Finance was at the centre of every stage of the colonisation of Aotearoa, from the sale of Māori lands and the emigration of early colonists to the founding of settler nationhood and the enforcement of colonial governance. This book reveals the financial instruments and imperatives that drove the British colonial project in the nineteenth century. This is a history of the joint-stock company, a speculative London property market that romanticised the distant lands of indigenous peoples, and the calculated use of credit and taxation by the British to dispossess Māori of their land and subject them to colonial rule. By illuminating the centrality of finance in the colonisation of Aotearoa, this book not only reframes our understanding of this country’s history, but also the stakes of anticolonial struggle today.

Finance was at the centre of every stage of the colonisation of Aotearoa, from the sale of Māori lands and the emigration of early colonists to the founding of settler nationhood and the enforcement of colonial governance. This book reveals the financial instruments and imperatives that drove the British colonial project in the nineteenth century. This is a history of the joint-stock company, a speculative London property market that romanticised the distant lands of indigenous peoples, and the calculated use of credit and taxation by the British to dispossess Māori of their land and subject them to colonial rule. By illuminating the centrality of finance in the colonisation of Aotearoa, this book not only reframes our understanding of this country’s history, but also the stakes of anticolonial struggle today.

No art has been denounced as often as poetry. It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore." In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

The next exciting novel from #1 New York Times bestselling author Ava Reid. A visionary and atmospheric gothic fantasy about necromancy, vengeance, and soul-consuming love, the first in a duology from the #1 New York Times bestselling author of A Study in Drowning and Lady Macbeth Once there was an island where the dead walked the earth, and seven noble houses ruled by the arcane secrets of necromancy. A conqueror’s blade brought them low, burning their libraries, killing their lords, and extinguishing their eldritch magic. But defiant against the new order stands the House of Teeth and its last living members: beautiful Marozia, the heiress to the House, and her cousin, the uncanny Lady Agnes. Though she has not spoken a word in seven years, Agnes is the true carrier of the House’s legacy. And she has her orders. She must recapture the secrets of death magic and avenge her family’s fallen honor. She must arrange the betrothal of her beloved cousin Marozia to Liuprand, heir to the conqueror’s throne, for access to the forbidden library in his grotesquely grand castle. Revenge burns in Agnes’s heart but so do stranger passions—and it is Liuprand, the golden prince, who speaks to her soul. This passion is as treasonous as it is powerful, poisoning the kingdom’s roots and threatening to tear the already shattered realm in two. For Agnes’s final order is the gravest: She must not fall in love. Book One of The House of Teeth Duology

It has Hikaru’s face. It has Hikaru’s voice. It even has Hikaru’s memories. But whatever came down from the mountains six months ago isn’t Yoshiki’s best friend. Whatever it is, it’s dangerous. Carrying on at school and hanging out as if nothing has changed―as if Hikaru isn’t gone―would be crazy...but when it looks so very like Hikaru...and acts so very like Hikaru...

The ancient world of magic is no more. Its heroes are dead, its halls are ruins, and its great battles between Light and Dark are forgotten. Only the Stewards remember, and they keep their centuries-long vigil, sworn to protect humanity if the Dark King ever returns. Sixteen-year-old dock boy Will is on the run, pursued by the men who killed his mother. When an old servant tells him of his destiny to fight beside the Stewards, Will is ushered into a world of magic, where he must train to play a vital role in the oncoming battle against the Dark. As London is threatened by the Dark King’s return, the reborn heroes and villains of a long-forgotten war begin to draw battle lines. But as the young descendants of Light and Dark step into their destined roles, old allegiances, old enmities and old flames are awakened. Will must stand with the last heroes of the Light to prevent the fate that destroyed their world from returning to destroy his own.