It is June 21, the longest day of the year, and the life of new mother Camilla is about to change forever. After months of maternity leave, she will drop off her infant daughter at daycare for the first time and return to her job as a literary agent. Finally. But when she wakes, her husband Luke isn’t there, and in his place is a cryptic note. Then it starts. Breaking news: A hostage situation is developing in London. The police tell her Luke is involved—but he isn't a hostage. Her husband—doting father, eternal optimist—is the gunman.

Two Victorian marriages, two dangerous love affairs, one extraordinary partnership . . .London, 1894. After a lifetime spent navigating his desires, John Addington, married to Catherine, has met Frank, a working-class printer.Meanwhile Henry Ellis's wife Edith has fallen in love with Angelica - and Angelica wants Edith all to herself.When in 1894 John and Henry decide to write a revolutionary book together, intended to challenge convention and the law, they are both caught in relationships stalked by guilt and shame. Yet they share a vision of a better world, one that will expand possibilities for men and women everywhere.Their daring book threatens to throw John and Henry, and all those around them, into danger. How far should they go to win personal freedoms? And how high a price are they willing to pay for a new way of living?

In a world before The Program… Quinlan McKee is a closer. Since the age of seven, Quinn has held the responsibility of providing closure to grieving families with a special skill—she can “become” anyone. Recommended by grief counselors, Quinn is hired by families to take on the short-term role of a deceased loved one between the ages of fifteen and twenty. She’s not an exact copy, of course, but she wears their clothes and changes her hair, studies them through pictures and videos, and soon, Quinn can act like them, smell like them, and be them for all intents and purposes. But to do her job successfully, she can’t get attached. Now seventeen, Quinn is deft at recreating herself, sometimes confusing her own past with those of the people she’s portrayed. When she’s given her longest assignment, playing the role of Catalina Barnes, Quinn begins to bond with the deceased girl’s boyfriend. But that’s only the beginning of the complications, especially when Quinn finds out the truth about Catalina’s death. And the epidemic it could start.

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.

"I live for the dream that my children will be born free," she says. "That they will be what they like. That they will own the land their father gave them." "I live for you," I say sadly. Eo kisses my cheek. "Then you must live for more." Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations. Yet he spends his life willingly, knowing that his blood and sweat will one day result in a better world for his children. But Darrow and his kind have been betrayed. Soon he discovers that humanity already reached the surface generations ago. Vast cities and sprawling parks spread across the planet. Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class. Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the legendary Institute, a proving ground for the dominant Gold caste, where the next generation of humanity's overlords struggle for power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society's ruling class. There, he will stop at nothing to bring down his enemies... even if it means he has to become one of them to do so.

A sapphic rivals to lovers rom com for fans of Ted Lasso and A League of Their Own, where two soccer teammates are at odds before falling in love as their team gears up for the World Cup.Grace Henderson has been a star of the US Women’s National Team for ten years, even though she’s only 26. But when she’s sidelined with an injury, a bold new upstart, Phoebe Matthews, takes her spot. Phoebe is everything Grace isn’t—a gregarious jokester who plays with a joy that Grace lost somewhere along the way. The last thing Grace expects is to become friends with benefits with this class clown she sees as her rival.Phoebe Matthews has always admired Grace’s skill and was star struck to be training alongside her idol. But she quickly finds herself looking at Grace as more than a mere teammate. After one daring kiss, she’s hooked. Grace is everything she has been waiting to find.As the World Cup approaches, and Grace works her way back from injury, the women decide to find a way they can play together instead of vying for the same position. Except, when they are off the field, Grace is worried she’s catching feelings while Phoebe thinks they are dating. As the tension between them grows, will both players realize they care more about their relationship than making the roster?

A Today Show #ReadwithJenna Book Club Pick A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help us start anew. It's a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamt of coming for years―she hoped to shuck oysters and take sunset sails with her husband, only now she's here without him. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe―which makes it that much more surprising when the women can’t stop confiding in each other. In turns uproariously, absurdly funny and devastatingly tender, Alison Espach's The Wedding People is a look at the winding paths we can take to places we never imagined―and the chance encounters it sometimes takes to reroute us.