YOU'RE HERE BECAUSE OF A STORY . . . It starts with a class in an old movie theatre. Folklore 517: Local Legends and Urban Myths, taught by a woman called the Professor. Most students believe the Professor's stories are just fiction, but Holland St. James has always been convinced that magic is real. Her search for the truth leads her to a dazzling new world, a deadly ultimatum hidden at the heart of Los Angeles, and into the path of a magnetic stranger who claims he's been sent to save her life. But everyone in this intoxicating new world is lying to her, even this stranger. And if she can't figure out whom to trust, her magical reality could change from a Hollywood dream to a nightmare. Alchemy of Secrets is the spectacular new novel from global phenomenon Stephanie Garber, the multimillion-copy bestselling author of the Caraval and Once Upon a Broken Heart series. Fusing spellbinding Hollywood secrets with a cinematic mystery, it will transport you into another world.

The best-selling author of the million-copy classic House of Leaves returns with a magisterial, page-turning epic, about two friends determined to rescue a pair of horses set for slaughter. While folks still like to focus on the crimes that shocked the small city of Orvop, Utah, back in the fall of 1982, not to mention the trials that followed, far more remember the adventure that took place beyond municipal lines in mountains ready to shrug even the bravest from their backs, as one Orvop local would put, with another characterizing the astonishing journey as crazy as it was foolish as it still is just plain beyond imaginin. But them kids went for it anyway. Not that such daring was entirely unexpected considering how some of those involved included the likes of young Tom Gatestone, already a bit of an Orvop legend, and his friend Kalin March, new to the area, the two of them takin it upon themselves to rescue a couple of neglected horses from the Porch paddocks on Willow and Oak. Who knows what would have happened if they hadn’t? For sure no one expected the dead to rise but they did. For sure no one expected the mountain to fall but it did. For sure no one expected an act of courage so great, and likewise so appalling, that it still staggers the heart and mind of anyone who knows anything about the Katanogos massif to say nothing of Pillars Meadow. As one Orvop high-school teacher would describe that extraordinary feat days before she died: Fer sure, no one expected Kalin March to tell Old Porch: You get what you deserve when you ride with cowards. In this sweeping tale of mythic proportions, populated by extraordinary characters, the ghosts of the American West, and bursting with unexpected humor, Danielewski tells a masterful story of determination, perseverance, and humanity in the face of long odds and adverse fate.

As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead. All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary."how to be interesting, line after line." Contents: Charles Dickens Boys' Weeklies Inside the Whale Drama Reviews: The Tempest, The Peaceful Inn Film Review: The Great Dictator Wells, Hitler and the World State The Art of Donald McGill No, Not One Rudyard Kipling T.S. Eliot Can Socialists Be Happy? Benefit of Clergy: Some Notes on Salvador Dali Propaganda and Demotic Speech Raffles and Miss Blandish Good Bad Books The Prevention of Literature Politics and the English Language Confessions of a Book Reviewer Politics vs. Literature: An Examination of Gulliver's Travels Lear, Tolstoy and the Fool Writers and Leviathan Review of The Heart of the Matter by Graham Greene Reflections on Gandhi

An inspiring blend of nature writing and memoir that explores nature’s crucial role in our emotional and mental health. Bats can hear shapes, plants can eat light, and bees can dance maps. When his life took him to a painfully dark place, the poet behind The Cryptonaturalist, Jarod K. Anderson, found comfort and redemption in these facts and the shift in perspective that comes from paying a new kind of attention to nature. Something in the Woods Loves You tells the story of the darkest stretch of a young person’s life, and how deliberate and meditative encounters with plants and animals helped him see the light at every turn. Ranging from optimistic contemplations of mortality to appreciations of a single mushroom, Anderson has written a lyrical love letter to the natural world and given us the tools to see it all anew.

A page-turning, unforgettable fantasy set in a city peopled with ruffians, spies, malcontents and murderers. Experience out-of-this world adventure and dangerous politics as Maggie tries to survive waking up in her favourite fictional world. A heart-pounding epic from No. 1 New York Times bestselling author duo Ilona Andrews. When Maggie wakes up cold, filthy and naked in a gutter, it doesn’t take her long to recognize Kair Toren. It’s a city she knows intimately from the pages of a famously unfinished dark fantasy series – one she’s been obsessively reading and re-reading, while waiting years for the final novel. Her only tools for navigating this gritty world of rival warlords, magic and mayhem? Her encyclopaedic knowledge of the plot, the setting and the characters’ ambitions and fates. But while she quickly discovers she cannot be killed (though many will try!), the same cannot be said for the living, breathing characters she’s coming to love – a motley band that includes a former lady’s maid, a deadly assassin, various outrageous magical creatures and a dangerously appealing soldier. Soon, instead of trying to return home, she finds herself enmeshed in the schemes – and attentions – of duelling princes, dukes and villains. This all while trying to save them and the kingdom of Rellas from the ending she’s seen on the a cataclysmic war. This Kingdom Will Not Kill Me is the beginning of the most epic adventure yet from genre powerhouse writing duo Ilona Andrews. For fans of Samantha Shannon, Sarah J. Maas, Danielle L. Jensen and isekai portal fantasy.

In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely ignored, and utterly out of place. Then she finds a strange book. A book that carries the scent of other worlds, and tells a tale of secret doors, of love, adventure and danger. Each page turn reveals impossible truths about the world and January discovers a story increasingly entwined with her own.

Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” ( BuzzFeed ) new vision of the American West, from the award-winning author of The Changeling . Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear. The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will become one of the “lone women” taking advantage of the government’s offer of free land for those who can tame it—except that Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing that will help her survive the harsh territory. Crafted by a modern master of magical suspense, Lone Women blends shimmering prose, an unforgettable cast of adventurers who find horror and sisterhood in a brutal landscape, and a portrait of early-twentieth-century America like you’ve never seen. And at its heart is the gripping story of a woman desperate to bury her past—or redeem it.

In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely ignored, and utterly out of place. Then she finds a strange book. A book that carries the scent of other worlds, and tells a tale of secret doors, of love, adventure and danger. Each page turn reveals impossible truths about the world and January discovers a story increasingly entwined with her own.

Set between New York and Shanghai, Masquerade is a queer coming-of-age mystery about a lovelorn bartender and his complex friendship with a volatile artist. Newly single Meadow Liu is house-sitting for his friend, artist Selma Shimizu, when he stumbles upon The Masquerade, a translated novel about a masked ball in 1930s Shanghai. The author’s name is the same as Meadow’s own in Chinese, Liu Tian—a coincidence that proves to be the first of many strange happenings. Over the course of a single summer, Meadow must contend with a possibly haunted apartment, a mirror that plays tricks, a stranger speaking in riddles at the bar where he works, as well as a startling revelation about a former lover. And when Selma vanishes from her artist residency, Meadow is forced to question everything he knows as the boundaries between real and imagined begin to blur. Exploring social, cultural, and sexual identities in New York, Shanghai, and beyond, Mike Fu’s Masquerade is a skillfully layered, brilliantly interwoven debut novel of friendship, queer longing, and worlds on the brink, asking how we can find ourselves among ghosts of all kinds, and who we can trust when nothing—and no one—is as it seems.

Osamu Dazai's No Longer Human, this leading postwar Japanese writer's second novel, tells the poignant and fascinating story of a young man who is caught between the breakup of the traditions of a northern Japanese aristocratic family and the impact of Western ideas. In consequence, he feels himself "disqualified from being human" (a literal translation of the Japanese title). Donald Keene, who translated this and Dazai's first novel, The Setting Sun, has said of the author's work: "His world … suggests Chekhov or possibly postwar France, … but there is a Japanese sensibility in the choice and presentation of the material. A Dazai novel is at once immediately intelligible in Western terms and quite unlike any Western book." His writing is in some ways reminiscent of Rimbaud, while he himself has often been called a forerunner of Yukio Mishima. Cover painting by Noe Nojechowiz, from the collection of John and Barbara Duncan; design by Gertrude Huston

An inventive and fantastical reimagining of Anne of Green Gables—with magic and witches!—that explores found family, loss, and the power of a girl's imagination, from the acclaimed author of The Language of Ghosts and The School Between Winter and Fairyland. Grace has never been good at anything except magic—not that anyone believes her. While other children are adopted from the orphanage, nobody wants Grace. So she decides to make a home for herself by running away and offering herself as an apprentice to the witch in the nearby woods. After all, who better to teach Grace to use her magic? Surely the witch can’t be that bad. But the witch is that bad—she steals souls for spells and gobbles up hearts. So Grace offers a deal: If she can learn all 100½ spells in the witch’s grimoire, the witch will make Grace her apprentice. But if Grace fails, the witch can take her magic. The witch agrees, and soon an unexpected bond develops between them. But the spells are much harder than Grace expected, and when a monster from the witch’s past threatens the home Grace has built, she may have to sacrifice more than her magic to save it. Inspired by Anne of Green Gables, this is a magical story of found family, loss, and the power of a girl’s imagination.