"When the Death of Mountains came for us, we had been aching for a long time. There is so much loss in being a mountain; it is a terribly long time to live. Yet something awoke within us when they arrived, their face a stone skull, their hands obsidian bones that cracked and crackled like fracking. It made us hurt to hear their earthquake step across the ground as they arrived. Their breath was like coal dust, the stuff their cloak was made from. They left a trail of oil behind them as they walked. When they spoke, their breath was hot, volcanic; it made us wither at first. We, however are a middling hilld of the Appalachians. And we have seen much worse. Far worse than death."

You’re Not Supposed to Die Tonight meets Scream in this YA slasher that turns classic horror tropes on their heads. There’s a reason CJ Smith’s hometown of Satterville is known as Slasherville: it was the site of not one, but two Friday the 13th-style massacres. CJ’s dad survived the first attack; only CJ survived the second. And thanks to the mysterious writer Moon Satter’s bestselling novels based on the events, the town—and CJ—will always be defined by this horrific past. Then a new, unpublished Moon Satter manuscript shows up addressed to CJ. But unlike the others, this story isn’t about the past. Instead, it predicts new murders. On the day the book says the first murder will occur, CJ sets out to stop it. But in saving one classmate, the final girl ends up dead. CJ and their friends have suddenly gone from extras to leads—and they’ll have to use everything they know about the rules of horror to make it out alive.

In her third poetry collection, Hijra , Hala Alyan creates poems of migration and flight reflecting and bearing witness to the haunting particulars in her transnational journey as well as those of her mother, her aunts, and the female ancestors in Gaza and Syria.   The reader sees war, diaspora, and immigration, and hears the marginalized voices of women of color. The poems use lyrical diction and striking imagery to evoke the weight of an emotional and visceral journey. They grow and build in length and form, reflecting the gains the women in the poems make in re-creating selfhood through endurance and strength.   In prose, narrative, and confessional-style poems, Alyan reflects on how physical space is refashioned, transmitted, and remembered. Her voice is distinct, fresh, relevant, and welcoming.

The powerful, unforgettable graphic memoir from Jarrett Krosoczka, about growing up with a drug-addicted mother, a missing father, and two unforgettably opinionated grandparents. In kindergarten, Jarrett Krosoczka's teacher asks him to draw his family, with a mommy and a daddy. But Jarrett's family is much more complicated than that. His mom is an addict, in and out of rehab, and in and out of Jarrett's life. His father is a mystery -- Jarrett doesn't know where to find him, or even what his name is. Jarrett lives with his grandparents -- two very loud, very loving, very opinionated people who had thought they were through with raising children until Jarrett came along.Jarrett goes through his childhood trying to make his non-normal life as normal as possible, finding a way to express himself through drawing even as so little is being said to him about what's going on. Only as a teenager can Jarrett begin to piece together the truth of his family, reckoning with his mother and tracking down his father. Hey, Kiddo is a profoundly important memoir about growing up in a family grappling with addiction, and finding the art that helps you survive.

There will be blood. Ace of Spades meets House of Hollow in this villain origin story. Laure Mesny is a perfectionist with an axe to grind. Despite being constantly overlooked in the elite and cutthroat world of the Parisian ballet, she will do anything to prove that a Black girl can take center stage. To level the playing field, Laure ventures deep into the depths of the Catacombs and strikes a deal with a pulsating river of blood. The primordial power Laure gains promises influence and adoration, everything she’s dreamed of and worked toward. With retribution on her mind, she surpasses her bitter and privileged peers, leaving broken bodies behind her on her climb to stardom. But even as undeniable as she is, Laure is not the only monster around. And her vicious desires make her a perfect target for slaughter. As she descends into madness and the mystifying underworld beneath her, she is faced with the ultimate choice: continue to break herself for scraps of validation or succumb to the darkness that wants her exactly as she is—monstrous heart and all. That is, if the god-killer doesn’t catch her first. From debut author Jamison Shea comes I Feed Her to the Beast and the Beast Is Me, a slow-burn horror that lifts a veil on the institutions that profit on exclusion and the toll of giving everything to a world that will never love you back.

How do you prevent history from repeating itself, and is it possible to protect the one you love from themselves? When cartoonist Moa Romanova joins her rock star bestie on a U.S. tour, life quickly turns chaotic, as adolescent trauma begins to haunt her. Buff Soul tackles addiction, friendship, and loss in a rollicking road trip adventure involving selling speed, breaking bones, massive hangovers, drug withdrawal, having your entire fist inside your best friend, and shooting guns in the desert. What begins as an insanely comical, hedonistic road trip in the spirit of Pineapple Express, takes a dark turn when her best friend disappears. This event triggers memories of an adolescent trauma she had yet to reckon with, leading Romanova to confront the reality of how far she’s let her self-destruction go.