After the war, I thought all that was left was ashes, hollow ruins . . . Today, I know that’s not true. Where man remains, a seed, too, survives, a dream to inseminate time. Published in the aftermath of Mozambique’s bloody civil war, Mia Couto’s third collection seeks out the places violence could not reach, the places where, the author writes, “every man is the pretending he’s here, dreaming of going away, and plotting his return.” Shifting masterfully between forms―creation tale to meditation, playful comedy to magical twist―these stories grapple with questions of what’s been lost and what can be reclaimed, what future exists for a country that broke the yoke of colonialism only to descend into internecine war, what is Mozambican and what is Mozambique. Following fishermen and fortune-tellers, widows and drunks, and one errant hippopotamus, this new translation of stories by the Man Booker-listed author of Confession of the Lioness rediscovers possibility and what it means to be reborn. style=" left;"> Finalist for the 2015 Man Booker International Prize style=" left;"> Winner of the Neustadt Prize for Literature, 2014 style=" left;"> Winner of the Camões Prize for Literature, 2013 A Vanity Fair Must-Read Book From Around The World for Winter 2019 A Financial Times Summer Book of 2019

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin? Will she ever be able to share her new life with her beloved and now chronically befuddled husband? And on top of her profound isolation and confusion, Tara takes in with pain how slight a difference she makes in the world. (As she puts it: “That’s how little the activities of one person matter on the eighteenth of November.”) Balle is hypnotic and masterful in her remixing of the endless recursive day, creating curious little folds of time and foreshadowings: her flashbacks light up inside the text like old flash bulbs. The first volume’s gravitational pull―a force inverse to its constriction―has the effect of a strong tranquilizer, but a drug under which your powers of observation only grow sharper and more acute. Give in to the book's logic (its minute movements, its thrilling shifts, its slant wit, its slowing of time) and its spell is utterly intoxicating. Solvej Balle’s seven-volume novel wrings enthralling and magical new dimensions from time and its hapless, mortal subjects. As one Danish reviewer beautifully put it, Balle’s fiction consists of writing that listens. “Reading her is like being caressed by language itself.”

A ruthless dissection of American life in the late 1960s, Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the reader. Set in a place beyond good and evil - literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul - it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis and stunning in the still-startling intensity of its prose.

A leading food and travel journalists depicts and predicts the good, the bad, and the ugly about the future of travel — and how we can transcend the complications of climate change, AI, and touristification . . .In the future, tourists will strap on a VR headset that serves up information about the storefronts and cathedrals they pass, letting them “see Paris” without actually laying eyes on it. Instant-translation earbuds will mean we’ll never have to learn the words Dónde está la biblioteca? – and who needs a library or bookstore when Spanish-English dictionaries and guidebooks are obsolete?Meanwhile, thanks to AI, travelers will have an unprecedented fount of information at their disposal – but how much of it can be trusted? And is it really “saving time” if AI bots are sending everyone to stand in line at already-overrun tourist spots?And what about those over-crowded spots, such as Barcelona, where residents are so traumatized by crass crowds of visitors that the walls are graffitied with “TOURISTS GO HOME,” and signs to “PLEASE PEE IN THE RIGHT PLACE,” with a QR code optimistically pointing them to self-cleaning public toilets.In the coming years, more cities and countries will take drastic measures to combat not only a flood of tourist but of a growing worldwide workforce of “location-independent professionals,” by forbidding apartment-sharing apps, turning away cruise ships even as biofuels and hybrid tech make them more environmentally friendly, enacting congestion pricing and car-free zones, and grounding budget airlines such as Ryanair (or “Ruinair,” as climate activists have dubbed it) in favor of zero-emission, hydrogen-fueled train networks.In The Future of Travel, award-winning food and travel writer Daniel Maurer — himself a veteran globetrotter — will predict epic tugs-of-war between the travelers and the locals who are marginalized by these trends, and the stakeholders who benefit from them. We’ll see a push and pull between cities that have hit a breaking point with touristification and outlying towns that continue to court “remote workers,” even as they shun the lower-earning “migrants” who follow in their wake, delivering their $20 bagels.We’ll see what happens when technology allows entire new classes of travelers to move — as far as they can, as much as they can.

A moving exploration of the 2022 women-led protests in Iran, as told through the interwoven stories of two Iranian journalistsIn 2022, in response to the killing of Mahsa Jina Amini, a 22-year-old Kurdish woman who died in police custody after being arrested for not wearing her hijab, thousands of Iranians – mostly women – took to the streets in protest. Fatemeh Jamalpour had just returned to the country after working in London, and despite the threat of imprisonment or death for her work as a journalist, joined the throngs of people fighting to topple Iran’s religious extremist regime.    Across the globe, Nilo Tabrizy, who emigrated from Iran with her family as a child, was covering the protests and state violence in Iran, knowing that spotlighting the women on the frontlines and the systemic injustice of the Iranian government meant she would not be able to safely return to Iran in the future.    Though they had only met once in person, Nilo and Fatemeh corresponded constantly, often through encrypted platforms in order to protect Fatemeh's privacy and security. As the protests continued to unfold, the sense of sisterhood they shared led them to embark on an effort to document the spirit and legacy of the movement, and the history, geopolitics, and influences that led to this point. At once deeply personal and assiduously reported, For the Sun After Long Nights offers two perspectives on what it means, as a journalist, to cover the stories that are closest to one's heart—both from the frontlines and from afar.

Tanjiro sets out on the path of the Demon Slayer to save his sister and avenge his family!In Taisho-era Japan, Tanjiro Kamado is a kindhearted boy who makes a living selling charcoal. But his peaceful life is shattered when a demon slaughters his entire family. His little sister Nezuko is the only survivor, but she has been transformed into a demon herself! Tanjiro sets out on a dangerous journey to find a way to return his sister to normal and destroy the demon who ruined his life. Learning to slay demons won’t be easy, and Tanjiro barely knows where to start. The surprise appearance of another boy named Giyu, who seems to know what’s going on, might provide some answers…but only if Tanjiro can stop Giyu from killing his sister first!

A bittersweet story of love between two women, nested in an artful exploration of language, history, and power May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She’s been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear. Soon a Taiwanese woman―who is younger even than she is, and who shares the characters of her name―is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko’s travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It’s only after a heartbreaking separation that Chizuko begins to grasp what the “something” is. Disguised as a translation of a rediscovered text by a Japanese writer, this novel was a sensation on its first publication in Mandarin Chinese in 2020 and won Taiwan’s highest literary honor, the Golden Tripod Award. Taiwan Travelogue unburies lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships.

"In my opinion one of the finest novels of our time." - Graham Greene Shusaku Endo is Japan's foremost novelist, and Silence is generally regarded to be his masterpiece. In a perfect fusion of treatment and theme, this powerful novel tells the story of a seventeenth-century Portuguese priest in Japan at the height of the fearful persecution of the small Christian community.

In a poor, remote section of southern Mexico, the paramilitary group, the Red Shirts have taken control. God has been outlawed, and the priests have been systematically hunted down and killed. Now, the last priest is on the run. Too human for heroism, too humble for martyrdom, the nameless little worldly "whiskey priest" is nevertheless impelled toward his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers. In his introduction, John Updike calls The Power and the Glory, "Graham Greene's masterpiece…. The energy and grandeur of his finest novel derive from the will toward compassion, an ideal communism even more Christian than Communist."

From the New York Times -bestselling author of Exit West , a story of love, loss, and rediscovery in a time of unsettling change. One morning, a man wakes up to find himself transformed. Overnight, Anders’s skin has turned dark, and the reflection in the mirror seems a stranger to him. At first he shares his secret only with Oona, an old friend turned new lover. Soon, reports of similar events begin to surface. Across the land, people are awakening in new incarnations, uncertain how their neighbors, friends, and family will greet them. Some see the transformations as the long-dreaded overturning of the established order that must be resisted to a bitter end. In many, like Anders’s father and Oona’s mother, a sense of profound loss and unease wars with profound love. As the bond between Anders and Oona deepens, change takes on a different a chance at a kind of rebirth--an opportunity to see ourselves, face to face, anew.   In Mohsin Hamid’s lyrical and urgent prose, The Last White Man powerfully uplifts our capacity for empathy and the transcendence over bigotry, fear, and anger it can achieve.