Salento, giugno 1934. A Lizzanello, un paesino di poche migliaia di anime, una corriera si ferma nella piazza principale. Ne scende una coppia: lui, Carlo, è un figlio del Sud, ed è felice di essere tornato a casa; lei, Anna, sua moglie, è bella come una statua greca, ma triste e preoccupata: quale vita la attende in quella terra sconosciuta? Persino a trent’anni da quel giorno, Anna rimarrà per tutti «la forestiera», quella venuta dal Nord, quella diversa, che non va in chiesa, che dice sempre quello che pensa. E Anna, fiera e spigolosa, non si piegherà mai alle leggi non scritte che imprigionano le donne del Sud. Ci riuscirà anche grazie all’amore che la lega al marito, un amore la cui forza sarà dolorosamente chiara al fratello maggiore di Carlo, Antonio, che si è innamorato di Anna nell’istante in cui l’ha vista. Poi, nel 1935, Anna fa qualcosa di davvero rivoluzionario: si presenta a un concorso delle Poste, lo vince e diventa la prima portalettere di Lizzanello. La notizia fa storcere il naso alle donne e suscita risatine di scherno negli uomini. «Non durerà», maligna qualcuno. E invece, per oltre vent’anni, Anna diventerà il filo invisibile che unisce gli abitanti del paese. Prima a piedi e poi in bicicletta, consegnerà le lettere dei ragazzi al fronte, le cartoline degli emigranti, le missive degli amanti segreti. Senza volerlo – ma soprattutto senza che il paese lo voglia – la portalettere cambierà molte cose, a Lizzanello. Quella di Anna è la storia di una donna che ha voluto vivere la propria vita senza condizionamenti, ma è anche la storia della famiglia Greco e di Lizzanello, dagli anni ’30 fino agli anni ’50, passando per una guerra mondiale e per le istanze femministe. Ed è la storia di due fratelli inseparabili, destinati ad amare la stessa donna.

A moving story about two very different sisters, and a love letter to childhood, growing up, and the power of imagination—from the bestselling author of Everyone in This Room Will Someday Be Dead and Interesting Facts About Space. Sigrid hates working at the Dollar Pal but having always resisted the idea of growing up into the trappings of adulthood, she did not graduate high school, preferring to roam the streets of her small town with her best friend Greta, the only person in the world who ever understood her. Her older sister Margit is baffled and frustrated by Sigrid’s inability to conform to the expectations of polite society. But Sigrid’s detachment veils a deeper turmoil and sensitivity. She’s haunted by the pains of her past—from pretending her parents were swamp monsters when they shook the floorboards with their violent arguments to grappling with losing Greta’s friendship to the opioid epidemic ravaging their town. As Margit sets out to understand Sigrid and the secrets she has hidden, both sisters, in their own time and way, discover that reigniting their shared childhood imagination is the only way forward. What unfolds is an unforgettable story of two sisters finding their way back to each other, and a celebration of that transcendent, unshakable bond.

From the International Booker Prize–shortlisted author of What I’d Rather Not Think About comes a darkly humorous novel about multigenerational family dynamics and individuality in Dutch suburbia. An unnamed narrator grows up overshadowed by her unconventional mother, an ex-Jehovah’s witness and former television star with an inferiority complex. Her father is the head of a psychiatric institution, whose only form of parenting is to offer his daughter the same life advice he dispenses to his patients. Reserved and somewhat aloof, he chooses not to intervene when his wife obsesses about charisma, calorie counting, and turning their daughter into a child prodigy. Their daughter strives to meet her mother’s expectations and bond with her father while secretly worrying she lacks the drive or charisma to do anything significant with her life. When her mother is diagnosed with terminal cancer, she begins to address their generational trauma, forge a new relationship with her father, and discover life on her terms. In twelve chapters ― each reflecting a different phase of life ― Posthuma expertly dissects a fraught family history, exposing the absurdity that often lies at the heart of life’s most poignant and challenging moments.

C’è stata una famiglia che ha sfidato il mondo. Una famiglia che ha conquistato tutto. Una famiglia che è diventata leggenda. Questa è la sua storia. Dal momento in cui sbarcano a Palermo da Bagnara Calabra, nel 1799, i Florio guardano avanti, irrequieti e ambiziosi, decisi ad arrivare più in alto di tutti. A essere i più ricchi, i più potenti. E ci riescono: in breve tempo, i fratelli Paolo e Ignazio rendono la loro bottega di spezie la migliore della città, poi avviano il commercio di zolfo, acquistano case e terreni dagli spiantati nobili palermitani, creano una loro compagnia di navigazione… E quando Vincenzo, figlio di Paolo, prende in mano Casa Florio, lo slancio continua, inarrestabile: nelle cantine Florio, un vino da poveri – il marsala – viene trasformato in un nettare degno della tavola di un re; a Favignana, un metodo rivoluzionario per conservare il tonno – sott’olio e in lattina – ne rilancia il consumo in tutta Europa… In tutto ciò, Palermo osserva con stupore l’espansione dei Florio, ma l’orgoglio si stempera nell’invidia e nel disprezzo: quegli uomini di successo rimangono comunque «stranieri», «facchini» il cui «sangue puzza di sudore». Non sa, Palermo, che proprio un bruciante desiderio di riscatto sociale sta alla base dell’ambizione dei Florio e segna nel bene e nel male la loro vita; che gli uomini della famiglia sono individui eccezionali ma anche fragili e – sebbene non lo possano ammettere – hanno bisogno di avere accanto donne altrettanto eccezionali: come Giuseppina, la moglie di Paolo, che sacrifica tutto – compreso l’amore – per la stabilità della famiglia, oppure Giulia, la giovane milanese che entra come un vortice nella vita di Vincenzo e ne diventa il porto sicuro, la roccia inattaccabile. Intrecciando il percorso dell’ascesa commerciale e sociale dei Florio con le loro tumultuose vicende private, sullo sfondo degli anni più inquieti della Storia italiana – dai moti del 1818 allo sbarco di Garibaldi in Sicilia – Stefania Auci dipana una saga familiare d’incredibile forza, così viva e pulsante da sembrare contemporanea.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

Salento, giugno 1934. A Lizzanello, un paesino di poche migliaia di anime, una corriera si ferma nella piazza principale. Ne scende una coppia: lui, Carlo, è un figlio del Sud, ed è felice di essere tornato a casa; lei, Anna, sua moglie, è bella come una statua greca, ma triste e preoccupata: quale vita la attende in quella terra sconosciuta? Persino a trent’anni da quel giorno, Anna rimarrà per tutti «la forestiera», quella venuta dal Nord, quella diversa, che non va in chiesa, che dice sempre quello che pensa. E Anna, fiera e spigolosa, non si piegherà mai alle leggi non scritte che imprigionano le donne del Sud. Ci riuscirà anche grazie all’amore che la lega al marito, un amore la cui forza sarà dolorosamente chiara al fratello maggiore di Carlo, Antonio, che si è innamorato di Anna nell’istante in cui l’ha vista. Poi, nel 1935, Anna fa qualcosa di davvero rivoluzionario: si presenta a un concorso delle Poste, lo vince e diventa la prima portalettere di Lizzanello. La notizia fa storcere il naso alle donne e suscita risatine di scherno negli uomini. «Non durerà», maligna qualcuno. E invece, per oltre vent’anni, Anna diventerà il filo invisibile che unisce gli abitanti del paese. Prima a piedi e poi in bicicletta, consegnerà le lettere dei ragazzi al fronte, le cartoline degli emigranti, le missive degli amanti segreti. Senza volerlo – ma soprattutto senza che il paese lo voglia – la portalettere cambierà molte cose, a Lizzanello. Quella di Anna è la storia di una donna che ha voluto vivere la propria vita senza condizionamenti, ma è anche la storia della famiglia Greco e di Lizzanello, dagli anni ’30 fino agli anni ’50, passando per una guerra mondiale e per le istanze femministe. Ed è la storia di due fratelli inseparabili, destinati ad amare la stessa donna.

The days are beginning to draw in. The sky is dark by seven in the evening. I lie on the floor and gaze out of the window. Women’s calves, men’s shoes, heels trodden down by the weight of bodies borne for too long. It is summer in Tokyo. Claire finds herself dividing her time between tutoring twelve-year-old Mieko, in an apartment in an abandoned hotel, and lying on the floor at her grandparents: daydreaming, playing Tetris and listening to the sounds from the street above. The heat rises; the days slip by. The plan is for Claire to visit Korea with her grandparents. They fled the civil war there over fifty years ago, along with thousands of others, and haven’t been back since. When they first arrived in Japan, they opened Shiny, a pachinko parlour. Shiny is still open, drawing people in with its bright, flashing lights and promises of good fortune. And as Mieko and Claire gradually bond, a tender relationship growing, Mieko’s determination to visit the pachinko parlour builds. The Pachinko Parlour is a nuanced and beguiling exploration of identity and otherness, unspoken histories, and the loneliness you can feel amongst family. Crisp and enigmatic, Shua Dusapin’s writing glows with intelligence.

The days are beginning to draw in. The sky is dark by seven in the evening. I lie on the floor and gaze out of the window. Women’s calves, men’s shoes, heels trodden down by the weight of bodies borne for too long. It is summer in Tokyo. Claire finds herself dividing her time between tutoring twelve-year-old Mieko, in an apartment in an abandoned hotel, and lying on the floor at her grandparents: daydreaming, playing Tetris and listening to the sounds from the street above. The heat rises; the days slip by. The plan is for Claire to visit Korea with her grandparents. They fled the civil war there over fifty years ago, along with thousands of others, and haven’t been back since. When they first arrived in Japan, they opened Shiny, a pachinko parlour. Shiny is still open, drawing people in with its bright, flashing lights and promises of good fortune. And as Mieko and Claire gradually bond, a tender relationship growing, Mieko’s determination to visit the pachinko parlour builds. The Pachinko Parlour is a nuanced and beguiling exploration of identity and otherness, unspoken histories, and the loneliness you can feel amongst family. Crisp and enigmatic, Shua Dusapin’s writing glows with intelligence.

From National Book Award–winning Elisa Shua Dusapin, a subtle yet powerful portrayal of family, secrets, and silence set against the backdrop of a crumbling house in the French countryside—perfect for readers of Katie Kitamura and Elena Ferrante.“A bewitching meditation on tenderness and violence, intimacy and estrangement, The Old Fire will transport you to an ancient and wild place, immersing you in its temperatures and rainfalls, its grief and grace and sound and silence. You won’t be the same when you leave it.” —Tess Gunty, National Book Award–winning author of The Rabbit Hutch Through the window, I can see a light inside. Agathe leaves New York and returns to her home in the French countryside, after fifteen years away. She and her sister Véra have not seen each other in all those years, and they carry the weight of their own complicated lives. But now their father has died, and they must confront their childhood home on the outskirts of a country estate ravaged by a nearby fire before it is knocked down. They have nine days to empty it. As the pair clean and sift through a lifetime’s worth of belongings, old memories, and resentments surface. Tender and tense, haunting and evocative, The Old Fire is Elisa Shua Dusapin’s most personal and moving novel yet. An exploration of time and memory, of family and belonging, it is also a graceful and profound look at the unsaid and the unanswered, the secrets that remain, and whether you can ever really go home again. “A touching, mysterious novel, imbued with the beauty and strangeness of a fairy tale.” —Aysegül Savas, author of The Anthropologists “Dusapin has a rare and ferocious gift for pinning the quick, slippery, liveness of feeling to the Her talent is a thrill to behold.” —Alexandra Kleeman, author of You Too Can Have a Body Like Mine

A magnetic novel about a young woman who falls in love with her boyfriend's cat.Katie hasn't spoken to her mother in a year when her boyfriend James introduces her to his cat Silver. A small, vulnerable, incorrigible ball of need, Silver's acceptance of Katie cracks open something inside of an unravelling begins.Fresh out of college and far from home, Katie is desperate to skirt the demands of adult life - especially because, as she promised her mother, the plan was to never grow up in the first place. Luckily, she has self-assured, generous, and seemingly happy to make decisions for them both.When they go on holiday to James's family's seaside home, Katie's attachment to Silver grows. Silver doesn't mind that Katie can't seem to get a job, hold her own at dinner parties, or make amends with her mother. Silver, who gets to misbehave spectacularly, be childish, be gross, and still get fed, seems to have the life Katie increasingly longs for. But as their bond intensifies, Katie's other relationships reach tipping points. Soon, Katie must come to terms with what she really wants, and what she might have to risk to get it.Delicately playful and unexpectedly heartfelt, Kitten is a sensitive reckoning with the allure of helplessness and the uncertainty of becoming yourself in a world that is as disorienting as it is full of hope and connection.

A woman turns herself into a forest after long being co-opted to serve as the subject of her husband’s novels—this surrealist fable challenges traditional gender attitudes and exploitation in the literary world Nowatari Rui has long been the subject of her husband’s novels, depicted as a pure woman who takes great pleasure in sex. With her privacy and identity continually stripped away, she has come to be seen by society first and foremost as the inspiration for her husband’s art. When a decade’s worth of frustrations reaches its boiling point, Rui consumes a bowl of seeds, and buds and roots begin to sprout all over her body. Instead of taking her to a hospital, her husband keeps her in an aquaterrarium, set to compose a new novel based on this unsettling experience. But Rui breaks away from her husband by growing into a forest—and in time, she takes over the entire city. As fantasy and reality bleed together, The Forest Brims Over challenges unconscious gender biases and explores the boundaries between art and exploitation—muse abuse—in the literary world.

A novel from the author of A Separation, a taut and electrifying story about a woman caught between many truths. An interpreter has come to The Hague to escape New York and work at the International Court. A woman of many languages and identities, she is looking for a place to finally call home. She's drawn into simmering personal dramas: her lover, Adriaan, is separated from his wife but still entangled in his marriage. Her friend Jana witnesses a seemingly random act of violence, a crime the interpreter becomes increasingly obsessed with as she befriends the victim's sister. And she's pulled into explosive political fires: her work interpreting for a former president accused of war crimes becomes precarious as their relationship is unbound by shifting language and meaning. This woman is the voice in the ear of many, but what command does that give her, and how vulnerable does that leave her? Her coolly impassioned views on power, love, and violence, are tested, both in her personal intimacies and in her role at the Court. She is soon pushed to the precipice, where betrayal and heartbreak threaten to overwhelm her; it is her drive towards truth, and love, that throws into stark relief what she wants from her life.

Claire Keegan's piercing contemporary classic Foster is a heartbreaking story of childhood, loss, and love; now released as a standalone book for the first time ever in the US It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household--where everything is so well tended to--and this summer must soon come to an end. A story of astonishing emotional depth now expanded and newly revised in a standalone edition, Foster showcases Claire Keegan's great talent and cements her reputation as one of our most important and prodigious storytellers.