Perfect Victims is an urgent affirmation of the Palestinian condition of resistance and refusal―an ode to the steadfastness of a nation. Palestine is a microcosm of the on fire, stubborn, fragmented, dignified. While a settler colonial state continues to inflict devastating violence, fundamental truths are deliberately obscured—the perpetrators are coddled while the victims are blamed and placed on trial. Why must Palestinians prove their humanity? And what are the implications of such an infuriatingly impossible task? With fearless prose and lyrical precision, Mohammed El-Kurd refuses a life spent in cross-examination. Rather than asking the oppressed to perform a perfect victimhood, El-Kurd asks friends and foes alike to look Palestinians in the eye, forgoing both deference and condemnation. How we see Palestine reveals how we see each other; how we see everything else. Masterfully combining candid testimony, history, and reportage, Perfect Victims presents a powerfully simple dignity for the Palestinian.

A riveting history of vampire panics across cultures and down through the millennia—and why killing the dead is better than killing the livingKilling the Dead provides the first in-depth, global account of one of the world’s most widespread yet misunderstood forms of mass hysteria—the vampire epidemic. In a spellbinding narrative, John Blair takes readers from ancient Mesopotamia to present-day Haiti to explore a macabre frontier of life and death where corpses are believed to wander or do harm from the grave, and where the vampire is a physical expression of society’s inexplicable terrors and anxieties.In 1732, the British public opened their morning papers to read of lurid happenings in eastern Europe. Serbian villagers had dug up several corpses and had found them to be undecayed and bloated with blood. Recognizing the marks of vampirism, they mutilated and burned them. Centuries earlier, the English themselves engaged in the same behavior. In fact, vampire epidemics have flared up throughout history—in ancient Assyria, China, and Rome, medieval and early modern Europe, and the Americas. Blair blends the latest findings in archaeology, anthropology, and psychology with vampire lore from literature and popular culture to show how these episodes occur at traumatic moments in societies that upend all sense of security, and how the European vampire is just one species in a larger family of predatory supernatural entities that includes the female flying demons of Southeast Asia and the lustful yoginīs of India.Richly illustrated, Killing the Dead provocatively argues that corpse-killing, far from being pathological or unhealthy, served as a therapeutic and largely harmless outlet for fear, hatred, and paranoia that would otherwise result in violence against marginalized groups and individuals.

This scientifically accurate yet utterly charming field guide to the Pacific coast intertidal zone introduces readers to a world populated by spectacular wildlife: 150-year-old giant green anemones that paralyze their prey with their petal-like tentacles; sunflower sea stars that traverse the tide pool floor on twenty-four limbs; orange-tipped, opalescent sea slugs that dabble in cannibalism; and much, much more. Small enough to fit in a back pocket during a beach hike, the guide contains concise descriptions of tide pools’ most common residents, noting each organism’s size and zonation, as well as a few of its fascinating (and sometimes grotesque) habits. Full-color illustrations reminiscent of prints by Ernst Haeckel help tide poolers with easy identification.

A sharp-tongued folklorist must pair up with her academic rival to solve their mentor's murder in this lush and enthralling sapphic fantasy romance from the New York Times bestselling author of A Far Wilder Magic. Lorelei Kaskel, a folklorist with a quick temper and an even quicker wit, is on an expedition with six eccentric nobles in search of a fabled spring. The magical spring promises untold power, which the king wants to harness to secure his reign of the embattled country of Brunnestaad. Lorelei is determined to use this opportunity to prove herself and make her wildest, most impossible dream come to become a naturalist, able to travel freely to lands she’s only ever read about. The expedition gets off to a harrowing start when its leader—Lorelei’s beloved mentor—is murdered in her quarters aboard their ship. The suspects are her five remaining expedition mates, each with their own motive. The only person Lorelei knows must be innocent is her longtime academic rival, the insufferably gallant and maddeningly beautiful Sylvia von Wolff. Now in charge of the expedition, Lorelei must find the spring before the murderer strikes again—and a coup begins in earnest. But there are other dangers lurking in the forests that rearrange themselves at night, rivers with slumbering dragons waiting beneath the water, and shapeshifting beasts out for blood. As Lorelei and Sylvia grudgingly work together to uncover the truth—and resist their growing feelings for one another—they discover that their professor had secrets of her own. Secrets that make Lorelei question whether justice is worth pursuing, or if this kingdom is worth saving at all.

Hijacking an Englishman from a brothel is all in a day’s work for Captain Mattie St. Armand. She needs protective coloration, and a naïve (and expendable) white man will keep the eyes of the authorities off her as she smuggles slaves from the Florida Territory to freedom in the Bahamas. Oliver Woodruff wanted a spot of travel in the Caribbean before he settled down, but he never expected “Marauding Mattie.” He’ll help her, but he knows there’s no place in his world for the bastard daughter of a pirate and a freedwoman. As Mattie trains him for their ruse, she comes to realize he’s a man she can turn to for support and companionship, and Oliver grows to love the commanding and daring woman who refuses to fit society’s mold… but both are sure their relationship is doomed by society’s taboos. It will take danger and adventure (and Roscoe the parrot) to convince them that the passion between them is more than an island fantasy. **********"I adore Darlene Marshall’s books—I can always count on her to make me laugh, make me sigh, and leave me happy.” - Courtney Milan, New York Times and USA Today Bestselling Author"I encourage you all to try this author's voice. (She has a great backlist, too.)." ---USA Today Books"'Read it on the beach!' I seriously doubt that any summer experience can possibly be more delightful than sitting on the beach while reading The Pirate’s Secret Baby."- Smart Bitches, Trashy Books"Sea Change is original, fun, and a bit eccentric – I definitely recommend it!"—New York Times bestselling author and RITA award winner Eloisa James"I love a good girl-poses-as-boy story. Add in a pirate captain and a slow simmering attraction, and I’m hooked. (Resign yourself to the marine allusions.) Darlene Marshall does both in her wonderful Sea Change." New York Times bestselling author and RITA award winner Connie Brockway"I would totally stow away on any ship Darlene writes about."--Book Binge

The Lost Flock is the story of the remarkable and rare little horned sheep, known as Orkney Boreray, and the wool-obsessed woman who moved to one of Scotland’s wildest islands to save them. It was Jane Cooper’s passion for knitting that led her to discover the world of rare-breed sheep and their wool. Through this, Jane uncovered the ‘Orkney Borerary’ – a unique group within the UK’s rarest breed of sheep, the Boreray, and one of the few surviving examples of primitive sheep in northern Europe. As her knowledge of this rarest of heritage breeds grew, she took the bold step to uproot her quiet suburban life in Newcastle and relocate to Orkney, embarking on a new adventure and life as farmer and shepherd. Jane was astonished to find that she was the sole custodian of this lost flock in the world, and so she began investigating their mysterious and ancient history, tracking down the origins of the Boreray breed and its significance to Scotland’s natural heritage. From Viking times to Highland crofts and nefarious research experiments in Edinburgh, this is a so-far untold real-life detective story. It is also the story of one woman’s relentless determination to ensure a future for her beloved sheep, and in doing so revealing their deep connection to the Scottish landscape. An unforgettable story of a heritage breed and the importance of its existence.

The story of the early trans athletes and Olympic bureaucrats who lit the flame for today’s culture wars. In December 1935, Zdeněk Koubek, one of the most famous sprinters in European women’s sports, declared he was now living as a man. Around the same time, the celebrated British field athlete Mark Weston, also assigned female at birth, announced that he, too, was a man. Periodicals and radio programs across the world carried the news; both became global celebrities. A few decades later, they were all but forgotten. And in the wake of their transitions, what could have been a push toward equality became instead, through a confluence of bureaucracy, war, and sheer happenstance, the exact opposite: the now all-too-familiar panic around trans, intersex, and gender nonconforming athletes. In The Other Olympians, Michael Waters uncovers, for the first time, the gripping true stories of Koubek, Weston, and other pioneering trans and intersex athletes from their era. With dogged research and cinematic flair, Waters also tracks how International Olympic Committee members ignored Nazi Germany’s atrocities in order to pull off the Berlin Games, a partnership that ultimately influenced the IOC’s nearly century-long obsession with surveilling and cataloging gender. Immersive and revelatory, The Other Olympians is a groundbreaking, hidden-in-the-archives marvel, an inspiring call for equality, and an essential contribution toward understanding the contemporary culture wars over gender in sports.

A bold, provocative collection of essays on one of the most urgent questions of our What is authority when everyone has an opinion on everything? Since her canonical 2017 essay “On Liking Women,” the Pulitzer Prize–winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers. Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1. As a critic, Chu places The Phantom of the Opera within a centuries-old conflict between music and drama; questions the enduring habit of reading Octavia Butler’s science fiction as a parable of slavery; teases out the ideology behind Hillary Clinton’s (fictional) sex life; and charges fellow critics like Maggie Nelson and Zadie Smith with a complacent humanism. Criticism is in a crisis of authority—or rather, that’s what critics have been saying ever since the Enlightenment. In a magisterial new essay, Chu offers a revised intellectual history of this supposed crisis, tracing the surprisingly political contours of criticism from its origins in eighteenth-century aesthetics all the way to its present form in the age of social media. Rather than succumbing to an endless cycle of trumped-up emergencies, Authority makes a compelling case for how to do criticism in light of the genuine crises, from authoritarianism to genocide, that confront us today.

A princess desperate to win back the prince who broke her heart follows him to his kingdom's prestigious military academy – and in doing so, falls in love, saves the realm, and continues to look fabulous, in this romantic debut fantasy. Prince Domhnall and Princess Clía are a perfect royal match – or so everyone says. Until Domhnall ruins everything by refusing to propose. Heartbroken but determined, Clía makes the perfect plan: Follow Domhnall to Caisleán Cósta, the military academy he’s attending. Show she can protect her kingdom. Secure the betrothal. Sure, the castle has a brutal reputation. But how hard can dueling really be? Warrior Ronan promised himself he’d never lose his focus. He fought and sacrificed for his place at Caisleán Cósta, and he has no time for blonde princesses who waltz intro arenas like they’re attending a ball. Even if she and her otter-like pet are…well, cute. He doesn’t want to be intrigued by Clía. But her hunger to prove herself is something he understands. He tells himself there’s no harm training her. Even if his heart does race around her. Even if Domhnall is his best friend. But as they say, love is a battlefield – and unfortunately for them all, a very real war is looming on the horizon. It’s a fight that will threaten all their kingdoms…and test all their hearts.