THE EPIC FINALE TO THE INSTANT NO. 1 SUNDAY TIMES BESTSELLING FALLEN GODS TRILOGYIn the epic finale to the #1 internationally bestselling Fallen Gods trilogy that started with Godkiller, the fate of Middren hangs in the balance as mighty gods and mortal heroes clash in a final battle for supremacy. War has come. The fire god Hseth is leading an unstoppable army south, consuming everything in her path. Middren’s only hope of survival is to unify allies and old foes against a common enemy. Elo navigates an uneasy alliance with Arren; his friend, his enemy, and his king. Now they each must decide how much they're willing to sacrifice to turn the tides of war. Meanwhile, Inara joins her mother on their ship, the Silverswift, to seek aid. Still grappling with her powers, Inara must reconcile who she is and where she belongs, while Skediceth has to question if their bond will be enough to keep them safe. Kissen has no allegiance to the old ways of Middren. But, as she tries to find her family, she is forced to question what, and whose, future she is fighting for. In Faithbreaker, Hannah Kaner delivers a powerful conclusion to the Fallen Gods trilogy, masterfully weaving together love and sacrifice, loyalty and betrayal, and the true meaning of faith. PRAISE FOR THE FALLEN GODS TRILOGY ‘Godkiller will have you in its grasp from the first pages’ Samantha Shannon, bestselling author of The Priory of the Orange Tree ‘Devastating and triumphant’ Tasha Suri, award-winning author of The Jasmine Throne ‘Violent, bawdy, beautifully imagined, and intensely felt, Godkiller is a bone-rattling fantasy thriller that flies by in a breathtaking rush’ Joe Hill, #1 New York Times bestselling author of The Fireman ‘Epic and intimate, tender and sharp’ Hannah Whitten, New York Times bestselling author of For the Wolf ‘Holy heck, this book is so good’ Katee Robert, New York Times bestselling author of the Dark Olympus series Hannah Kaner's book 'Sunbringer' was a No.1 Sunday Times bestseller w/c 2024-02-12.

In Daretana’s most opulent mansion, a high Imperial officer lies dead—killed, to all appearances, when a tree spontaneously erupted from his body. Even in this canton at the borders of the Empire, where contagions abound and the blood of the Leviathans works strange magical changes, it’s a death at once terrifying and impossible. Called in to investigate this mystery is Ana Dolabra, an investigator whose reputation for brilliance is matched only by her eccentricities. At her side is her new assistant, Dinios Kol. Din is an engraver, magically altered to possess a perfect memory. His job is to observe and report, and act as his superior’s eyes and ears--quite literally, in this case, as among Ana’s quirks are her insistence on wearing a blindfold at all times, and her refusal to step outside the walls of her home. Din is most perplexed by Ana’s ravenous appetite for information and her mind’s frenzied leaps—not to mention her cheerful disregard for propriety and the apparent joy she takes in scandalizing her young counterpart. Yet as the case unfolds and Ana makes one startling deduction after the next, he finds it hard to deny that she is, indeed, the Empire’s greatest detective. As the two close in on a mastermind and uncover a scheme that threatens the safety of the Empire itself, Din realizes he’s barely begun to assemble the puzzle that is Ana Dolabra—and wonders how long he’ll be able to keep his own secrets safe from her piercing intellect. Featuring an unforgettable Holmes-and-Watson style pairing, a gloriously labyrinthine plot, and a haunting and wholly original fantasy world, The Tainted Cup brilliantly reinvents the classic mystery tale.

Drawing on Maggie O'Farrell's long-term fascination with the little-known story behind Shakespeare's most enigmatic play, Hamnet is a luminous portrait of a marriage, at its heart the loss of a beloved child. Warwickshire in the 1580s. Agnes is a woman as feared as she is sought after for her unusual gifts. She settles with her husband in Henley street, Stratford, and has three children: a daughter, Susanna, and then twins, Hamnet and Judith. The boy, Hamnet, dies in 1596, aged eleven. Four years or so later, the husband writes a play called Hamlet. Award-winning author Maggie O'Farrell's new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes, and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history. A New York Times Notable Book (2020), Best Book of 2020: Guardian, Financial Times, Literary Hub, and NPR.

Writing advice tends to be full of 'rules' and 'tips' which are either too broad to be helpful or outright wrong. In On Writing and Worldbuilding, we will discuss specific and applicable ideas to consider, from effective methods of delivering exposition and foreshadowing, to how communication, commerce, and control play into the fall of an empire.

Follow a motley crew on an exciting journey through space-and one adventurous young explorer who discovers the meaning of family in the far reaches of the universe-in this light-hearted debut space opera from a rising sci-fi star. Rosemary Harper doesn’t expect much when she joins the crew of the aging Wayfarer. While the patched-up ship has seen better days, it offers her a bed, a chance to explore the far-off corners of the galaxy, and most importantly, some distance from her past. An introspective young woman who learned early to keep to herself, she’s never met anyone remotely like the ship’s diverse crew, including Sissix, the exotic reptilian pilot, chatty engineers Kizzy and Jenks who keep the ship running, and Ashby, their noble captain. Life aboard the Wayfarer is chaotic and crazy—exactly what Rosemary wants. It’s also about to get extremely dangerous when the crew is offered the job of a lifetime. Tunneling wormholes through space to a distant planet is definitely lucrative and will keep them comfortable for years. But risking her life wasn’t part of the plan. In the far reaches of deep space, the tiny Wayfarer crew will confront a host of unexpected mishaps and thrilling adventures that force them to depend on each other. To survive, Rosemary’s got to learn how to rely on this assortment of oddballs—an experience that teaches her about love and trust, and that having a family isn’t necessarily the worst thing in the universe.

Writing advice tends to be full of 'rules' and 'tips' which are either too broad to be helpful or outright wrong. In On Writing and Worldbuilding, we will discuss specific and applicable ideas to consider, from effective methods of delivering exposition and foreshadowing, to how communication, commerce, and control play into the fall of an empire.

Worlds can exist without stories, but fantasy stories cannot exist without a vibrant and enthralling world. But what makes a good fantasy world? Be you a top-down planner, a bottom-up pantser, or a fantasy fan experiencing the worldbuilding from the inside-out, this comprehensive guide has you covered. Adopting a “tools not rules” approach, you will discover dozens of worldbuilding strategies, including: Ineffective, effective, and inspired worldbuilding. Designing comprehensive magic systems. The four Cs of worldbuilding and how to use them. The ins and outs of immersion. Enhancing the audience experience with fantasy conceits. Also featuring: Case studies from famous worldbuilders. Map design 101. Survey results showing what audiences want. Answers to these questions and more were once scattered throughout the realms, but have finally been compiled and synthesized for fantasy fans and authors alike.

One family. Four generations. A secret son. A devastating addiction. A Texas family is met with losses and surprises of inheritance, but they’re unable to shake the pull back toward each other in this big-hearted family saga perfect for readers of Mary Beth Keane and Claire Lombardo. Ryan and Lillian Bright are deeply in love, recently married, and now parents to a baby girl, Georgette. But Lillian has a son she hasn’t told Ryan about, and Ryan has an alcohol addiction he hasn’t told Lillian about, so Georgette comes of age watching their marriage rise and fall. When a shocking blow scatters their fragile trio, Georgette tries to distance herself from reminders of her parents. Years later, Lillian’s son comes searching for his birth family, so Georgette must return to her roots, unearth her family’s history, and decide whether she can open up to love for them—or herself—while there’s still time. Told from three intimate points of view, The Bright Years is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.

Imaginez une Terre poncée, avec en son centre une bande de cinq mille kilomètres de large et sur ses franges un miroir de glace à peine rayable, inhabité. Imaginez qu’un vent féroce en rince la surface. Que les villages qui s’y sont accrochés, avec leurs maisons en goutte d’eau, les chars à voile qui la strient, les airpailleurs debout en plein flot, tous résistent. Imaginez qu’en Extrême-Aval ait été formé un bloc d’élite d’une vingtaine d’enfants aptes à remonter au cran, rafale en gueule, leur vie durant, le vent jusqu’à sa source, à ce jour jamais atteinte : l’Extrême-Amont.Mon nom est Sov Strochnis, scribe. Mon nom est Caracole le troubadour et Oroshi Melicerte, aéromaître. Je m’appelle aussi Golgoth, traceur de la Horde, Arval l’éclaireur et parfois même Larco lorsque je braconne l’azur à la cage volante. Ensemble, nous formons la Horde du Contrevent. Il en a existé trente-trois en huit siècles, toutes infructueuses. Je vous parle au nom de la trente-quatrième : sans doute l’ultime.

Worlds can exist without stories, but fantasy stories cannot exist without a vibrant and enthralling world. But what makes a good fantasy world? Be you a top-down planner, a bottom-up pantser, or a fantasy fan experiencing the worldbuilding from the inside-out, this comprehensive guide has you covered. Adopting a “tools not rules” approach, you will discover dozens of worldbuilding strategies, including: Ineffective, effective, and inspired worldbuilding. Designing comprehensive magic systems. The four Cs of worldbuilding and how to use them. The ins and outs of immersion. Enhancing the audience experience with fantasy conceits. Also featuring: Case studies from famous worldbuilders. Map design 101. Survey results showing what audiences want. Answers to these questions and more were once scattered throughout the realms, but have finally been compiled and synthesized for fantasy fans and authors alike.

Two best friends. Ten summer trips. One last chance to fall in love. Poppy and Alex. Alex and Poppy. They have nothing in common. She’s a wild child; he wears khakis. She has insatiable wanderlust; he prefers to stay home with a book. And somehow, ever since a fateful car share home from college many years ago, they are the very best of friends. For most of the year they live far apart—she’s in New York City, and he’s in their small hometown—but every summer, for a decade, they have taken one glorious week of vacation together. Until two years ago, when they ruined everything. They haven’t spoken since. Poppy has everything she should want, but she’s stuck in a rut. When someone asks when she was last truly happy, she knows, without a doubt, it was on that ill-fated, final trip with Alex. And so, she decides to convince her best friend to take one more vacation together—lay everything on the table, make it all right. Miraculously, he agrees. Now she has a week to fix everything. If only she can get around the one big truth that has always stood quietly in the middle of their seemingly perfect relationship. What could possibly go wrong?