Beloved star and Emmy-winning actress Christina Applegate's raw and darkly funny memoir illuminates the life of a childhood star, turned iconic comedic actress, turned tenacious example of how to find the beauty in our messy lives. Christina Applegate came of age on sets and stages, expected to be on time, with lines learned, ready for lights-camera-action. Performing began as a financial necessity and became an emotional escape from a tumultuous home life in the infamous Laurel Canyon scene of the 1970s and 80s. She first gained stardom as an audience favorite playing Kelly Bundy in the sitcom Married...with Children and went on to captivate a vast fandom during her five-decade long career. In You with the Sad Eyes, Applegate will unveil the full story of her years in the public eye, and the painful moments the public didn't see. She writes about gravitating to the grunge that defined the 90s and finding belonging in the legendary scene at The Viper Room; sparkling on set with fellow comedy icons in the soon to be canonized franchise Anchorman; sharing her love of dance in the Broadway revival of Sweet Charity; and returning to the Emmy stage to a standing ovation in 2024 after her diagnosis of MS. She’ll dive into the darker moments underpinning her outward her relationship with her mother who fought addiction and won, even in the wake of her father’s abandonment; the self-doubt and body dysmorphia that have dogged her from a young age; and the abuse and depression that eroded her health. Her path is ever lit though, by lifelong friends, chosen family, and her experience as a mother. By working through her legacy on the page, Applegate invites readers to take her hand and hear a story not even those closest to her know fully. You with the Sad Eyes boldly presents a formidable and iconoclastic woman who has had to let go of her acting career, of her ability to dance, of her sense of physical power, but has always fought to find a new and even more fulfilling way of being. The pain will be matched by the joy, the losses mitigated by the extraordinary, the weight of life lifted by Applegate's signature comedic genius. In her own words, “I truly believe that books can make people feel less alone. That's why I'm doing this. You with the Sad Eyes won't be some big violin scratching for my life. But it will be real. It will be filled with the ups and downs, the humor and grief of life. So here I am. Real me. Lots to say.”

From New York Times bestselling author Sarah Wilson comes a deeply moving, wise guide to finding joy and meaning in a world that seems to be falling apartIt’s hard to escape the feeling that something is deeply wrong . . . that life has become precariously off-balance. We are hit hourly with headlines about catastrophic wildfires, unprecedented flooding, record heat waves, collapsing democracies, AI and nuclear threat, rising economic inequality, widespread unrest, and more. In I Eat the Stars, Sarah Wilson argues we are undergoing what every complex civilization before us has—systemic collapse.So how do we continue to live as sensitive humans amidst such a tumultuous shift? What does life look like when the systems we rely on deteriorate? Should we be having kids? How do we make financial decisions? Should we be prepping? And, most importantly, how do we avoid succumbing to doom and despair?In I Eat the Stars, Sarah Wilson delves into these pressing questions. Drawing on many years of research and wisdom gained from more than 200 conversations with philosophers, poets, game theorists, and spiritual leaders, Wilson takes readers on an intimate journey as she lays out a path for living fully, meaningfully, and beautifully through these troubled times. Our predicament, she argues, is ultimately an urgent call to us all to relish what is valuable to us—to eat the stars—and to return to our humanity once again.I Eat the Stars empowers readers to move beyond panic, doom, and despair. With her warm, incisively intelligent, wise, and down-to-earth voice, Wilson creates a space for readers to confront their fears and anxieties about an uncertain future, guiding them toward one rooted in truth, hope, justice, creativity, community, and to step up as “warriors” and meet the moment.We are in what we were warned about for decades. But from a crisis comes stunning possibility.

The New York Times–bestselling author of The Only Good Indians and My Heart Is a Chainsaw makes his comics debut with this time-hopping horror thriller about far-future Indigenous outcasts on a mission to kill Christopher Columbus. The year is 2112, and it’s the apocalypse exactly as rivers receding, oceans rising, civilization crumbling. Humanity has given up hope, except for a group of Indigenous outcasts who have discovered a time travel portal in a cave in the desert and figured out where everything took a turn for the America. Convinced that the only way to save the world is to rewrite its past, they send one of their own—a reluctant linguist named Tad—on a bloody, one-way mission to 1492 to kill Christopher Columbus before he reaches the so-called New World. But there are steep costs to disrupting the timeline, and taking down an icon isn’t an easy task for an academic with no tactical training and only a wavering moral compass to guide him. As the horror of the task ahead unfolds and Tad’s commitment is tested, his actions could trigger a devastating new fate for his friends and the future. Join Stephen Graham Jones and artist Davide Gianfelice for Earthdivers, Vol. 1, the beginning of an unforgettable ongoing sci-fi slasher spanning centuries of America’s Colonial past to explore the staggering forces of history and the individual choices we make to survive it.

Bloodhoof is the re-casting into compulsively spare modern verse of an ancient Eddic poem - but this only begins to hint at its attractions. It is a minimalist epic telling of the abduction of Gerdur Gymisdottir from the land of giants to the court of Freyr of the 'wolf-grey eyes', and the subsequent events culminating in the birth of her son and her hopes of being saved by her own kin. It is full of iron-hard rocks and ice, serpents in the breast gnawing at the harness of hope, but also wide-reaching fields of corn whispering in the breeze and a throne carved with beasts and dragons-heads. You could read the whole book in perhaps half an hour but it will take many months or years to begin to clear the ghosts and long-dead heroes from your mind.

A thousand years ago, the Knights of the Round Table made an oath to protect the realm forevermore. It's safe to say they didn't think it all the way through. Now Britain is embroiled in the Second World War, and the knights are still fighting the enemies of the realm. They're also fighting each other - Kay and Lancelot haven't spoken since Agincourt, and everyone wishes Agravain would stop speaking entirely. Isolde - known in myth and legend for her tragic romance with the knight Tristan - is fed up with her tragic reputation. In a time when women have more freedom than ever before, she's determined to strike out on her own. But when she discovers old enemies working alongside the Nazis, she realises she can't fight all of them by herself. It might be time to get the old band back together . . .From the Sunday Times bestselling Thomas D. Lee comes this sharp and witty caper, asking what happens when knights in armour return to fix the problems of a more modern world . . .

A globe-trotting work of relentless investigative reporting, this is the first major book to expose the catastrophic reality of the multi-billion-dollar global garbage trade. Dumps and landfills around the world are overflowing. Disputes about what to do with the millions of tons of garbage generated every day have given rise to waste wars waged almost everywhere you look. Some are border skirmishes. Others hustle trash across thousands of miles and multiple oceans. But no matter the scale, one thing is true about almost all of them: few people have any idea they’re happening. Journalist Alexander Clapp spent two years roaming five continents to report deep inside the world of Javanese recycling gangsters, cruise ship dismantlers in the Aegean, Tanzanian plastic pickers, whistle-blowing environmentalists throughout the jungles of Guatemala, and a community of Ghanaian boys who burn Western cellphones and televisions for cents an hour, to tell readers what he has figured out: While some trash gets tossed onto roadsides or buried underground, much of it actually lives a secret hot potato second life, getting shipped, sold, re-sold, or smuggled from one country to another, often with devastating consequences for the poorest nations of the world. Waste Wars is a jaw-dropping exposé of how and why, for the last forty years, our garbage — the stuff we deem so worthless we think nothing of throwing it away — has spawned a massive, globe-spanning, multi-billion-dollar economy, one that offloads our consumption footprints onto distant continents, pristine landscapes, and unsuspecting populations. If the handling of our trash reveals deeper truths about our Western society, what does the globalized business of garbage say about our world today? And what does it say about us?