Tobi2x4 commented on a post
"Inn-sewer-ants" has got to be my favourite mispronunciation of insurance I've ever seen.
Pratchett gives every character so much life with their words, and I love it.
Tobi2x4 commented on a post
Post from the The Waste Lands (The Dark Tower, #3) forum
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The Waste Lands (The Dark Tower, #3)
Stephen King
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Tobi2x4 commented on matmcdonut's review of Paradise Rot
Immensely frustrating book for me. I went in 100% cold and actually really enjoyed the authorās descriptive and flowery proseā¦
When it wasnāt centered around piss.
Literally would punch me in the face every few pages and added nothing to my experience. Aside from that much like my issues with Darren Aronofskyās Mother (2017) many of the religious metaphors were hamfisted, obvious, and fell flat for me.
Iām giving this a solid two golden showers out of five.
Tobi2x4 commented on a post from the Pagebound Club forum
Give me your silliest, nitpickiest reason you stopped reading a book!
My pettiest reason has to be when a woman living in Arthurian times took note of another woman not wearing a corset, when corsets wouldn't be invented until literally a thousand years later (and not even called corsets until the Victorian era). I was about four chapters in I think and I put that book right down.
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Tobi2x4 commented on a post
So, I ended up watching Edge of Tomorrow, which is the heavily Westernized Hollywood adaptation of the novel. It wasn't a bad movie by any means, and as a standalone would be a really solid sci-fi action movie. It shares the same main presence, and three characters (who are vastly different from their novel counterparts). The rest is different, ranging from smaller changes to outright brand new experiences and scenarios.
The movie was decent, but the book felt more engaging. Keiji was more endearing than Cage. Tom Cruise and Emily Blunt were good in their roles, but they were also significantly older than their novel counterparts.
Now that I've seen/read all the media for All You Need Is Kill, I can safely say that my novel is my favourite of the three.
Post from the Murder on the Orient Express (Hercule Poirot, #10) forum
I am endlessly amused by the character descriptions (which also act as a dramatis personae of sorts) of the folks in the lunch car. It's also kinda neat seeing the term queer used in the older context.
The best part, though, is seeing the old American lady. Specifically just how stereotypically American she's written, even 90ish years ago. (Basically the rude and ignorant traveler stereotype. Again, I stress the stereotype part. I know not every American is like that.)
I'm also quite fond of the switching between M. and Mr., depending on who is speaking. My brain adjusts between an English (Canadian specifically, bc that's my brain) and a French accent depending on which is used. (Perks of bilingualism)
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Tobi2x4 commented on a post from the Pagebound Club forum
Whatās your ā i donāt want to ever see this in my booksā? For me I despise a miscommunication trope thatās written just to fill the plot when itās a whole grown adult relationship. I also hate when the mmc gives the fmc a random cringy nickname. In fantasy I hate when books describe their fmc ( who apparently can take a whole kingdom down with her pinky finger) as someone with a body of a child like make it make sense?
Tobi2x4 commented on a post from the Pagebound Club forum
hi! i've not found a post on this topic, so i want to ask you a question: when you rate a book, what do you base it on?
for example, i don't expect a very complex world-building from certain genres like romantasy, to me, it's the relationship of the characters that is more important in these types of books. so i wouldn't rate how good it is in general, on some universal scale of how close it is to a 'masterpiece' so to say, but rather if it's good enough for its specific genre.
do you rate it differently? like, maybe based on how it impacted you? or how good the writing is? maybe some other criteria?
i'm very curious to learn what your approaches are :)