Rachel Gillig, the queen of gothic romantasy, returns with higher stakes, darker mysteries, and deeper longings in this gorgeous sequel to the #1 New York Times bestselling sensation The Knight and the Moth. Aisling Cathedral is in ruins. Rodrick Myndacious, Bartholomew, and Maude Bauer are rumored to be dead—and the king has taken Sybil Delling as his bride. To show off their union and solidify his power over Traum, Benji proposes a series of tournaments throughout the hamlets. Captive and drugged, Sybil remains determined to vanquish him as she once did the Omens, even if she destroys the kingdom’s faith—and herself—in the process. But then a mysterious knave rises to the top of the tournament lists, a man with no name and no memory who may just be Sybil’s ticket to undoing Benji’s power. For in a land where stories repeat themselves, where a king can prove as cruel as a god, the only way to truly destroy the Stonewater Kingdom’s faith is to save it.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

In 2024, with the world descending into madness and anarchy, one woman begins a fateful journey toward a better future. Lauren Olamina and her family live in one of the only safe neighborhoods remaining on the outskirts of Los Angeles. Behind the walls of their defended enclave, Lauren’s father, a preacher, and a handful of other citizens try to salvage what remains of a culture that has been destroyed by drugs, disease, war, and chronic water shortages. While her father tries to lead people on the righteous path, Lauren struggles with hyperempathy, a condition that makes her extraordinarily sensitive to the pain of others. When fire destroys their compound, Lauren’s family is killed and she is forced out into a world that is fraught with danger. With a handful of other refugees, Lauren must make her way north to safety, along the way conceiving a revolutionary idea that may mean salvation for all mankind.

An emotional, slow-burn, grumpy/sunshine, queer mid-century romance about grief and found family, between the new star shortstop stuck in a batting slump and the reporter assigned to (reluctantly) cover his first season—set in the same universe as We Could Be So Good. The 1960 baseball season is shaping up to be the worst year of Eddie O’Leary’s life. He can’t manage to hit the ball, his new teammates hate him, he’s living out of a suitcase, and he’s homesick. When the team’s owner orders him to give a bunch of interviews to some snobby reporter, he’s ready to call it quits. He can barely manage to behave himself for the length of a game, let alone an entire season. But he’s already on thin ice, so he has no choice but to agree. Mark Bailey is not a sports reporter. He writes for the arts page, and these days he’s barely even managing to do that much. He’s had a rough year and just wants to be left alone in his too-empty apartment, mourning a partner he’d never been able to be public about. The last thing he needs is to spend a season writing about New York’s obnoxious new shortstop in a stunt to get the struggling newspaper more readers. Isolated together within the crush of an anonymous city, these two lonely souls orbit each other as they slowly give in to the inevitable gravity of their attraction. But Mark has vowed that he’ll never be someone’s secret ever again, and Eddie can’t be out as a professional athlete. It’s just them against the world, and they’ll both have to decide if that’s enough.

An unforgettable and heartwarming book-club debut following a trans high school teacher from a small town in South Dakota who befriends the only other trans woman she knows: one of her students.Erica Skyberg is thirty-five years old, recently divorced—and trans. Not that she's told anyone yet. Mitchell, South Dakota, isn't exactly bursting with other trans women. Instead, she keeps to herself, teaching by day and directing community theater by night. That is, until Abigail Hawkes enters her orbit. Abigail is seventeen, Mitchell High’s resident political dissident and Only Trans Girl. It’s a role she plays faultlessly, albeit a little reluctantly. She's also annoyed by the idea of spending her senior year secretly guiding her English teacher through her transition. But Abigail remembers the uncertainty—and loneliness—that comes with it. Besides, Erica isn’t the only one struggling to shed the weight of others’ expectations. As their unlikely friendship evolves under the increasing scrutiny of their community, both women—and those closest to them—will come to realize that sometimes there is nothing more radical than letting the world see who you really are. Detransition Baby meets Fleishman is in Trouble in this remarkable debut novel from an incisive contemporary voice. A story about the awkwardness of growing up and the greatest love story of all, that between us and our friends, Woodworking is a tonic for the moment and a celebration of womanhood in all its multifaceted joy.

From the critically acclaimed author of Bunny, a darkly funny novel about a theater professor suffering chronic pain, who in the process of staging a troubled production of Shakespeare’s most maligned play, suddenly and miraculously recovers. Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers. That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known. With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.