There is a Wild Man who lives in the deep quiet of Greenhollow, and he listens to the wood. Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads. When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.

A high-strung and inventive literary horror that will delight fans of Stephen Graham Jones and Mariana Enriquez, Ito Romo’s debut novel traces the thousand-year lineage of a new kind of vampire—the mestizo Filth Eater. Granada, 1849. After centuries of scrounging in the shadows, the vampire Radamés discovers an ancient Aztec codex that reveals the vampires of the “New World” live a more “human” life—they marry, they give birth. Spurred on by tantalizing promise of a fuller existence, Radamés glamours and schemes his way onto a ship headed for Mexico. There, in the underbelly of the forgotten Aztec city of Teotihuacán, the Andalusian vampire falls in love with a member of this ancient sect of Aztec vampires who call themselves Filth Eaters. From their union, the mestizo vampire Doro is born.  Hopping back and forth in time from the Indus River Delta in 1099 to the Muslim Spanish empire of the 1400s to a flooded cyberpunk New York City of the future, Filth Eaters pulls at the threads of empire, greed, and climate collapse, but the beating, bloody heart of the story is our very human desire for the love that gives life meaning.The debut novel from a celebrated writer of “Chicano Gothic” stories, this surprising, gory saga turns a new page for a centuries-old genre. 

A high-strung and inventive literary horror that will delight fans of Stephen Graham Jones and Mariana Enriquez, Ito Romo’s debut novel traces the thousand-year lineage of a new kind of vampire—the mestizo Filth Eater. Granada, 1849. After centuries of scrounging in the shadows, the vampire Radamés discovers an ancient Aztec codex that reveals the vampires of the “New World” live a more “human” life—they marry, they give birth. Spurred on by tantalizing promise of a fuller existence, Radamés glamours and schemes his way onto a ship headed for Mexico. There, in the underbelly of the forgotten Aztec city of Teotihuacán, the Andalusian vampire falls in love with a member of this ancient sect of Aztec vampires who call themselves Filth Eaters. From their union, the mestizo vampire Doro is born.  Hopping back and forth in time from the Indus River Delta in 1099 to the Muslim Spanish empire of the 1400s to a flooded cyberpunk New York City of the future, Filth Eaters pulls at the threads of empire, greed, and climate collapse, but the beating, bloody heart of the story is our very human desire for the love that gives life meaning.The debut novel from a celebrated writer of “Chicano Gothic” stories, this surprising, gory saga turns a new page for a centuries-old genre. 

Onizuka Kumako is a fierce woman: tall, beautiful, and not afraid to speak her mind. In Tokyo bars, she seduces customers and commits petty crime, using her connections to the local yakuza to get by. When she meets Shirakawa Fukutaro, a rich widower desperate for companionship and unaware of her shady past, the two hit it off and are soon married. But their newlywed bliss is suddenly cut short: one rainy July evening, their car veers off course, plunges into the harbour and Fukutaro is pulled beneath the waves. Suspected of murder and labelled a femme fatale, Kumako is hounded by the press, but stays firm, repeatedly proclaiming her own innocence. As pressure from dogged journalists mounts, the tide of public opinion is rising against her. But when a scrupulous defence lawyer takes on her case, doubt begins to creep in . . . In this intricate, psychological noir, masterfully translated into English for the first time, Seicho Matsumoto draws out the hidden demons that guide our convictions, our biases and our deepest desires.