From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

“Girls Girls Girls floored me. . . . It’s completely extraordinary.” —Catherine Newman, New York Times bestselling author of Sandwich A vibrant queer Jewish debut “teeming with heart, angst, love, and self discovery” (Emily Austin) about a young woman who, caught between the expectations of others and her own evolving desires, is forced to make a series of fraught life-altering decisions. It’s the summer of ’96 and best friends (and secret girlfriends) Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe. When the financial strains of West Coast living push the girls to start stripping at The Chez Paree—yet another secret Hannah must keep from her family—Hannah feels trapped. Sam wants her at the club, but Hannah hates stripping nearly as much as she hates disappointing Sam. Then Hannah meets Chris, an older butch lesbian, who is immediately taken with her. Desperate to stay in San Francisco, but away from the leering men at the club, Hannah proposes an escort arrangement. But as Hannah falls deeper into Chris’ world and Sam starts to meet new queer friends, a rift forms between them. Without Sam, who is Hannah? And what becomes of San Francisco to Hannah alone—a space rich with queer possibility, or an intimidating, unfamiliar place, just as lonely as the one she’d left behind? An achingly tender and resonant story of survival, first love, and growing up queer in the ’90s, Girls Girls Girls is a piercing exploration of the choices we make in the thrilling and often confounding search for ourselves and home.

An unforgettable novel of love and belonging, set in the indie music world of the early 2000s. The only thing Susan loves more than music is Eliza, and both keep breaking her heart. The first time Susan and Eliza meet, it's 2005, and Susan is barreling down the Long Island Expressway driving a group of friends to an indie rock show. Eliza is a surprise addition to the backseat, and she doesn't quite fit in; she's a little too pretty, and she doesn't know anything about music, but Susan is drawn to her anyway. Their flying sparks lead to combustion when Susan recognizes Eliza as the girl from a nude photo boys have been sending around. They part ways, and Susan assumes that’s the end of it. Susan goes off to college and onto a career in Brooklyn's indie music scene, where she navigates a toxic job at a small record label and learns hard lessons about who exactly has the privilege of making art under late-stage capitalism. In 2015, in her twenties, Susan has a chance run-in with Eliza on a dating app, and they finally embark on a relationship. But Eliza is plagued by her traumatic past, which involves people Susan is still involved with, and that's where it all falls apart again. Over the next few years, Susan's career takes off, she helps dismantle a predatory work environment, and meets someone new who might actually be good for her. Yet she can't stop thinking about Eliza. What might have been, if things had gone differently? And who might Susan become if she could only let Eliza go? At once a hilarious-yet-tender coming of age story, a steamy, complicated romance, and an authentic celebration of queer joy, Long Island Girls is for anyone who has ever struggled to stop getting caught up in "what-ifs" and start appreciating what is.

Herrick Hall doesn’t let anything go without a fight. Least of all its masters’ dead wives... After a dalliance with another woman leaves her reputation in shambles, Josephine Carter is banished to the isolated manor to serve as lady’s companion to Herrick’s mistress. Lady Nora Blake is a headstrong, capricious woman, who spends her days convalescing from a mysterious illness—and her nights witnessing her imminent death over and over. Shackled to her side, Josephine is certain life could not get worse. But then she meets the Herrick wives. Ghosts veiled in shadow stalk the halls and trespass into Josephine’s dreams, trapped forever in the fury of their last dying to destroy Herrick and everyone beneath its roof. Josephine determines to escape by any means necessary. Until she and Nora fall in love. Together, Josephine and Nora must confront Herrick’s curse to battle their way to freedom. But Herrick has already claimed them as its next ghostly brides, and neither the house nor its vengeful wives will relinquish them without bloodshed…

The dragons' survival hangs in the balance in the thrilling final volume in the acclaimed River Wilds Chronicles fantasy series The dragons and their dedicated band of keepers have at last found the lost city of Kelsingra. The magical creatures have learned to use their wings and are growing into their regal inheritance. Their humans, too, are changing. As the mystical bonds with their dragons deepen, Thymara, Tats, Rapskal, and even Sedric, the unlikeliest of keepers, have begun transforming into beautiful Elderlings raked with exquisite features that complement and reflect the dragons they serve. But while the humans have scoured the empty streets and enormous buildings of Kelsingra, they cannot find the mythical silver wells the dragons need to stay health and survive. With enemies encroaching, the keepers must risk "memory walking"- immersing themselves in the dangerously addictive memories of long-deceased Elderlings - to uncover clues necessary to their survival. And time is of the essence, for the legendary Tintaglia, long feared dead, has returned, wounded in a battle with humans hunting dragon blood and scales. She is weakening and only the hidden silver can revive her. If Tintaglia dies, so, too, will the ancient memories she carries - a devastating loss that will ensure the dragons' extinction.