A dual-timeline murder mystery set in an English country manor, when an ambitious professor discovers the long-lost manuscript of a Reformation-era prophetess Historian Alison Sage has made a groundbreaking archival discovery―she found a manuscript containing the prophecies of a 16th century nun, Elizabeth Barton. Barton’s prophecy condemning Henry VIII and Anne Boleyn led to her execution and the destruction of all copies of her prophecies―or so the world believed. With Alison’s discovery, she is catapulted to academic superstardom and scores an invitation to the exclusive Codex Consortium, a week of research among a select handful of fellow historians at a crumbling manor in England, located next to the ruins of the priory where Elizabeth herself once lived. What begins as a promising conference turns into a nightmare as the eerie house becomes the site of a murder. Suddenly, everyone is a suspect, and it seems that answers lie at the root of a local legend about centuries-old hidden treasure. Alison’s research makes her best-suited to solve the mystery―but when old feelings resurface for a former colleague, and the stakes of the search skyrocket, everyone's motives become murky. Alison’s cutthroat world of academia is almost as dangerous as Elizabeth Barton’s sixteenth-century England, where heretics are beheaded, visions can kill, and knowing who to trust is a deadly art. The Lost Book of Elizabeth Barton is a thrilling novel, crackling with the voices of the past and propelled by a mystery that will leave readers in suspense until the very last page.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.

Shailee Thompson’s HOW TO KILL A GUY IN TEN DATES, a horror romance in which a woman gets caught in the middle of a killing spree at a speed dating event and must find a way to use her encyclopedic knowledge of the horror genre to make it as a real-life final girl.

When bookseller and events organizer Annie Murray invites the glamorous world of Hollywood along to her small-town film festival, she finds herself entangled in a sinister plot as twisted as any big-screen thriller… After the success of her first event, which revived the fortunes of the bookstore she loves so dearly, Annie is excited to launch Redwood Grove’s first film festival. But when an infamous film critic plunges to his death during the premiere of a Hitchcock-inspired thriller, Annie’s instincts tell her that this was no accident. She soon discovers that many of the cast, crew and guests are harboring dark secrets; from the lead actress with a scandalous past, to a film historian obsessed with protecting his vintage reel collection.Determined to unravel the mystery, Annie must sift through a tangled web of hidden agendas and deception to expose the killer before they strike again. Can she crack the case and save her film festival – or will she find herself in the spotlight?Packed full of plot twists and a colorful cast of characters, Murder at the Movies sparkles with charm, heart and humor, and will keep cozy mystery fans guessing until the final pages. Perfect fans for Lauren Elliott, Tonya Kappes and Janet Evanovitch.