This historical narrative of the Salem witch trials takes its dialogue from actual trial records but applies modern psychiatric knowledge to the witchcraft hysteria. Starkey's sense of drama also vividly recreates the atmosphere of pity and terror that fostered the evil and suffering of this human tragedy.

From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?

Arthur Oakes is a reader, a dreamer, and a student at Rackham College, Maine, renowned for its frosty winters, exceptional library, and beautiful buildings. But his idyll—and burgeoning romance with Gwen Underfoot—is shattered when a local drug dealer and her partner corner him into one of the worst crimes he can imagine: stealing rare books from the college library. Trapped and desperate, Arthur turns to his closest friends for comfort and help. Together they dream up a wild, fantastical scheme to free Arthur from the cruel trap in which he finds himself. Wealthy, irrepressible Colin Wren suggests using the unnerving Crane journal (bound in the skin of its author) to summon a dragon to do their bidding. The others—brave, beautiful Alison Shiner; the battling twins Donna and Donovan McBride; and brainy, bold Gwen—don’t hesitate to join Colin in an effort to smash reality and bring a creature of the impossible into our world. But there’s nothing simple about dealing with dragons, and their pact to save Arthur becomes a terrifying bargain in which the six must choose a new sacrifice for King Sorrow every year—or become his next meal.

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

An antimeme is an idea with self-censoring properties; an idea which, by its intrinsic nature, discourages or prevents people from spreading it.Antimemes are real. Think of any piece of information which you wouldn't share with anybody, like passwords, taboos and dirty secrets. Or any piece of information which would be difficult to share even if you complex equations, very boring passages of text, large blocks of random numbers, and dreams... But anomalous antimemes are another matter entirely. How do you contain something you can't record or remember? How do you fight a war against an enemy with effortless, perfect camouflage, when you can never even know that you're at war? Welcome to the Antimemetics Division. No, this is not your first day.This ebook is an official release by me, qntm from the SCP Foundation wiki! PM me if you require confirmation. This ebook collects all of my Antimemetics Division SCP-055, SCP-2256 and the complete serials There Is No Antimemetics Division and Five Five Five Five Five.

An antimeme is an idea with self-censoring properties; an idea which, by its intrinsic nature, discourages or prevents people from spreading it.Antimemes are real. Think of any piece of information which you wouldn't share with anybody, like passwords, taboos and dirty secrets. Or any piece of information which would be difficult to share even if you complex equations, very boring passages of text, large blocks of random numbers, and dreams... But anomalous antimemes are another matter entirely. How do you contain something you can't record or remember? How do you fight a war against an enemy with effortless, perfect camouflage, when you can never even know that you're at war? Welcome to the Antimemetics Division. No, this is not your first day.This ebook is an official release by me, qntm from the SCP Foundation wiki! PM me if you require confirmation. This ebook collects all of my Antimemetics Division SCP-055, SCP-2256 and the complete serials There Is No Antimemetics Division and Five Five Five Five Five.

Set in thirteenth-century Bruges, this debut novel follows a young woman’s explorations of faith, agency, and love among a community of fiercely independent women.Aleys is sixteen years old and serious, stubborn, prone to religious visions. She and her only friend, a young scholar, have been learning Latin together in secret—but just as she thinks their connection might become something more, he abandons her for the monastery. When her family falls on hard financial times, her father promises her in marriage to the unctuous head of the weavers’ guild, and in desperation she runs away from home, eventually finding shelter within a community of religious women who do not answer to the church.Among the hardworking and strong-willed Beguines, Aleys glimpses for the first time the joys of a life of song, friendship, and time spent in the markets and along the canals of Bruges. But forces both mystical and political are afoot. Illegal translations of scripture, the women’s independence, and a sudden rash of miracles all draw the attention of an ambitious bishop—and bring Aleys and those around her into ever-increasing danger, a danger that will push Aleys to a new understanding of love and sacrifice.Introducing a spirited, indelible heroine and a major new talent, Canticle is a luminous work of historical fiction, vividly evoking a world on the verge of transformation.

Long before The Brothers Grimm, there was a sisterhood of writers who defied the patriarchy and launched a literary craze with their feminist fairy tales—these are their stories. In 17th century Paris, a group of women who called themselves conteuses (female storytellers) came together to weave the very first fairy tales. One of them, Marie-Catherine d’Aulnoy, actually coined the term ‘fairy tale’ and some of these stories contain many familiar (and well-loved) elements that appear in tales like Rapunzel and Beauty and the Beast. Unfortunately, these women, and their tales, have mostly been forgotten to history.  Women of the Fairytale Resistance uncovers seven of these writer’s biographies—which are just as compelling as their fairy tales—and retells 12 of their original stories. The women were mostly young noblewomen who were forced into undesirable marriages and did not have the freedom to give their opinions, travel, or choose who they wanted to love. They used their stories as a way of subtly complaining about their husbands and critiquing the oppressive reign of King Louis XIV. The female-empowering, gender-bending tales combine themes like romance, fantasy, and escapism and their protagonists control of their own destiny – something the writers deeply desired in their own lives.   Enchantingly designed with stunning full cover illustrations throughout, this unique and entertaining book will have you rethink everything you know about traditional fairy tales.  

This masked lord... Lord Jasper, younger son of a marquess, suffered horrible burns fighting in the Napoleonic Wars. He wears a mask to hide his face from the stares and screams and finds comfort in the shadows. Jasper is an exceptional bounty hunter, so when a woman summons him to her deathbed and asks him to find her runaway daughter before she passes away, he doesn't refuse. Jasper is close to his quarry when he's knifed by an assailant. Imagine his surprise when he regains consciousness in the arms of the woman he seeks. Except she's not at all what he expected. Is not the only one with scars. On a remote cliff on the sea, Olivia Carlisle calls her five-year-old son in from an approaching storm. But the little boy is more interested in the man he's found on the trail to their hidden cottage. Olivia fears men and wants nothing more than to leave the injured man where she found him. But his knife wound is severe, and with the approaching storm, she knows leaving him will condemn him to death. As Jasper begins to heal, Olivia acknowledges her attraction to him, even though such emotions terrify her almost as much as returning to London. Jasper must convince her that her only chance at safety is to challenge the man who pursues her. They must travel into the lion's den—he to face his vulnerability and she to face her worst fears.

This masked lord... Lord Jasper, younger son of a marquess, suffered horrible burns fighting in the Napoleonic Wars. He wears a mask to hide his face from the stares and screams and finds comfort in the shadows. Jasper is an exceptional bounty hunter, so when a woman summons him to her deathbed and asks him to find her runaway daughter before she passes away, he doesn't refuse. Jasper is close to his quarry when he's knifed by an assailant. Imagine his surprise when he regains consciousness in the arms of the woman he seeks. Except she's not at all what he expected. Is not the only one with scars. On a remote cliff on the sea, Olivia Carlisle calls her five-year-old son in from an approaching storm. But the little boy is more interested in the man he's found on the trail to their hidden cottage. Olivia fears men and wants nothing more than to leave the injured man where she found him. But his knife wound is severe, and with the approaching storm, she knows leaving him will condemn him to death. As Jasper begins to heal, Olivia acknowledges her attraction to him, even though such emotions terrify her almost as much as returning to London. Jasper must convince her that her only chance at safety is to challenge the man who pursues her. They must travel into the lion's den—he to face his vulnerability and she to face her worst fears.