This is an alternate cover edition of ISBN 9780451529305. Generations of readers young and old, male and female, have fallen in love with the March sisters of Louisa May Alcott’s most popular and enduring novel, Little Women. Here are talented tomboy and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic, spoiled Amy, united in their devotion to each other and their struggles to survive in New England during the Civil War. It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.

In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible a young foreign man who appears outside her window.One of these people is a ghost, and one of these stories is a lie.Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.

Darrow would have lived in peace, but his enemies brought him war. The Gold overlords demanded his obedience, hanged his wife, and enslaved his people. But Darrow is determined to fight back. Risking everything to transform himself and breach Gold society, Darrow has battled to survive the cutthroat rivalries that breed Society’s mightiest warriors, climbed the ranks, and waited patiently to unleash the revolution that will tear the hierarchy apart from within. Finally, the time has come. But devotion to honor and hunger for vengeance run deep on both sides. Darrow and his comrades-in-arms face powerful enemies without scruple or mercy. Among them are some Darrow once considered friends. To win, Darrow will need to inspire those shackled in darkness to break their chains, unmake the world their cruel masters have built, and claim a destiny too long denied—and too glorious to surrender.

The award-winning poet Anne Carson reinvents a genre in Autobiography of Red, a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present. Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is. "A profound love story . . . sensuous and funny, poignant, musical and tender." -- The New York Times Book Review "A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday."  -- The Village Voice A NEW YORK TIMES NOTABLE BOOK OF THE YEAR National book Critics Circle Award Finalist

Darrow would have lived in peace, but his enemies brought him war. The Gold overlords demanded his obedience, hanged his wife, and enslaved his people. But Darrow is determined to fight back. Risking everything to transform himself and breach Gold society, Darrow has battled to survive the cutthroat rivalries that breed Society’s mightiest warriors, climbed the ranks, and waited patiently to unleash the revolution that will tear the hierarchy apart from within. Finally, the time has come. But devotion to honor and hunger for vengeance run deep on both sides. Darrow and his comrades-in-arms face powerful enemies without scruple or mercy. Among them are some Darrow once considered friends. To win, Darrow will need to inspire those shackled in darkness to break their chains, unmake the world their cruel masters have built, and claim a destiny too long denied—and too glorious to surrender.

A young, queer Palestinian American woman pieces together her great aunt’s secrets in this sweeping debut, a family saga confronting questions of sexual identity, exile, and lineage. In a Pacific Northwest hospital far from the Rummani family’s ancestral home in Palestine, the heart of a stillborn baby begins to beat and her skin turns a vibrant, permanent cobalt blue. On the same day, the Rummanis’ centuries-old soap factory in Nablus is destroyed in an air strike. The family matriarch and keeper of all Rummani lore, Aunt Nuha, believes that the blue girl embodies their sacred history, harkening to a time when the Rummanis were among the wealthiest soap-makers and their blue soap was a symbol of a legendary love. Decades later, Betty returns to her Aunt Nuha’s gravestone, faced with a difficult decision: Should she stay in the only country she’s every known or should she follow her heart for the woman she loves, perpetuating her family’s cycle of exile? Betty finds her answer in partially translated notebooks that reveal her aunt’s complex life and struggle with her own sexuality, which Nuha hid to help the family emigrate to the U.S. But as Betty soon discovers, her aunt hid much more than that. The Skin and Its Girl is a searing, poetic tale about desire and identity and a provocative exploration of how we let stories divide, unite, and define us—and even wield the power to restore a broken family. Sarah Cypher is that rare debut novelist who writes with the mastery and flair of a seasoned storyteller.

The best-selling author of Smoke Gets in Your Eyes expands our sense of what it means to treat the dead with “dignity.” Fascinated by our pervasive terror of dead bodies, mortician Caitlin Doughty set out to discover how other cultures care for their dead. In rural Indonesia, she observes a man clean and dress his grandfather’s mummified body. Grandpa’s mummy has lived in the family home for two years, where the family has maintained a warm and respectful relationship. She meets Bolivian natitas (cigarette-smoking, wish-granting human skulls), and introduces us to a Japanese kotsuage, in which relatives use chopsticks to pluck their loved-ones’ bones from cremation ashes. With curiosity and morbid humor, Doughty encounters vividly decomposed bodies and participates in compelling, powerful death practices almost entirely unknown in America. Featuring Gorey-esque illustrations by artist Landis Blair, From Here to Eternity introduces death-care innovators researching green burial and body composting, explores new spaces for mourning—including a glowing-Buddha columbarium in Japan and America’s only open-air pyre—and reveals unexpected new possibilities for our own death rituals.

Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

Throughout her life Sybil Van Antwerp has used letters to make sense of the world and her place in it. Most mornings around half past ten Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter. Sybil expects her world to go on as it always has. A mother, grandmother, wife, divorcée, distinguished lawyer, she has lived a full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

Once a young woman uncovers a dark secret about her neighbor and his mysterious new wife, she’ll have to fight to keep herself—and the woman she loves—safe in this stunning queer reimagining of the classic folktale The Selkie Wife. When a sharp cry wakes Jean in the middle of the night during a terrible tempest, she’s convinced it must have been a dream. But when the cry comes again, Jean ventures outside and is shocked by what she discovers—a young woman in labor, already drenched to the bone in the freezing cold and barely able to speak a word of English. Although Jean is the only midwife in the village and for miles around, she’s at a loss as to who this woman is or where she’s from; Jean can only assume she must be the new wife of the neighbor up the road, Tobias. And when Tobias does indeed arrive at her cabin in search of his wife, Muirin, Jean’s questions continue to grow. Why has he kept his wife’s pregnancy a secret? And why does Muirin’s open demeanor change completely the moment she’s in his presence? Though Jean learned long ago that she should stay out of other people’s business, her growing concern—and growing feelings—for Muirin mean she can’t simply set her worries aside. But when the answers she finds are more harrowing than she ever could have imagined, she fears she may have endangered herself, Muirin, and the baby. Will she be able to put things right and save the woman she loves before it’s too late, or will someone have to pay for Jean’s actions with their life?

With shades of The Hunger Games, Ender’s Game, and Game of Thrones, debut author Pierce Brown’s genre-defying epic Red Rising hit the ground running and wasted no time becoming a sensation. Golden Son continues the stunning saga of Darrow, a rebel forged by tragedy, battling to lead his oppressed people to freedom from the overlords of a brutal elitist future built on lies. Now fully embedded among the Gold ruling class, Darrow continues his work to bring down Society from within. A life-or-death tale of vengeance with an unforgettable hero at its heart, Golden Son guarantees Pierce Brown’s continuing status as one of fiction’s most exciting new voices.

Winner of the 2018 Yale Series of Younger Poets prize “Weaves together descriptions of experiences of immigration as a Chinese-American and of racism, mental wellness, and gender from a queer and trans perspective.”— Publishers Weekly 2020 Lambda Literary Awards finalist transgender poetry category How can a search for self‑knowledge reveal art as a site of community? Yanyi’s arresting and straightforward poems weave experiences of immigration as a Chinese American, of racism, of mental wellness, and of gender from a queer and trans perspective. Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life.   These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi’s poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community.