Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it’s the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel–prize nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results. But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America’s most beloved cooking show Supper at Six. Elizabeth’s unusual approach to cooking (“combine one tablespoon acetic acid with a pinch of sodium chloride”) proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn’t just teaching women to cook. She’s daring them to change the status quo. Laugh-out-loud funny, shrewdly observant, and studded with a dazzling cast of supporting characters, Lessons in Chemistry is as original and vibrant as its protagonist.

People say Beartown is finished. A tiny community nestled deep in the forest, it is slowly losing ground to the ever-encroaching trees. But down by the lake stands an old ice rink, built generations ago by the working men who founded town. And that rink is the reason people in Beartown believe tomorrow will be better than today. Their junior hockey team is about to compete in the national championships, and they actually have a shot at winning. All the hopes and dreams of the town now rest on the shoulders of a handful of teenage boys. A victory would send star player Kevin onto a brilliant professional future in the NHL. It would mean everything to Amat, a scrawny fifteen-year-old treated like an outcast everywhere but on the ice. And it would justify the choice that Peter, the team's general manager, and his wife, Kira, made to return to his hometown and raise their children in this beautiful but isolated place. Being responsible for the hopes of an entire town is a heavy burden, and the semifinal match is the catalyst for a violent act that leaves a young girl traumatized and a town in turmoil. Hers is a story no one wants to believe since the truth would mean the end of the dream. Accusations are made, and like ripples on a pond, they travel through all of Beartown, leaving no resident unaffected.

When your nemesis also happens to be your fiancé, happily ever after becomes a lot more complicated in this wickedly funny, lovers-to-enemies-to-lovers romantic comedy debut. Naomi Westfield has the perfect fiancé: Nicholas Rose holds doors open for her, remembers her restaurant orders, and comes from the kind of upstanding society family any bride would love to be a part of. They never fight. They're preparing for their lavish wedding that's three months away. And she is miserably and utterly sick of him. Naomi wants out, but there's a catch: whoever ends the engagement will have to foot the nonrefundable wedding bill. When Naomi discovers that Nicholas, too, has been feigning contentment, the two of them go head-to-head in a battle of pranks, sabotage, and all-out emotional warfare. But with the countdown looming to the wedding that may or may not come to pass, Naomi finds her resolve slipping. Because now that they have nothing to lose, they're finally being themselves--and having fun with the last person they expect: each other.

A haunting coming-of-age tale following the daughter of Vietnamese immigrants, Ronny Nyugen, as she grapples with the weight of generational trauma while navigating the violent power of teenage girlhood, for fans of Jennifer’s Body and Little Fires Everywhere. It’s the summer before high school, and Ronny Nguyen finds herself too young for work, too old for cartoons. Her days are spent in a small backyard, dozing off to trashy magazines on a plastic lawn chair. In stark contrast stands her brother Tommy, the pride and joy of their immigrant a popular honor student destined to be the first in the family to attend college. The thought of Tommy leaving for college fills Ronny with dread, as she contemplates the quiet house she will be left alone in with her parents, Me and Ba. Their parents rarely speak of their past in Vietnam, except through the lens of food. The family’s meals are a tapestry of cultural thick spring rolls with slim and salty nem nuong, and steaming bowls of pho tai with thin, delicate slices of blood-red beef. In the aftermath of the war, Me and Ba taught Ronny and Tommy that meat was a dangerous luxury, a symbol of survival that should never be taken for granted. But when tragedy strikes, Ronny’s world is upended. Her sense of self and her understanding of her family are shattered. A few nights later, at her first high school party, a boy crosses the line, and Ronny is overtaken by a force larger than herself. This newfound power comes with an insatiable hunger for raw meat, a craving that is both a saving grace and a potential destroyer. What Hunger is a visceral, emotional journey through the bursts and pitfalls of female rage. Ronny’s Vietnamese lineage and her mother’s emotional memory play a crucial role in this tender ode to generational trauma and mother-daughter bonding.

She’s off-limits, but he’s never been good at following the rules. For the first time in her life, Clementine “Emmy” Ryder has no idea what she’s doing. She’s accomplished everything on her to-do list. She left her small hometown of Meadowlark, Wyoming; went to college; and made a career for herself by doing her favorite thing: riding horses. But after an accident makes it impossible for her to get back into the saddle, she has no choice but to return to the hometown she always wanted to escape. Luke Brooks is Meadowlark’s most notorious bad boy, bar owner, and bachelor. He’s also the unofficial fifth member of the Ryder family. As Emmy’s older brother’s best friend, Luke spent most of his childhood antagonizing her. It’s been years since he’s seen her, but when she walks into his bar and back into his life, he can’t take his eyes off her. Despite his better judgment, he wants to do a whole lot more than just look at her. Emmy’s got too much on her mind to think about romance. And Luke knows he should stay away from his best friend’s younger sister. But what if Luke is just what Emmy needs to get her spark back? Or will they both go up in flames?