novels that includes A Game of Thrones and A Storm of Swords. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R.R. Martin stunning series is destined to stand as one of the great achievements of imaginative fiction.

What real reader does not yearn, somewhere in the recesses of his or her heart, for a really literate, first-class thriller--one that chills the body, but warms the soul with plot, perception, and language at once astute and vivid? In other words, a ghost story written by Jane Austen? Alas, we cannot give you Austen, but Susan Hill's remarkable Woman In Black comes as close as our era can provide. Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black. The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.