Libraries are magical places. But what if they’re even more magical than we know? In Cyrille Martinez’s library, the books are not just their ideas or their stories, but the books themselves. Meet the Angry Young Book, who has strong opinions about who reads what and why. He’s tired of people reading bestsellers, so he places himself on the desks of those who might appreciate him. Meet the Old Historian who mysteriously vanished from the stacks. Meet the Blue Librarian, the Mauve Librarian, the Yellow Librarian, and spend a day with the Red Librarian trying to banish coffee cups and laptops. Then one day there are no empty desks anywhere in the Great Library. A great horde of student workers has descended, and they will scan every single book in the the much-borrowed, the neglected, the popular, the obscure. What will happen to the library then? Will it still be necessary? The Dark Library is a theoretical fiction, a meditation on what libraries mean in our digital world. Has the act of reading changed? What is a reader? A book? Martinez, a librarian himself, has written a love letter to the urban forest of the dark, wild library, where ideas and stories roam free.

Libraries are magical places. But what if they’re even more magical than we know? In Cyrille Martinez’s library, the books are not just their ideas or their stories, but the books themselves. Meet the Angry Young Book, who has strong opinions about who reads what and why. He’s tired of people reading bestsellers, so he places himself on the desks of those who might appreciate him. Meet the Old Historian who mysteriously vanished from the stacks. Meet the Blue Librarian, the Mauve Librarian, the Yellow Librarian, and spend a day with the Red Librarian trying to banish coffee cups and laptops. Then one day there are no empty desks anywhere in the Great Library. A great horde of student workers has descended, and they will scan every single book in the the much-borrowed, the neglected, the popular, the obscure. What will happen to the library then? Will it still be necessary? The Dark Library is a theoretical fiction, a meditation on what libraries mean in our digital world. Has the act of reading changed? What is a reader? A book? Martinez, a librarian himself, has written a love letter to the urban forest of the dark, wild library, where ideas and stories roam free.

Discover the Korean runaway prizewinning bestseller for fans of LONELY CASTLE IN THE MIRROR and KLARA AND THE SUN'A stunning story of love, care and sacrifice' BORA CHUNG, author of CURSED BUNNY_____________Let's all learn how to slow down ...2035: In the shadow of a race course, a young woman finds a robot on a scrap heap, contemplating the sky. Intrigued, she takes him under her care. Together, they decide to rescue the race horse named Today who is heading for the knackers' yard after a lifetime of overwork. To make Today happy again, they hatch a special plan to let her run another race.But it will be no ordinary event- they will train her to run the slowest time of her life.In the heat of the race, Coli feels Today running too fast. She is in pain and will soon injure herself.To save his beloved horse, Coli will commit one final act of bravery ...Radiant, urgent, deeply moving, A Thousand Blues is a hymn to our earth and to our humanity, giving powerful voice to those left behind in a fast forward-moving world of toxic productivity and competition. Brimming with heart and hope and rage, it shows with vivid empathy and warmth how friendship, community and sacrifice will set us free.__________'A stunningly crafted novel, evoking a myriad emotions' Kim Bo-young‘A dazzling, warm novel that shows us how to move forward as a society without leaving anyone or anything behind' Choi Jin-young, author of To the Warm Horizon‘A breath of fresh air in the sci-fi genre’ *****‘Feels like a feather softly descending and tickling my heart' *****‘A sci-fi novel full of human warmth' *****

When the pandemic forces a family to return to the mother's childhood home, she seeks meaning in her ancestral roots and the violent beauty of the natural world. Fleeing the city at the beginning of the pandemic, two families are thrown together in a century-old country house. Winter seeps through the walls, the wallpaper is peeling, and the mice make their nest in the piano. Without phones and Internet, they turn to the outdoors, where a new language unfolds. Five children become tiny explorers, discovering nature and its treasures, while the adults reconnect with something greater than themselves. In To the Forest, Anaïs Barbeau-Lavalette considers existence and death in a celebration of small places and the natural world. A house built on a foundation of gravestones, the local handyman Clark Kent, a mystery woman long dead that no one wants to talk about: Barbeau-Lavalette brings to life the oddities of a place and a cast of colourful neighbours who have lived unusual lives.

Asa’s husband is transferring jobs, and his new office is located near his family’s home in the countryside. During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.        One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

Tsukiko is drinking alone in her local sake bar when by chance she meets one of her old high school teachers and, unable to remember his name, she falls back into her old habit of calling him 'Sensei'. After this first encounter, Tsukiko and Sensei continue to meet. Together, they share edamame beans, bottles of cold beer, and a trip to the mountains to eat wild mushrooms. As their friendship deepens, Tsukiko comes to realise that the solace she has found with Sensei might be something more.

At the Medio School for Girls, distinguished young women are trained for one of two roles in their polarized society. Depending on her specialization, a graduate will one day run a husband’s household or raise his children, but both are promised a life of comfort and luxury, far from the frequent political uprisings of the lower class. Daniela Vargas is the school’s top student, but her bright future depends upon no one discovering her darkest secret—that her pedigree is a lie. Her parents sacrificed everything to obtain forged identification papers so Dani could rise above her station. Now that her marriage to an important politico’s son is fast approaching, she must keep the truth hidden or be sent back to the fringes of society, where famine and poverty rule supreme. On her graduation night, Dani seems to be in the clear, despite the surprises that unfold. But nothing prepares her for all the difficult choices she must make, especially when she is asked to spy for a resistance group desperately fighting to bring equality to Medio. Will Dani cling to the privilege her parents fought to win for her, or to give up everything she’s strived for in pursuit of a free Medio—and a chance at a forbidden love?

When the pandemic forces a family to return to the mother's childhood home, she seeks meaning in her ancestral roots and the violent beauty of the natural world. Fleeing the city at the beginning of the pandemic, two families are thrown together in a century-old country house. Winter seeps through the walls, the wallpaper is peeling, and the mice make their nest in the piano. Without phones and Internet, they turn to the outdoors, where a new language unfolds. Five children become tiny explorers, discovering nature and its treasures, while the adults reconnect with something greater than themselves. In To the Forest, Anaïs Barbeau-Lavalette considers existence and death in a celebration of small places and the natural world. A house built on a foundation of gravestones, the local handyman Clark Kent, a mystery woman long dead that no one wants to talk about: Barbeau-Lavalette brings to life the oddities of a place and a cast of colourful neighbours who have lived unusual lives.