The conclusion of the bestselling saga (6/6)Her past - a single nightmare. A look into her future it could be even worse. She does everything she can to change it. The prince has lost his father, his home castle, his land. He is rich only in enemies. King Schohtar's superior force storms the last wall. No artifact and no magic will help against it this time.One of the most powerful armies in Krosann's history is rolling toward Karek's last refuge. The Hand of the Swordmaster is desperately searching for a way out behind Winterbridge walls.Bolkan Katerron finds himself back where he once in the middle of the game of murder, power and betrayal.

A merchant’s daughter who yearns for adventure gets more than she bargained for when she falls for a broodingly handsome stranger in this saucy romantasy from the New York Times bestselling author of The Hurricane Wars. As the daughter of an ambitious merchant, Guinevere’s path has been predetermined: marry into a noble house of the Dwendalian Empire, raise her family’s station, and live quietly as a lordling’s obedient wife. But Guinevere longs for a life unbounded by expectations, for freedom and passion and adventure. Those distant dreams become a sudden reality when her caravan is beset by bandits, leaving her guards slain and Guinevere stranded alone on the dangerous Amber Road. Her only chance of survival is to travel alongside Oskar, the aloof half-orc who saved her during the attack. Unlike Guinevere, Oskar’s path is not so set in stone. With his mother dead and his apprenticeship abandoned, all that’s left is a long, lonely walk to a land he’s never seen to find family he’s never met. The last thing he needs is a spoiled waif like Guinevere slowing him down—even if the spark between them sizzles with promise. Despite his cold exterior, Oskar is brave and thoughtful and unlike anyone Guinevere has ever met. And while Guinevere may be sheltered, she brings out a softness in him that he has never dared to feel before. As the flames of their passion grow, they realize that soon they’ll need to choose between their expected destinations or their blossoming romance. Written by New York Times bestselling author Thea Guanzon at the behest of Critical Role’s Jester Lavorre, Tusk Love brings the most romantic story on Exandrian bookshelves to life.

Pechino è divisa in tre spazi e le ventiquattr’ore di ogni giorno sono state accuratamente organizzate per salvaguardare il tempo e l’aria che respira l’élite, composta da cinque degli ottanta milioni di persone che abitano la metropoli. Tutti gli altri, incastrati nella rigida stratificazione urbana, si spartiscono quello che rimane. Lao Dao è nato nella città pieghevole e lavora in discarica come suo padre. Vive nel sottosuolo, ma per consegnare una lettera in cambio di denaro si intrufolerà negli spazi della classe media e di quella alta, scoprendo l’esistenza di mondi diversi dal suo. Catastrofe ecologica, tecnologie di sorveglianza e disuguaglianze sociali stravolgono il tempo e lo spazio in Pechino pieghevole, l’emblematico racconto che dà il titolo a questa raccolta folgorante, un caso letterario che si inserisce nell’«ultra-irrealismo» (chaohuan), il nuovo genere letterario ispirato dalla realtà allucinata della Cina odierna. Negli undici racconti, Hao esplora la fragilità umana alle prese con gli spettri del cambiamento e del possibile, l’intelligenza artificiale e l’automazione, costruendo una narrazione pervasa di sensibilità per quest’epoca di incertezza, solitudine e disorientamento. Se la science fiction è il realismo dei nostri tempi, Hao Jingfang rivela angolazioni inattese ed estreme da cui osservare il mondo futuro in cui già viviamo.

Those who seek peace must kill war. Logical. She is on her way to her childhood. Because the assassin was once a little girl, too. But then, of all people, this fatal mistake happens to her. The Swordmaster's hand clenches into a fist. Before going to war, the five friends seek the magic spear. Without warning, the small and the inconspicuous are faced with almost impossible tasks. The world of Krosann bleeds in civil war. The self-proclaimed king Schohtar uses powers stronger than death. The fifth volume of the bestselling fantasy saga.

Pechino è divisa in tre spazi e le ventiquattr’ore di ogni giorno sono state accuratamente organizzate per salvaguardare il tempo e l’aria che respira l’élite, composta da cinque degli ottanta milioni di persone che abitano la metropoli. Tutti gli altri, incastrati nella rigida stratificazione urbana, si spartiscono quello che rimane. Lao Dao è nato nella città pieghevole e lavora in discarica come suo padre. Vive nel sottosuolo, ma per consegnare una lettera in cambio di denaro si intrufolerà negli spazi della classe media e di quella alta, scoprendo l’esistenza di mondi diversi dal suo. Catastrofe ecologica, tecnologie di sorveglianza e disuguaglianze sociali stravolgono il tempo e lo spazio in Pechino pieghevole, l’emblematico racconto che dà il titolo a questa raccolta folgorante, un caso letterario che si inserisce nell’«ultra-irrealismo» (chaohuan), il nuovo genere letterario ispirato dalla realtà allucinata della Cina odierna. Negli undici racconti, Hao esplora la fragilità umana alle prese con gli spettri del cambiamento e del possibile, l’intelligenza artificiale e l’automazione, costruendo una narrazione pervasa di sensibilità per quest’epoca di incertezza, solitudine e disorientamento. Se la science fiction è il realismo dei nostri tempi, Hao Jingfang rivela angolazioni inattese ed estreme da cui osservare il mondo futuro in cui già viviamo.

El libro más aclamado del escritor argentino Jorge Fernández Díaz.  Una historia de plena actualidad, un testimonio real, emocionante y poderoso sobre la emigración. «En todo ese tiempo fueron convirtiendo el gran dolor en una simple  herida. La herida en una lesión. La lesión en una puntada. Y la puntada  en un recuerdo folklórico que sólo dolía en días de humedad.» Una campesina española envía a su hija de quince años a la Argentina de  Perón. Una campesina española envía a su hija de quince años a la Argentina de Perón. Quiere sacarla de la miseria, y le promete que pronto la seguirá toda su familia. Pero algo falla, nadie viene, y la chica queda atrapada en un país hostil, donde crece, se casa, lucha contra su destino y sufre el destierro más cruel. Después de muchos años deja de sufrir y se hace argentina. Entonces sus hijos y nietos le anuncian que quieren irse a vivir a España para huir de la depresión económica, y todo vuelve a empezar. En los límites de la crónica periodística, el relato confesional y la biografía íntima,  Mamá  narra las aventuras, pequeñas alegrías y sinsabores de una mujer común de clase media que bien podría ser la madre o la abuela de cualquier lector, y que plantea el gran dilema actual y de todos los irse o quedarse. Jorge Fernández Díaz logró construir como narrador y protagonista un texto deslumbrante que atrapa y conmueve desde la primera línea, que funda un nuevo espacio del «sentido de verdad» en nuestra literatura y que, de forma tan natural como indudable, ya se convirtió en un clásico contemporáneo. ENGLISH DESCRIPTION The most acclaimed book by Argentine author Jorge Fernández Díaz. It is a contemporary story, a real, exciting, and powerful testimony about migration and exile.   A peasant woman in Spain sends her fifteen-year-old daughter to Peron's Argentina. She wants to get her out of the misery in which they live, and promises to her that the entire family will soon follow. But that plan fails, nobody comes, and the girl is trapped alone in a hostile country, where she grows up, marries, fights against her destiny, and experiences the most cruel exile. After many years she stops fighting and becomes Argentine. Then her children and grandchildren reveal to her that they want to move to Spain to flee the economic depression, and it all starts all over again. Encompassing all, a journalistic account, a confessional story, and an intimate biography, Mother tells the adventures, joys, and misfortunes of an ordinary middle-class woman who could well be anybody’s mother or grandmother, and poses the great dilemma of all to go or to stay.   Jorge Fernández Díaz managed to construct a dazzling text, as a narrator and as protagonist, that captures and touches the reader from the first line, that introduces a new "sense of truth" in our literature, and one that has undoubtedly become a contemporary classic.

Endlich wandelt sie wieder allein auf dem Pfad des Blutes. Doch wie soll die Krähe fliegen, wenn Schatten der Vergangenheit, Begegnungen der Gegenwart und Aufgaben der Zukunft auf ihren schmalen Schultern lasten? Und nicht nur ein alter Feind, ein kleines Mädchen und ein ganzes Volk zehren an ihren Kräften … Die Myrnengöttin – Band I der zweiten Krosann-Saga Trilogie Kaum wieder zuhause auf Burg Felsbach ruft eine unbekannte Welt nach Karek. Gibt es die verschwundene Insel wirklich? Mit dieser Reise verlangt Karek seinen Kameraden mehr ab, als Freundschaft und Treue zu geben vermögen. Überblick aller Bände chrono---logisch: Die Krosann-Saga (Erste Trilogie "Lehrjahre") Band 1: Die Auftragsmörderin Band 2: Der Schwertmeister Band 3: Die Sanduhr Die Krosann-Saga: Die Krosann-Saga (Zweite Trilogie "Königsweg") Band 1: Die Myrnengöttin Die Landkarten sind auf der "Autor Sam Feuerbach Facebook-Seite" in höherer Auflösung als Download verfügbar.

How could it have come to this? Five milksops sticking to her heels like horse manure. On a ship with a captain who cannot be trusted. On a voyage into the heart of enemy territory, teeming with cutthroats. In search of a lost legend that could vanish into thin air like a camel fart. Time is crying out for change. A mysterious parchment finally leads Karek and his companions to their destination. But what they find there knows no laws, no faith, no mercy…

El libro más aclamado del escritor argentino Jorge Fernández Díaz.  Una historia de plena actualidad, un testimonio real, emocionante y poderoso sobre la emigración. «En todo ese tiempo fueron convirtiendo el gran dolor en una simple  herida. La herida en una lesión. La lesión en una puntada. Y la puntada  en un recuerdo folklórico que sólo dolía en días de humedad.» Una campesina española envía a su hija de quince años a la Argentina de  Perón. Una campesina española envía a su hija de quince años a la Argentina de Perón. Quiere sacarla de la miseria, y le promete que pronto la seguirá toda su familia. Pero algo falla, nadie viene, y la chica queda atrapada en un país hostil, donde crece, se casa, lucha contra su destino y sufre el destierro más cruel. Después de muchos años deja de sufrir y se hace argentina. Entonces sus hijos y nietos le anuncian que quieren irse a vivir a España para huir de la depresión económica, y todo vuelve a empezar. En los límites de la crónica periodística, el relato confesional y la biografía íntima,  Mamá  narra las aventuras, pequeñas alegrías y sinsabores de una mujer común de clase media que bien podría ser la madre o la abuela de cualquier lector, y que plantea el gran dilema actual y de todos los irse o quedarse. Jorge Fernández Díaz logró construir como narrador y protagonista un texto deslumbrante que atrapa y conmueve desde la primera línea, que funda un nuevo espacio del «sentido de verdad» en nuestra literatura y que, de forma tan natural como indudable, ya se convirtió en un clásico contemporáneo. ENGLISH DESCRIPTION The most acclaimed book by Argentine author Jorge Fernández Díaz. It is a contemporary story, a real, exciting, and powerful testimony about migration and exile.   A peasant woman in Spain sends her fifteen-year-old daughter to Peron's Argentina. She wants to get her out of the misery in which they live, and promises to her that the entire family will soon follow. But that plan fails, nobody comes, and the girl is trapped alone in a hostile country, where she grows up, marries, fights against her destiny, and experiences the most cruel exile. After many years she stops fighting and becomes Argentine. Then her children and grandchildren reveal to her that they want to move to Spain to flee the economic depression, and it all starts all over again. Encompassing all, a journalistic account, a confessional story, and an intimate biography, Mother tells the adventures, joys, and misfortunes of an ordinary middle-class woman who could well be anybody’s mother or grandmother, and poses the great dilemma of all to go or to stay.   Jorge Fernández Díaz managed to construct a dazzling text, as a narrator and as protagonist, that captures and touches the reader from the first line, that introduces a new "sense of truth" in our literature, and one that has undoubtedly become a contemporary classic.