Valerie Danners is in a cult. She just doesn't know it yet. When she finds a queer book at the library and smuggles it home, her conservative Christian homeschooling world begins to crack. And when the cutest girl she's ever met shows up to Bible class, she starts to question everything. Riley is so confident and kind, and she and Valerie bond quickly over existing as multiracial teens in a very white Christian community. As Valerie explores her feelings for Riley, she begins to see that the world she knows is a carefully crafted narrative. Publicly, the girls are close friends--holding hands in prayer, rooming together at a conference. Privately, they grasp at any chance to continue their forbidden romance--until they are found out. Now Valerie must choose between staying with a family she fears will never accept her, or running away with the girl she loves.

In this gorgeous collection of allegorical stories, Subcomandante Marcos, idiosyncratic spokesperson of the Zapatistas, has provided “an accidental archive” of a revolutionary group’s struggle against neo-liberalism. For 30 years, the Zapatistas have influenced and inspired movements worldwide, showing that another world is possible. They have infused Left politics with a distinct imaginary—and an imaginative, literary or poetic dimension—organizing horizontally, outside and against the state, and with a profound respect for difference as a source of political insight, not division. Marcos’s inspiring and sometimes Kafkaesque stories bear witness to how a defense of indigenous traditions can become a lever for the construction of a new anti-capitalist and anti-patriarchal world. With commentaries that illuminate their historical, political, and literary contexts and an introduction by the translators, this timeless elegiac volume is perfect for lovers of literature and lovers of revolution.

Valerie Danners is in a cult. She just doesn't know it yet. When she finds a queer book at the library and smuggles it home, her conservative Christian homeschooling world begins to crack. And when the cutest girl she's ever met shows up to Bible class, she starts to question everything. Riley is so confident and kind, and she and Valerie bond quickly over existing as multiracial teens in a very white Christian community. As Valerie explores her feelings for Riley, she begins to see that the world she knows is a carefully crafted narrative. Publicly, the girls are close friends--holding hands in prayer, rooming together at a conference. Privately, they grasp at any chance to continue their forbidden romance--until they are found out. Now Valerie must choose between staying with a family she fears will never accept her, or running away with the girl she loves.

Harrow the Ninth, the sequel to Gideon the Ninth, turns a galaxy inside out as one necromancer struggles to survive the wreckage of herself aboard the Emperor's haunted space station. She answered the Emperor's call. She arrived with her arts, her wits, and her only friend. In victory, her world has turned to ash. After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman's shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?

In this gorgeous collection of allegorical stories, Subcomandante Marcos, idiosyncratic spokesperson of the Zapatistas, has provided “an accidental archive” of a revolutionary group’s struggle against neo-liberalism. For 30 years, the Zapatistas have influenced and inspired movements worldwide, showing that another world is possible. They have infused Left politics with a distinct imaginary—and an imaginative, literary or poetic dimension—organizing horizontally, outside and against the state, and with a profound respect for difference as a source of political insight, not division. Marcos’s inspiring and sometimes Kafkaesque stories bear witness to how a defense of indigenous traditions can become a lever for the construction of a new anti-capitalist and anti-patriarchal world. With commentaries that illuminate their historical, political, and literary contexts and an introduction by the translators, this timeless elegiac volume is perfect for lovers of literature and lovers of revolution.

“madness resists mastery yet, to attenuate the violence / of a colonial system" With gentle fervour and precise language that speaks to the nonverbal, the gestural, the sonic, Jody Chan's third collection of poetry mobilizes the intimate, the historical, the revolutionary, and the mundane to confront the instrumentalization of disability as a surplus class. Chan's multidisciplinary poems are a lyrical account of anti-colonial,anti-capitalist psychiatric survivor- and patient-led movements, from Germany to Japan. Inspired by poets, artists, and activists like Frantz Fanon, Etel Adnan, and Solmaz Sharif, Chan's prose and lyric poems delve into activist movements during World War II, the late 20th century, and the present day. This is an investigation of madness as resistance and political strategy. We experience "listening as a form of touch," and the future as a change of form."

Valerie Danners is in a cult. She just doesn't know it yet. When she finds a queer book at the library and smuggles it home, her conservative Christian homeschooling world begins to crack. And when the cutest girl she's ever met shows up to Bible class, she starts to question everything. Riley is so confident and kind, and she and Valerie bond quickly over existing as multiracial teens in a very white Christian community. As Valerie explores her feelings for Riley, she begins to see that the world she knows is a carefully crafted narrative. Publicly, the girls are close friends--holding hands in prayer, rooming together at a conference. Privately, they grasp at any chance to continue their forbidden romance--until they are found out. Now Valerie must choose between staying with a family she fears will never accept her, or running away with the girl she loves.

Harrow the Ninth, the sequel to Gideon the Ninth, turns a galaxy inside out as one necromancer struggles to survive the wreckage of herself aboard the Emperor's haunted space station. She answered the Emperor's call. She arrived with her arts, her wits, and her only friend. In victory, her world has turned to ash. After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman's shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?

“madness resists mastery yet, to attenuate the violence / of a colonial system" With gentle fervour and precise language that speaks to the nonverbal, the gestural, the sonic, Jody Chan's third collection of poetry mobilizes the intimate, the historical, the revolutionary, and the mundane to confront the instrumentalization of disability as a surplus class. Chan's multidisciplinary poems are a lyrical account of anti-colonial,anti-capitalist psychiatric survivor- and patient-led movements, from Germany to Japan. Inspired by poets, artists, and activists like Frantz Fanon, Etel Adnan, and Solmaz Sharif, Chan's prose and lyric poems delve into activist movements during World War II, the late 20th century, and the present day. This is an investigation of madness as resistance and political strategy. We experience "listening as a form of touch," and the future as a change of form."