TO BE ADAPTED FOR THE SECOND SEASON OF APPLE TV+’S PRESUMED INNOCENT, STARRING EMMY AWARD-WINNER RACHEL BROSNAHANNothing is as it seems—and no one is telling the truth—in this page-turning thriller about a young lawyer forced to defend a man on trial for murder against the mentor who taught her her husband.When Leila Reynolds is handed her first murder case, she’s shocked by the a well-known, well-respected judge, whose death sent shockwaves through the legal community. She’s also incredulous—she’s nowhere near experienced enough to handle such a high-profile assignment—but the defendant is he wants her, and only her, to represent him.Except he’s refusing to talk. And if that wasn’t complicated enough, Leila soon learns her opponent is the most ruthless prosecutor she’s ever her husband.It’s an impossible situation, yet Leila is determined to sway the jury to her side—until she’s blindsided once again by a shadowy figure from her past. Suddenly, Leila finds herself fighting not only for her client and marriage, but also to keep her own secrets buried. And if she has to rewrite the rules to win, so be it.

Carolyn's not so different from the other human beings around her. She's sure of it. She likes guacamole and cigarettes and steak. She knows how to use a phone. She even remembers what clothes are for. After all, she was a normal American herself, once. That was a long time ago, of course—before the time she calls “adoption day,” when she and a dozen other children found themselves being raised by a man they learned to call Father. Father could do strange things. He could call light from darkness. Sometimes he raised the dead. And when he was disobeyed, the consequences were terrible. In the years since Father took her in, Carolyn hasn't gotten out much. Instead, she and her adopted siblings have been raised according to Father's ancient Pelapi customs. They've studied the books in his library and learned some of the secrets behind his equally ancient power. Sometimes, they've wondered if their cruel tutor might secretly be God. Now, Father is missing. And if God truly is dead, the only thing that matters is who will inherit his library—and with it, power over all of creation. As Carolyn gathers the tools she needs for the battle to come, fierce competitors for this prize align against her. But Carolyn can win. She's sure of it. What she doesn't realize is that her victory may come at an unacceptable price—because in becoming a God, she's forgotten a great deal about being human.

A dark, magical realist debut family saga that moves through the Japanese occupation of Manchuria, the Cultural Revolution, and the present day to explore the effects of intergenerational trauma, the legacy of colonialism, and the inescapability of fate. Qianze has not seen her father in eleven years, since he walked out of her life the night of her fourteenth birthday and disappeared without a trace. But then she gets a call—there is a man on the porch of her childhood home, and he’s asking for her. This man isn’t the Ba Qianze he is much older, more fragile, and worst of all, haunted by a half-forgotten prophecy. While Qianze wrestles with what she owes this near-stranger, Ba begins telling stories of his past. From his bloody days as a Red Guard during the Cultural Revolution to his mother’s youth under Japanese occupation, he circles around the prophecy he came to deliver. Qianze has always longed to know more about her family history, but as Ba reveals a past far darker than she could have imagined, she finds herself plagued by strange visions—fox spirits trail her on her evening commute, a terrifying jackalope stalks her nightmares, and the looming prophecy slinks ever closer. Spanning decades and continents, A Beast Slinks Towards Beijing employs a combination of stunningly rendered folklore and atmospheric prose to examine the legacy of colonialism through the eyes of three generations. Alice Evelyn Yang’s debut novel is a story of family and forgiveness, of folklore and fate, that will leave you unsettled and undone.

In the isolated Appalachian town of Burrsville, Tess Wynne lives in precious quiet. Having been left for dead a century earlier, Tess made a deal with the devil to stay in the only home she’s known. Tending to her wildlife sanctuary, she keeps the land and its people safe – pulling on spidering threads of ancient magic, trying to preserve the balance of nature against the encroaching ravages of human influence. But, every autumn, the devil returns, offering Tess more power in exchange for a foothold into the human world. And, every autumn, Tess refuses.As Tess prepares her wildlife sanctuary for the winter, an unexpected addition to Burrsville catches the local’s attention. Freshly arrived Zeke Abdee, the town’s new pastor, begins to sinisterly mould the townspeople to his will.With everyone slowly turning on Tess, Pastor Zeke is determined to stake his claim on the very land where Tess keeps her sanctuary. Cornered, a desperate Tess pushes her magic to the darkest edges. All the while, the devil bides his time, waiting for Tess to decide if she will be prey - or predator...

A dark, magical realist debut family saga that moves through the Japanese occupation of Manchuria, the Cultural Revolution, and the present day to explore the effects of intergenerational trauma, the legacy of colonialism, and the inescapability of fate. Qianze has not seen her father in eleven years, since he walked out of her life the night of her fourteenth birthday and disappeared without a trace. But then she gets a call—there is a man on the porch of her childhood home, and he’s asking for her. This man isn’t the Ba Qianze he is much older, more fragile, and worst of all, haunted by a half-forgotten prophecy. While Qianze wrestles with what she owes this near-stranger, Ba begins telling stories of his past. From his bloody days as a Red Guard during the Cultural Revolution to his mother’s youth under Japanese occupation, he circles around the prophecy he came to deliver. Qianze has always longed to know more about her family history, but as Ba reveals a past far darker than she could have imagined, she finds herself plagued by strange visions—fox spirits trail her on her evening commute, a terrifying jackalope stalks her nightmares, and the looming prophecy slinks ever closer. Spanning decades and continents, A Beast Slinks Towards Beijing employs a combination of stunningly rendered folklore and atmospheric prose to examine the legacy of colonialism through the eyes of three generations. Alice Evelyn Yang’s debut novel is a story of family and forgiveness, of folklore and fate, that will leave you unsettled and undone.

Winner of the Campiello Prize. A pitch-perfect rendering in English by Ann Goldstein, Elena Ferrante’s translator. “I was the Arminuta, the girl returned. I spoke another language, I no longer knew who I belonged to. The word ‘mama’ stuck in my throat like a toad. And, nowadays, I really have no idea what kind of place mother is. It is not mine in the way one might have good health, a safe place, certainty.” Told with an immediacy and a rare expressive intensity that has earned it countless adoring readers and one of Italy’s most prestigious literary prizes, A Girl Returned marks the English-language debut of an extraordinary literary talent. Set against the stark, beautiful landscape of Abruzzo in central Italy, this is a compelling story about mothers and daughters, about responsibility, siblings, and caregiving. Without warning or explanation, an unnamed 13-year-old girl is sent away from the family she has always thought of as hers to live with her birth family: a large, chaotic assortment of individuals whom she has never met and who seem anything but welcoming. Thus begins a new life, one of struggle, tension, and conflict, especially between the young girl and her mother. But in her relationship with Adriana and Vincenzo, two of her newly acquired siblings, she will find the strength to start again and to build a new and enduring sense of self.

A relentless, horror-inducing psychological suspense for fans of The Push and Baby Teeth by New York Times bestselling author CG Drews. Single mother Elodie’s life has become a fairy tale. She’s met Bren, equal parts golden-retriever devoted and sinfully handsome. He’s whisked her and her autistic son, Jude, to the crumbling family house he’s renovating. She has a new husband, a new house, and a new baby on the way. Everything is perfect. Then Jude claims he can hear voices in the walls. He says their renovations are “hurting” the house. Even Elodie can’t ignore it–something strange is going on. The question is, is it with the house, or with her son? Then the one secret Elodie has been hiding is revealed, and no one is safe anymore. A pulse-pounding, clever take on the haunted house novel, You Did Nothing Wrong examines the complexities of motherhood and the twisted bonds of family as it races to its shocking ending.

A relentless, horror-inducing psychological suspense for fans of The Push and Baby Teeth by New York Times bestselling author CG Drews. Single mother Elodie’s life has become a fairy tale. She’s met Bren, equal parts golden-retriever devoted and sinfully handsome. He’s whisked her and her autistic son, Jude, to the crumbling family house he’s renovating. She has a new husband, a new house, and a new baby on the way. Everything is perfect. Then Jude claims he can hear voices in the walls. He says their renovations are “hurting” the house. Even Elodie can’t ignore it–something strange is going on. The question is, is it with the house, or with her son? Then the one secret Elodie has been hiding is revealed, and no one is safe anymore. A pulse-pounding, clever take on the haunted house novel, You Did Nothing Wrong examines the complexities of motherhood and the twisted bonds of family as it races to its shocking ending.

The acclaimed author of the “disorienting, creepy, paranoia-inducing” (Paul Tremblay, author of The Cabin at the End of the World) A History of Fear returns with a spine-tingling new thriller about a weight loss treatment with potentially murderous side effects.Retail worker Emmett Truesdale has never fit the Southern California mold of six-pack, suntanned masculinity. Over three hundred pounds, he carries the weight of his childhood trauma and millennial ennui around his waist and in his soul. After trying every diet under the sun, he remains stuck—in his dead-end job, in love, and in his body. Desperate for help, he enrolls in a clinical trial for a new weight loss product called Obexity. The treatment is as horrifying as the results are miraculous and as Emmett sheds pounds at superhuman speed, every part of his life improves overnight. Unfortunately, Obexity comes with some killer side effects, including lost stretches of time and overwhelming cravings. Worse, people who were cruel to him have started disappearing and when the police warn of a cannibalistic killer on the loose, he fears that Obexity is turning him into a monster. But how can he give it up now that people are finally starting to treat him like he’s human? Nerve-racking, sinister, and at times surreal, Nothing Tastes as Good is an unputdownable thriller that combines The Substance with the best of Stephen King and keeps you guessing until the final page.

The acclaimed author of the “disorienting, creepy, paranoia-inducing” (Paul Tremblay, author of The Cabin at the End of the World) A History of Fear returns with a spine-tingling new thriller about a weight loss treatment with potentially murderous side effects.Retail worker Emmett Truesdale has never fit the Southern California mold of six-pack, suntanned masculinity. Over three hundred pounds, he carries the weight of his childhood trauma and millennial ennui around his waist and in his soul. After trying every diet under the sun, he remains stuck—in his dead-end job, in love, and in his body. Desperate for help, he enrolls in a clinical trial for a new weight loss product called Obexity. The treatment is as horrifying as the results are miraculous and as Emmett sheds pounds at superhuman speed, every part of his life improves overnight. Unfortunately, Obexity comes with some killer side effects, including lost stretches of time and overwhelming cravings. Worse, people who were cruel to him have started disappearing and when the police warn of a cannibalistic killer on the loose, he fears that Obexity is turning him into a monster. But how can he give it up now that people are finally starting to treat him like he’s human? Nerve-racking, sinister, and at times surreal, Nothing Tastes as Good is an unputdownable thriller that combines The Substance with the best of Stephen King and keeps you guessing until the final page.

Winner of the Campiello Prize. A pitch-perfect rendering in English by Ann Goldstein, Elena Ferrante’s translator. “I was the Arminuta, the girl returned. I spoke another language, I no longer knew who I belonged to. The word ‘mama’ stuck in my throat like a toad. And, nowadays, I really have no idea what kind of place mother is. It is not mine in the way one might have good health, a safe place, certainty.” Told with an immediacy and a rare expressive intensity that has earned it countless adoring readers and one of Italy’s most prestigious literary prizes, A Girl Returned marks the English-language debut of an extraordinary literary talent. Set against the stark, beautiful landscape of Abruzzo in central Italy, this is a compelling story about mothers and daughters, about responsibility, siblings, and caregiving. Without warning or explanation, an unnamed 13-year-old girl is sent away from the family she has always thought of as hers to live with her birth family: a large, chaotic assortment of individuals whom she has never met and who seem anything but welcoming. Thus begins a new life, one of struggle, tension, and conflict, especially between the young girl and her mother. But in her relationship with Adriana and Vincenzo, two of her newly acquired siblings, she will find the strength to start again and to build a new and enduring sense of self.

Am I making it worse? I think I'm making it worse. Everyone's favorite lethal SecUnit is back. Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters. ART’s crew and the humans from Preservation are doing everything they can to protect the colonists, but with Barish-Estranza’s SecUnit-heavy persuasion teams, they’re going to have to hope Murderbot figures out what’s wrong with itself, and fast. Yeah, this plan is... not going to work.