CG Drews, New York Times-bestselling author of Don't Let the Forest In and Hazelthorn, weaves a disturbing and intoxicating siren-call in Scorpion Deep, about a lonely boy who accidentally awakens an obsessive eldritch sea god.The only thing Jonathan Covey wants from the gloomy, moldering isle of Kelcarrow is to leave it. Summer is ending, and his friends are looking forward to college on the mainland, unaware that Jonathan was not accepted to join them. He'll be left behind with nothing but the ocean's haunts and a rising dread of being abandoned.In an act of wild desperation, Jonathan pays a tithe to Scorpion Deep, an eldritch sea god who many of the locals have dismissed as myth. He wants to forget the past, he wants to follow his friends, and most of all he wants to finally escape.To his shock and horror, the ritual works—Scorpion Deep awakens. And despite his terror, Jonathan can't help but feel drawn toward the ageless entity that seems just as mutually obsessed with him. As scales start growing down his spine and Scorpion Deep's adoration of him turns bloody, Jonathan realizes the only way to end the nightmare is to destroy the monster one way or another.But once a god has awoken, the only way to be free is to pay a price of blood.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

The Shape of Water meets Mexican Gothic in this sapphic monster romance novella wrapped in gothic fantasy trappings The old keeper of the keys is dead, and the creature who ate her is the volatile Lady of the Capricious House⁠―Anatema, an enormous humanoid spider with a taste for laudanum and human brides. Dália, the old keeper’s protégée, must take up her duties, locking and unlocking the little drawers in which Anatema keeps her memories. And if she can unravel the crime that led to her predecessor's death, Dália might just be able to survive long enough to grow into her new role. But there’s a gaping hole in Dália’s plan that she refuses to see: Anatema cannot resist a beautiful woman, and she eventually devours every single bride that crosses her path.

Welcome to Rivers Solomon's dark and wondrous Model Home, a new kind of haunted-house novel. The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned. As adults, the siblings could finally get away from the horrors of home, leaving their parents all alone in the house. But when news of their parents' death arrives, Ezri is forced to return to Texas with their sisters, Eve and Emanuelle, to reckon with their family’s past and present, and to find out what happened while they were away. It was not a “natural” death for their parents . . . but was it supernatural? Rivers Solomon turns the haunted-house story on its head, unearthing the dark legacies of segregation and racism in the suburban American South. Unbridled, raw, and daring, Model Home is the story of secret histories uncovered, and of a queer family battling for their right to live, grieve, and heal amid the terrors of contemporary American life.

For four years, Gary has lived by procedure. He drives the RV he was supposed to share with his wife, Claire, moving from campground to campground and dump station to dump station. At every stop, he follows the same carefully controlled routine. He monitors the park. Measures the variables. Empties the black tank. And makes certain the procedure never quite finishes. Now Gary has arrived at Ridgeline State Park, the place Claire circled twice in their road atlas and marked with a star. As afternoon light moves across the landscape exactly as she once described it, a failing valve traps him at the station longer than his protocols allow. Minute by minute, the systems Gary has built to contain his past begin to break down. Memories of Claire surface alongside the truth of an environmental contamination scandal, eleven years of falsified reports, and the choice that paid for the vehicle carrying him across the country. While strangers in the campground quietly begin to recognize what Gary has been doing, he must decide whether to repeat the managed departure that has kept him moving for four years or finally complete the procedure. Set almost entirely over forty mounting minutes, BLACK TANK is a literary psychological thriller novella about grief, moral injury, complicity, and the unbearable distance between knowing the truth and acting on it.

Throughout her life Sybil Van Antwerp has used letters to make sense of the world and her place in it. Most mornings around half past ten Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter. Sybil expects her world to go on as it always has. A mother, grandmother, wife, divorcée, distinguished lawyer, she has lived a full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

The Descent meets The Ritual in a cult aquatic horror about a group of academics trapped in a sea cave who must reckon with eldritch horrors as they are forced to atone for their greatest sins. ATONE OR DIE. Grad student Caro has no idea what she wants to do with her life, but when an opportunity arises to act as a research assistant on an anthropological expedition for her professor and lover, Edward Beck, she doesn't hesitate. Beck assembles a team of academics and professionals to study the ancient sea-based Cult of the Leviathan, and the expedition descends into the sea caves where the cult are said to have dwelt. But when the cave entrance collapses, trapping them inside, the expedition will find they are not alone in the darkness. Surrounded by strange artefacts and scattered bones, an ancient trial has been set in motion. One by one, the members of the expedition will be tested and forced to atone for their greatest sin. . . or die.

An alternative cover edition for this ISBN can be found here and here. The Emperor of All Maladies is a magnificent, profoundly humane “biography” of cancer - from its first documented appearances thousands of years ago through the epic battles in the twentieth century to cure, control, and conquer it to a radical new understanding of its essence. Physician, researcher, and award-winning science writer, Siddhartha Mukherjee examines cancer with a cellular biologist’s precision, a historian’s perspective, and a biographer’s passion. The result is an astonishingly lucid and eloquent chronicle of a disease humans have lived with - and perished from - for more than five thousand years. The story of cancer is a story of human ingenuity, resilience, and perseverance, but also of hubris, paternalism, and misperception. Mukherjee recounts centuries of discoveries, setbacks, victories, and deaths, told through the eyes of his predecessors and peers, training their wits against an infinitely resourceful adversary that, just three decades ago, was thought to be easily vanquished in an all-out “war against cancer.” The book reads like a literary thriller with cancer as the protagonist. From the Persian Queen Atossa, whose Greek slave cut off her malignant breast, to the nineteenth-century recipients of primitive radiation and chemotherapy to Mukherjee’s own leukemia patient, Carla, The Emperor of All Maladies is about the people who have soldiered through fiercely demanding regimens in order to survive—and to increase our understanding of this iconic disease. Riveting, urgent, and surprising, The Emperor of All Maladies provides a fascinating glimpse into the future of cancer treatments. It is an illuminating book that provides hope and clarity to those seeking to demystify cancer.