Shailee Thompson’s HOW TO KILL A GUY IN TEN DATES, a horror romance in which a woman gets caught in the middle of a killing spree at a speed dating event and must find a way to use her encyclopedic knowledge of the horror genre to make it as a real-life final girl.

A marvel: something you find amazing. Even ordinary-amazing. Like potatoes—because they make French fries happen. Like the perfect fries Adam and his mom used to make together. An oddity: whatever gives you pause. Like the fact that there are hateful people in the world. Like Zayneb’s teacher, who won’t stop reminding the class how “bad” Muslims are. But Zayneb, the only Muslim in class, isn’t bad. She’s angry. When she gets suspended for confronting her teacher, and he begins investigating her activist friends, Zayneb heads to her aunt’s house in Doha, Qatar, for an early start to spring break. Fueled by the guilt of getting her friends in trouble, she resolves to try out a newer, “nicer” version of herself in a place where no one knows her. Then her path crosses with Adam’s. Since he got diagnosed with multiple sclerosis in November, Adam’s stopped going to classes, intent, instead, on perfecting the making of things. Intent on keeping the memory of his mom alive for his little sister. Adam’s also intent on keeping his diagnosis a secret from his grieving father. Alone, Adam and Zayneb are playing roles for others, keeping their real thoughts locked away in their journals. Until a marvel and an oddity occurs… Marvel: Adam and Zayneb meeting. Oddity: Adam and Zayneb meeting.

Circe goes YA in this unapologetically feminist retelling of the Medusa myth steeped in Indian mythology, a YA epic fantasy addition to the Rick Riordan Presents imprint. All monsters and heroes have beginnings. This is mine. Sixteen-year-old Manisha is no stranger to monsters—she’s been running from them for years, from beasts who roam the jungle to the King’s army, who forced her people, the naga, to scatter to the ends of the earth. You might think that the kingdom’s famed holy temples atop the floating mountains, where Manisha is now a priestess, would be safe—but you would be wrong. Seventeen-year-old Pratyush is a famed slayer of monsters, one of the King’s most prized warriors and a frequent visitor to the floating temples. For every monster the slayer kills, years are added to his life. You might think such a powerful warrior could do whatever he wants, but true power lies with the King. Tired after years of fighting, Pratyush wants nothing more than a peaceful, respectable life. When Pratyush and Manisha meet, each sees in the other the possibility to chart a new path. Unfortunately, the kingdom’s powerful have other plans. A temple visitor sexually assaults Manisha and pushes her off the mountain into a pit of vipers. A month later, the King sends Pratyush off to kill one last monster (a powerful nagin who has been turning men to stone) before he’ll consider granting his freedom. Except Manisha doesn’t die, despite the hundreds of snake bites covering her body and the venom running through her veins. She rises from the pit more powerful than ever before, with heightened senses, armor-like skin, and blood that can turn people to stone. And Pratyush doesn’t know it, but the “monster” he’s been sent to kill is none other than the girl he wants to marry. Alternating between Manisha’s and Pratyush’s perspectives, Sajni Patel weaves together lush language, high stakes, and page-turning suspense, demanding an answer to the question “What does it truly mean to be a monster?”

Part myth retelling, part character study, this sharp, visceral debut poetry collection reimagines Helen of Troy from Homer’s Iliad as a disgruntled housewife in 1990s Tennessee.In the hills of Sparta, Tennessee, during the early nineties, Helen decides to break free from the life that stifles marriage, motherhood, the monotonous duties of a Southern housewife. But leaving isn’t the same thing as staying gone… Rooted in a lush natural landscape, this stunning poetry collection explores Helen’s isolation and rebellion as her expansive personality clashes with the social rigidity of her small town. In richly layered poems with settings that range from football games to Chuck E. Cheese to the bathroom of a Motel 6, Helen enters adulthood as a disaffected homemaker grasping for agency. She marries the wrong man, gives birth to a child she is not ready to parent, and embarks on an affair that throws her life into chaos. But she never surrenders ownership of her story or her choices, insisting to the “if you never owned a bone-sharp biography… / i don’t want to hear it. i want you silent. / i want you listening to me.” Blurring the line between mythology and modernity, Helen of Troy, 1993 is an unforgettable collection that shows the Homeric Helen like she’s never been seen before.