A marine biologist makes the discovery of a lifetime when called to rescue the inhabitants of a small Maine island being menaced by a giant, glowing jellyfish in this richly imagined, wholly original debut.Dr. Jo Ness prefers jellyfish to people. Her best friend, Aldo, was the exception, but he died seven months ago. So she spends her days hidden away at an underfunded aquarium with her specimens and a draft of the jellyfish guide she and Aldo had been working on together. His voice is alive in the notes in the margins, and it’s enough. Almost.Until she receives a call from Nadia, one of the few other humans she’s loved but whom she hasn’t heard from in years, asking for her help. Nadia tells her a grand tale of a giant jellyfish terrorizing her tiny island off the coast of Maine and sends a grainy video of the creature. Frankly, the footage looks fake, but Jo drops everything to fly across the country to see Nadia again, and to find this supposed sea beast. She couldn’t save Aldo, but perhaps she can help Nadia.But when Jo arrives on Shattering Point, Nadia is nowhere to be found, and the islanders she meets each have something different to say about the creature they’ve dubbed Clementine . . . a jellyfish who changes all who see it.At turns an ode to classic sea monster stories and a vibrant tale of human connection, The Jellyfish Problem is an unforgettable debut that announces a new talent.

Mississippi, 1927. The groanings are coming. No town is perfect, but East Cobb comes close. It’s a wealthy all-Black Free Town—untouched by white oppression—where ambitious Thea Elliot and her husband plan to make good on their big dreams. Little do they know that the idyllic town teems with ghoulish, walking nightmares . . . that only the women can see. Marah knows the groanings well. She is one of the carriers—women with the ability to pull traumatic memories from men. Populated by men entirely freed of their pain, East Cobb has flourished, even as the remnants of their memories haunt the town’s women. When an unexpected death drives Marah to discover more about her own power, Thea’s and Marah’s worlds collide. The sisters must confront the rotten core at the heart of East Cobb’s prosperity and choose what—and who—will survive the reckoning. A gripping blend of historical fiction and Southern gothic psychological horror, Our Sister’s Keeper is a fierce exploration of Black sisterhood, rage, and resistance.

Mississippi, 1927. The groanings are coming. No town is perfect, but East Cobb comes close. It’s a wealthy all-Black Free Town—untouched by white oppression—where ambitious Thea Elliot and her husband plan to make good on their big dreams. Little do they know that the idyllic town teems with ghoulish, walking nightmares . . . that only the women can see. Marah knows the groanings well. She is one of the carriers—women with the ability to pull traumatic memories from men. Populated by men entirely freed of their pain, East Cobb has flourished, even as the remnants of their memories haunt the town’s women. When an unexpected death drives Marah to discover more about her own power, Thea’s and Marah’s worlds collide. The sisters must confront the rotten core at the heart of East Cobb’s prosperity and choose what—and who—will survive the reckoning. A gripping blend of historical fiction and Southern gothic psychological horror, Our Sister’s Keeper is a fierce exploration of Black sisterhood, rage, and resistance.

From the New York Times-bestselling author of A Crane Among Wolves comes a warm and romantic homage to Jane Austen set in historical Korea, about a reader and a writer who secretly fight against government book banning and find themselves irresistibly drawn together. As the dutiful second-eldest daughter of a poor family, society would have Haewon believe that her only hope of a decent life is to marry well. But during a time of rampant government censorship and book banning, she instead works as an illegal book transcriber in order to make a little extra money. It’s dangerous work, but she loves it―especially when she gets to transcribe the work of her favorite author, known as Black Lotus. When her older sister becomes smitten with a wealthy young gentleman, Haewon is roped into chaperoning them during their courtship. Which wouldn’t be so terrible... if it weren’t for the young man’s uptight and annoying best friend who also accompanies them. As the only son of a noble, Seojun has a lot expected of him. Wealth. Status. Respectability. Certainly not frivolous and often illicit activities such as reading fiction. But Seojun loves to do something even more scandalous: writing. He’s kept his work secret from his father and friends, but with each passing day, the pressure of being his father’s son and the dispiriting actions of the government make Seojun question the purpose of it all. The only thing keeping him going are the encouraging letters he receives from his transcriber, known only as Magpie. When his best friend falls hard for a girl of lower social status, Seojun finds himself forced to act as chaperone to the infatuated couple―along with the girl's younger sister, who is as irritating as she is judgmental. But as Haewon and Seojun spend more time together, they begin to suspect they may have judged each other too quickly...

From the New York Times-bestselling author of A Crane Among Wolves comes a warm and romantic homage to Jane Austen set in historical Korea, about a reader and a writer who secretly fight against government book banning and find themselves irresistibly drawn together. As the dutiful second-eldest daughter of a poor family, society would have Haewon believe that her only hope of a decent life is to marry well. But during a time of rampant government censorship and book banning, she instead works as an illegal book transcriber in order to make a little extra money. It’s dangerous work, but she loves it―especially when she gets to transcribe the work of her favorite author, known as Black Lotus. When her older sister becomes smitten with a wealthy young gentleman, Haewon is roped into chaperoning them during their courtship. Which wouldn’t be so terrible... if it weren’t for the young man’s uptight and annoying best friend who also accompanies them. As the only son of a noble, Seojun has a lot expected of him. Wealth. Status. Respectability. Certainly not frivolous and often illicit activities such as reading fiction. But Seojun loves to do something even more scandalous: writing. He’s kept his work secret from his father and friends, but with each passing day, the pressure of being his father’s son and the dispiriting actions of the government make Seojun question the purpose of it all. The only thing keeping him going are the encouraging letters he receives from his transcriber, known only as Magpie. When his best friend falls hard for a girl of lower social status, Seojun finds himself forced to act as chaperone to the infatuated couple―along with the girl's younger sister, who is as irritating as she is judgmental. But as Haewon and Seojun spend more time together, they begin to suspect they may have judged each other too quickly...

For fans of Kevin Wilson and Andrew Sean Greer, a helper robot and his 35-year-old ward embark on a mad-cap adventure to save the fate of the family company in this whimsically speculative ode to Wodehouse’s Jeeves and Wooster.Cy wants nothing more than to be useful, raise his utility score, and receive the next update for his operating system. But that’s easier said than done when he's tasked with helping his owner’s 35-year-old son “get out of his funk.” Grayson is nothing like his go-getter, CEO sister Charlotte. He didn’t inherit the family robotics company when their dad passed last year, he doesn’t have a master’s degree, and he just can’t seem to figure out the San Francisco dating scene. He’d rather eat synthesized mozzarella sticks and make pottery at his studio, Kilning Time. When Grayson learns of Charlotte’s plan to sell the company to a tech conglomerate, he panics. It’s not just the family business at stake, it’s all the technology—like Cy—their dad invented over the years. So he does what anyone would he steals the flash drive with his father’s most important work stored on it and plans a corporate takeover. If only he knew what that meant. To make matters worse, a fellow VALET deserts his owner and asks Cy to help him hightail it out of town, Grayson’s first real date—and her dog—keeping showing up at inopportune times, and the behemoth tech company wants this deal closed yesterday. Grayson, Cy, and their trusty golden retriever, Sasha III, must go on the lam until they figure out exactly what to do, and whom to trust. A hilarious, mad-cap adventure that is as tender as it is insightful, Valet asks not just what it means to be human, but what it means to be family.

For fans of Kevin Wilson and Andrew Sean Greer, a helper robot and his 35-year-old ward embark on a mad-cap adventure to save the fate of the family company in this whimsically speculative ode to Wodehouse’s Jeeves and Wooster.Cy wants nothing more than to be useful, raise his utility score, and receive the next update for his operating system. But that’s easier said than done when he's tasked with helping his owner’s 35-year-old son “get out of his funk.” Grayson is nothing like his go-getter, CEO sister Charlotte. He didn’t inherit the family robotics company when their dad passed last year, he doesn’t have a master’s degree, and he just can’t seem to figure out the San Francisco dating scene. He’d rather eat synthesized mozzarella sticks and make pottery at his studio, Kilning Time. When Grayson learns of Charlotte’s plan to sell the company to a tech conglomerate, he panics. It’s not just the family business at stake, it’s all the technology—like Cy—their dad invented over the years. So he does what anyone would he steals the flash drive with his father’s most important work stored on it and plans a corporate takeover. If only he knew what that meant. To make matters worse, a fellow VALET deserts his owner and asks Cy to help him hightail it out of town, Grayson’s first real date—and her dog—keeping showing up at inopportune times, and the behemoth tech company wants this deal closed yesterday. Grayson, Cy, and their trusty golden retriever, Sasha III, must go on the lam until they figure out exactly what to do, and whom to trust. A hilarious, mad-cap adventure that is as tender as it is insightful, Valet asks not just what it means to be human, but what it means to be family.

To eight-year-old Kay Washington, the worst thing in the world is being alone with the quiet — that's why Eddie Video makes the perfect imaginary friend. To down-on-his-luck Ivan, the worst thing in the world happened when he lost his imaginary friend; now cursed with the ability to see everyone else's, Ivan makes a living killing them. When Eddie's "pranks" go too far, Ivan agrees to help Kay — but Eddie Video is nothing like the talking ostriches and goblin princesses he's faced before.