“Laurus Nobilis” is an 1909 collection of essays on the subject of aestheticism written by Vernon Lee. Contents "The Use of Beauty”, “'Nisi Citharam'”, “Higher Harmonies”, “Beauty and Sanity”, “The Art and the Country Tuscan Notes”, “Art and Usefulness”, and “Wasteful Pleasures”. A fantastic collection of interesting essays that will appeal to those with an interest in aesthetics and related subjects. Violet Paget (1856–1935), also known under the pseudonym Vernon Lee, was a French-born British writer famous for her supernatural fiction and contributions to the field of aesthetics. She also wrote more than a dozen books on a variety of subjects ranging from music to travel, and today she is best remembered for her original ideas and amusing use of irony. Other notable works by this author “The Prince of the Hundred A Puppet Show in Narrative” (1883), “The Countess of Albany” (1884), and “Miss Brown” (1884). Read & Co. Books is proudly republishing this classic collection of essays now in a new edition complete with a dedication by Amy Levy.

This collection of interviews with James Baldwin covers the period 1961-1987, from the year of the publication of Nobody Knows My Names , his fourth book, to just a few weeks before his death. It includes the last formal conversation with him. Twenty-seven interviews reprinted here come from a variety of sources―newspapers, radio, journals, and review―and show this celebrated author in all his eloquence, anger, and perception of racial, social, and literary situations in America. Over the years Baldwin proved to be an easily accessible and cooperative subject for interviews, both in the United States and abroad. He frequently referred to himself as “a kind of transatlantic commuter.” Whether candidly discussing his own ghetto origins, his literary mission and achievements, his role in the civil rights movement, or his views on world affairs, black-and-white relations, Vietnam, Christianity, and fellow writers, Baldwin was always both popular and controversial. This important collection contributes significantly to the clarification and expansion of the ideas in Baldwin's fiction, drama, essays, and poetry. It gives additional life to a stunning orator and major literary figure who considered himself a sojourner even in his own country. Yet early in his career Baldwin told Studs “I am an American writer. This country is my subject.”

From one of the most important American novelists of the twentieth century—a novel of sexual, racial, political, artistic passions, set in Greenwich Village, Harlem, and France. Stunning for its emotional intensity and haunting sensuality, this book depicts men and women, blacks and whites, stripped of their masks of gender and race by love and hatred at the most elemental and sublime.

A black writer's emotional response to American racism is juxtaposed with the logical analyses of a social scientist

Data is fundamental to the modern world. From economic development, to healthcare, to education and public policy, we rely on numbers to allocate resources and make crucial decisions. But because so much data fails to take into account gender, because it treats men as the default and women as atypical, bias and discrimination are baked into our systems. And women pay tremendous costs for this bias, in time, money, and often with their lives. Celebrated feminist advocate Caroline Criado Perez investigates the shocking root cause of gender inequality and research in Invisible Women​, diving into women’s lives at home, the workplace, the public square, the doctor’s office, and more. Built on hundreds of studies in the US, the UK, and around the world, and written with energy, wit, and sparkling intelligence, this is a groundbreaking, unforgettable exposé that will change the way you look at the world.

A revealing exploration of a quarter century of cultural stagnation, examining the commercial and technological forces that have come to dominate contemporary culture—from music and fashion to art, film, TV, and beyondOver the past twenty-five years, pop culture has suffered from a perplexing lack of reinvention. We’ve entered a cultural “blank space”—an era when reboots, rehashes, and fads flourish, while bold artistic experimentation struggles to gain recognition. Why is risk no longer rewarded, and how did playing it safe become the formula for success? Acclaimed cultural historian W. David Marx sets out to uncover the answers.In this ambitious cultural history, Marx guides us through the blur of the twenty-first century so far, from the Obama era to the rise of K-pop, from Paris Hilton to the Marvel cinematic universe, from Beyoncé and Taylor Swift to . . . Beyoncé and Taylor Swift, whose enduring influence highlights both their adaptability and the broader shifts in pop culture. Combining sociological, economic, and political insights with a deep dive into art, street culture, fashion, and technology, Blank Space dissects the rise of profit-driven, formulaic trends and the shifting cultural norms that often prioritize going viral over innovation. He reveals how backlash against indie snobbery and nineties counterculture gave rise to a “counter-counterculture”—one marked by antiliberal sentiment, the celebration of business heroes, and the increasing influence of industry plants and the elite class. In a world of crypto bros, nepo babies, and AI-driven art, Marx offers readers a much-needed dose of clarity and context.Vibrantly narrated and sharply argued, Blank Space is an essential guide for anyone looking to understand the chaos of the twenty-first century, the trends, tastemakers, and icons who shaped it, and how we might push our culture forward over the next quarter century—through renewed emphasis on creativity, community, and the values that transcend mere profit.

A debut collection that heralds the arrival of a fresh and exciting new literary voiceFree Therapy is about people who know what they need to do in order to be happy, but can't quite bring themselves to do it; people who are driven by desires that don't quite match with what they're looking for in life; people who long to connect with others, but can't seem to allow themselves to. Helpless, hapless, lost in the mire of the modern world, the protagonists of Rebecca Ivory's stories nevertheless persist.With a sharp, discerning eye and yet also a humane tenderness for the foibles of contemporary relationships - familial, platonic and romantic - Rebecca Ivory shows us the ways in which we posture and present ourselves, and the softness and insecurities that lie beneath. Echoing the wit and insight of Lorrie Moore and Curtis Sittenfeld, and situating herself within the vanguard of short fiction writers such as Nicole Flattery and Saba Sams, Free Therapy heralds the arrival of a fresh and exciting new talent.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.

"I live for the dream that my children will be born free," she says. "That they will be what they like. That they will own the land their father gave them." "I live for you," I say sadly. Eo kisses my cheek. "Then you must live for more." Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations. Yet he spends his life willingly, knowing that his blood and sweat will one day result in a better world for his children. But Darrow and his kind have been betrayed. Soon he discovers that humanity already reached the surface generations ago. Vast cities and sprawling parks spread across the planet. Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class. Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the legendary Institute, a proving ground for the dominant Gold caste, where the next generation of humanity's overlords struggle for power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society's ruling class. There, he will stop at nothing to bring down his enemies... even if it means he has to become one of them to do so.

The first anthology devoted to women’s friendship drawn from fiction, diaries, poetry, and letters. As Marilyn Robinson writes in her 1980 novel Housekeeping, “having a sister or friend is like sitting at night in a lighted house.” Bringing together work by more than 100 writers, the Book of Women’s Friendship explores the rich subject of friendship between women from every its particular intensity and miraculous ease, its tendency to wax and wane, its role not only as a comfort and a privilege, but as vital to our health. Editor Rachel Cooke excerpts novels, poems, diaries, letters, comics, and graphic novels about women’s friendship, placing work from a diverse array of artists in conversation across time and place. From Jane Austen to Edith Wharton and Virginia Woolf, from Dolly Alderton to Sarah Waters, and from Zadie Smith to Meg Wolitzer, The Book of Women’s Friendship celebrates and investigates friendship between women from first encounters to final goodbyes, from falling out to making up again.

A young family moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.