The story of a greedy peasant named Pakhom. Although Pakhom enjoys health and family happiness, he feels dissatisfied when he learns of the grand fortunes of his relatives. He decides to go on a quest for more land, only to find that with each new acquisition new problems develop... How Much Land Does A Man Need? gives a delightful insight into old Russian values

'I could see that she was still terribly afraid, but I didn't soften anything; instead, seeing that she was afraid I deliberately intensified it.' In this short story, Dostoyevsky masterfully depicts desperation, greed, manipulation and suicide. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Fyodor Dostoyevsky (1821-1881). Dostoyevsky's works available in Penguin Classics are Crime and Punishment, The Idiot, The Double, The Gambler and Other Stories, The Grand Inquisitor, Notes From The Underground, Netochka Nezvanova, The House of The Dead, The Brothers Karamazov and The Village of Stepanchikovo.

In 1903, a student at a military academy sent some of his verses to a well-known Austrian poet, requesting an assessment of their value. The older artist, Rainer Maria Rilke (1875–1926), replied to the novice in this series of letters—an amazing archive of remarkable insights into the ideas behind Rilke's greatest poetry. The ten letters reproduced here were written during an important stage in Rilke's artistic development, and they contain many of the themes that later appeared in his best works. The poet himself afterwards stated that his letters contained part of his creative genius, making this volume essential reading for scholars, poetry lovers, and anyone with an interest in Rilke, German poetry, or the creative impulse.

"The Cask of Amontillado" (sometimes spelled "The Casque ..") is a short story written by Edgar Allan Poe and first published in the November 1846 issue of "Godey's Lady's Book." It is set in a nameless Italian city in an unspecified year (possibly during the eighteenth century) and concerns the revenge taken by the narrator on a friend who he claims has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around the possibility of a person being buried alive or enclosed in a small space with not possibility of escape (aka immurement). Librarian's note: this entry relates to the story "The Cask of Amontillado." Collections of short stories by the author can be found elsewhere on Goodreads.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.