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kenznais

"Strange, isn't it? To love a book. When the words on the pages become so precious that they feel like part of your own history because they are."

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Pagebound RoyaltyLevel 7Mardi Gras + Carnival 2026
Sapphic Across Genres
My Taste
As Many Souls as Stars
Sky Daddy
Cosmic Love at the Multiverse Hair Salon
Woodworking
The Starving Saints
Reading...
Goddess of the River
55%
One Last Stop
50%
Marsha: The Joy and Defiance of Marsha P. Johnson
9%

kenznais commented on a post

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  • We Can't Keep Meeting Like This
    Thoughts from 42% (page 136)
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  • kenznais made progress on...

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    Goddess of the River

    Goddess of the River

    Vaishnavi Patel

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    kenznais commented on a post from the Pagebound Club forum

    2h
  • Which book are you looking most forawrd to reading in 2026?

    For me it's the new Six of Crows book coming out in June!

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  • Goddess of the River
    Thoughts from 37%
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  • kenznais commented on a post from the Pagebound Club forum

    6h
  • Style Trends in Writing

    I've run across this a few times in some books, and now again in The Decagon House Murders where the author will name a place or thing, but blank it out like S__ Town, C__ Club, O__ University, etc.

    I know it's just a stylistic choice, but I kind of hate it? I think it makes the story lose a sense of place, and it reminds me that I'm reading a book in a weird and unpleasant way, rather than let me get wrapped up in the story.

    What are some writing style trends that make your eye twitch?

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  • Goddess of the River
    Thoughts from 5% (page 16) | Chapter 1

    Do you know how a river forms?

    Perhaps you have heard that it begins as a small stream in a cold and distant mountain, a trickle of melting snow and splash of rain that slowly carves its way down steep slopes, connecting with other rivulets, growing, leaping, bounding as it cascades down the mountainside and into the land below, sculpting tree and rock with its powerful currents until it unites, at last, with the sea.

    I would have flowed forever, one with the universe that was one with me, but the song of humanity called to me.

    I had not understood that once I left my origins, I could never return. That when I severed myself from that which made me, it would be forever. You might wonder what a mother is to a river, whether a river can have a home. Only when I left did I know that i had lost my family, and myself.

    This combination of Vaishnavi Patel's gorgeous prose and Sneha Mathan's gentle narration make the story feel like it's being told with the safety and comfort of a crackling fire nearby, keeping shadows at bay, told with words that hold magic and summon something other to their sound, things that are always present but make themselves more known when lips breathe life into their names and coax their eyes toward the movement. These words have a presence.

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    Goddess of the River

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    Vaishnavi Patel

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  • We Can't Keep Meeting Like This
    Thoughts from 42% (page 136)
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    Lesbian and Gay Rights in Canada: Social Movements and Equality-Seeking, 1971-1995 (Heritage)

    Lesbian and Gay Rights in Canada: Social Movements and Equality-Seeking, 1971-1995 (Heritage)

    Miriam Smith

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    Lesbian and Gay Rights in Canada: Social Movements and Equality-Seeking, 1971-1995 (Heritage)

    Lesbian and Gay Rights in Canada: Social Movements and Equality-Seeking, 1971-1995 (Heritage)

    Miriam Smith

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    One Last Stop

    One Last Stop

    Casey McQuiston

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