Upper-middle-class white women have long been heralded as “experts” on feminism. They have presided over multinational feminist organizations and written much of what we consider the feminist canon, espousing sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity, all while branding the language of the movement itself in whiteness and speaking over Black and Brown women in an effort to uphold privilege and perceived cultural superiority. An American Muslim woman, attorney, and political philosopher, Rafia Zakaria champions a reconstruction of feminism in Against White Feminism, centering women of color in this transformative overview and counter-manifesto to white feminism’s global, long-standing affinity with colonial, patriarchal, and white supremacist ideals. Covering such ground as the legacy of the British feminist imperialist savior complex and “the colonial thesis that all reform comes from the West” to the condescension of the white feminist–led “aid industrial complex” and the conflation of sexual liberation as the “sum total of empowerment,” Zakaria follows in the tradition of intersectional feminist forebears Kimberlé Crenshaw, Adrienne Rich, and Audre Lorde. Zakaria ultimately refutes and reimagines the apolitical aspirations of white feminist empowerment in this staggering, radical critique, with Black and Brown feminist thought at the forefront.

FTW is a zine by trans women, about the sex lives of trans women. It is an educational and instructional tool as much as it is a creative exploration of how we have sex.

The future has been devastated by infertility and war, leading to the collapse of society. Through the wreckage, The Order Of The Hive takes advantage, becoming an outstretched hand to any lost, hungry soul looking to rebuild the world. Their main goal is to repopulate, pairing willing participants with bioengineered breeding machines called a drone. The Order Of The Hive has high hopes, and endless adoration for the Monarchs willing to carry the children of the future. With two working ovaries, Maple (they/he) is one of the lucky few to be welcomed into the Hive and offered to the drones for impregnation. However, Maple has no desire to become with child, focused more on the beastly monsters science has created. Their love for the drones run deep, but their birth control supply is running low and the Hive has taken notice with their lack of pregnancy. Tonight, the Order has a new ritual in place for them, one that may be dangerous. But Maple has never turned away from what others find frightening. They just hope the last vial of birth control is enough for what’s in store for them tonight.

When you don’t know what you want, anything goes! Chance has always been good at writing fantasies for other people—but real life? That’s another story. Burned out, touch-starved, and running on sarcasm and coffee fumes, he’s definitely not looking for anything serious. So when a shapeshifter crash-lands into his life (and his bed) with no idea how to be a person, Chance figures, sure. Why not. What could go wrong? Turns a lot. Especially when the shapeshifter—Vere—starts taking notes from every messy part of Chance’s brain and body, crafting fantasies so sharp they leave marks. But between the mind-reading mishaps, accidental emotional gut-punches, and one extremely cursed banana incident, something starts to shift. Vere isn’t just mirroring anymore. They’re choosing. Changing. Becoming someone real. Chance doesn’t know what he wants. Vere doesn’t know how to want at all. Together, they’re going to figure it out—awkwardly, painfully, and maybe beautifully—one disastrous breakfast, one bad anime binge, and one almost-love confession at a time. A chaotic, filthy, strangely tender story about consent, identity, monsters, and the weird ways we learn how to love.

Thirteen-year-old Chase’s life and identity should be simple. He’s the goalie for his hockey team, the Eagles. He’s a friend to Kevin and Jade. He's Kookum's youngest grandchild. He’s a boy. He should like girls. But it’s not that simple. Chase doesn’t like girls the way that the other boys do. It’s scary being so different from his peers. Scarier still is the feeling that his teammates can tell who he is—and that they hate him for it. If he pretends hard enough, maybe he can hide the truth. Real strength and change can’t come from a place of shame. Chase’s dreams are troubled by visions of a bear spirit, and the more he tries to hide, the more everything falls apart. With the help of an Elder, and a Two-Spirit mentor, can Chase find the strength to be proud of who he is? "Between the Pipes" explores toxic masculinity in hockey through the experiences of an Indigenous teen.

Upper-middle-class white women have long been heralded as “experts” on feminism. They have presided over multinational feminist organizations and written much of what we consider the feminist canon, espousing sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity, all while branding the language of the movement itself in whiteness and speaking over Black and Brown women in an effort to uphold privilege and perceived cultural superiority. An American Muslim woman, attorney, and political philosopher, Rafia Zakaria champions a reconstruction of feminism in Against White Feminism, centering women of color in this transformative overview and counter-manifesto to white feminism’s global, long-standing affinity with colonial, patriarchal, and white supremacist ideals. Covering such ground as the legacy of the British feminist imperialist savior complex and “the colonial thesis that all reform comes from the West” to the condescension of the white feminist–led “aid industrial complex” and the conflation of sexual liberation as the “sum total of empowerment,” Zakaria follows in the tradition of intersectional feminist forebears Kimberlé Crenshaw, Adrienne Rich, and Audre Lorde. Zakaria ultimately refutes and reimagines the apolitical aspirations of white feminist empowerment in this staggering, radical critique, with Black and Brown feminist thought at the forefront.

When fate binds three unlikely souls together, survival becomes personal. Liam Monet, a human haunted by past mistakes, survives the apocalypse only to learn there are much worse things out there than the dead. Separated from his friends and hunted by zealots, he makes a desperate choice to seek shelter at the West Virginia homestead of his conservative brother. Mateo Bo is a wolf shifter and has been called in two directions for most of their life. Gifted–and cursed–with two wolves, they must find their mates and their balance before they lose themselves entirely. Eliza Free, a centuries-old vampire, has escaped the past more than once. But as the world reshapes itself, fate drags old wounds back to the surface—and demands she face them. Bound as fated mates, Liam, Mateo, and Eliza must learn to trust one another, confront their pasts, and carve out safety in order to secure a future. Because when the dust settles, love may be the only refuge left.

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