A true original. In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A devastating and timeless tale about one woman freeing her voice by reaching into the past and finding another's.

From the author of A Ghost in the Throat , an unforgettable book - both history and ghost story - that will leave you gasping by its final page. In the city of Cork, a derelict Victorian mental hospital is being converted into modern apartments. One passer by has always flinched as she passes the place. Had her birth occurred in another decade, she too might have lived within those walls. Now, she notices a FOR SALE. It is the first of many signs. Following them, she finds herself drawn into an irresistible river of forgotten voices, those of the women who knew this place insistent, vivid and true. They murmur from archives and old records; they whisper from stairwells and walls. Among them - and in one figure in particular -- she may find meaning, solace, rage; her own salvation, perhaps, or her own vanishing? A work of sublime intensity and tenderness, Said the Dead breaks the boundaries between worlds -- past and present, imagined and real -- to make something lasting and an experience full of danger, full of love and full of truth.

The shocking untold story of how the FBI partnered with white evangelicals to champion a vision of America as a white Christian nation. Lerone Martin draws on thousands of newly declassified FBI documents and memos to describe how, under J. Edgar Hoover's leadership, FBI agents attended spiritual retreats and worship services, creating an FBI religious culture that fashioned G-men into soldiers and ministers of Christian America. Martin shows how prominent figures such as Billy Graham, Fulton Sheen, and countless other ministers from across the country partnered with the FBI and laundered bureau intel in their sermons while the faithful crowned Hoover the adjudicator of true evangelical faith and allegiance. These partnerships not only solidified the political norms of modern white evangelicalism, they also contributed to the political rise of white Christian nationalism, establishing religion and race as the bedrock of the modern national security state, and setting the terms for today's domestic terrorism debates. Taking listeners from the pulpits and pews of small-town America to the Oval Office, and from the grassroots to denominational boardrooms, The Gospel of J. Edgar Hoover completely transforms how we understand the FBI, white evangelicalism, and our nation's entangled history of religion and politics.

Generally recognized as one of the most important novels of the tumultuous 1960s, The Man Who Cried I Am vividly evokes the harsh era of segregation that presaged the expatriation of African American intellectuals. Through the eyes of journalist Max Reddick, and with penetrating fictional portraits of Richard Wright and James Baldwin, among other historical figures, John A. Williams reveals the hope, courage, and bitter disappointment of the civil rights era. Infused with powerful artistry and searing anger, as well as insight, humanity, and vision, The Man Who Cried I Am is a classic of postwar American literature.

Forty years ago, the world nearly ended. Be is an old robot who was there, and doesn’t want to think about what happened, or what role they played in that conflict. They have settled into a life of isolation in the abandoned ruins of an old mill in the former New York Botanical Gardens, disinterested in what has happened in the outside world since they stepped away from the war. Someone out there, though, has not forgotten about them, and when they are attacked, their person vandalized, and one of their leg stolen, they set out to find the thief accompanied by a cyborg dog and a human mechanic. The world has changed, but the recovery from the war is uneven and faltering, and Be begins to suspect a malicious hand trying to rekindle the old conflict and finish what was started. In order to stop them, Be needs to come to terms with both their own past and who they have become, and how everything and everyone else they knew has changed in their absence. Being left alone is no longer an option, and peace may be impossible. This is a story about coming to terms with your past, with who you’ve become and who you still want to be: a tale of resilence and hope, an ode to those struggling to become whole in a world half-broken.

In 1811, Winifred Wallace told one tiny lie. To secure her future as an independent sheep farmer, she invented an estranged husband named Mr. Spencer Halifax and forged their marriage record. Ten years later, her deception catches up with her: in the form of the disturbingly real, distressingly attractive earl on her doorstep. ​ Spencer Halifax wants to set a good example for his beloved hellion sisters. Ever since their father’s death, he’s tried to play the role of steady, sensible earl—and involving himself with a moderately felonious sheep farmer is decidedly not sensible. But Winnie’s unfettered passion and fierce self-reliance draw him in, even as her closely guarded secrets keep him out. ​ When Spencer asks Winnie to travel with him to London to disentangle their semi-legal union, she’s horrified. London, after all, is where her infamous mother pilfered several lavish necklaces from besotted noblemen. But she cannot pass up the chance to return the stolen jewelry—so she agrees to travel with Spencer and give back the gems on the sly. ​ Returning the jewelry, however, is more difficult than Winnie imagined. Monkeys commit theft. Footmen tryst in inconvenient locales. And Winnie realizes that the only way forward is to trust Spencer with the truth of her past—even if doing so threatens their pretend marriage and the all-too-real feelings between them.

In 1811, Winifred Wallace told one tiny lie. To secure her future as an independent sheep farmer, she invented an estranged husband named Mr. Spencer Halifax and forged their marriage record. Ten years later, her deception catches up with her: in the form of the disturbingly real, distressingly attractive earl on her doorstep. ​ Spencer Halifax wants to set a good example for his beloved hellion sisters. Ever since their father’s death, he’s tried to play the role of steady, sensible earl—and involving himself with a moderately felonious sheep farmer is decidedly not sensible. But Winnie’s unfettered passion and fierce self-reliance draw him in, even as her closely guarded secrets keep him out. ​ When Spencer asks Winnie to travel with him to London to disentangle their semi-legal union, she’s horrified. London, after all, is where her infamous mother pilfered several lavish necklaces from besotted noblemen. But she cannot pass up the chance to return the stolen jewelry—so she agrees to travel with Spencer and give back the gems on the sly. ​ Returning the jewelry, however, is more difficult than Winnie imagined. Monkeys commit theft. Footmen tryst in inconvenient locales. And Winnie realizes that the only way forward is to trust Spencer with the truth of her past—even if doing so threatens their pretend marriage and the all-too-real feelings between them.

For seven years, Matilda Halifax and her twin have been the most scandalous ladies in London. But when Matilda accidentally sells erotic drawings of the brooding, reclusive Marquess of Ashford, she has—perhaps—gone a bit too far. Christian de Bord, Lord Ashford, knows what it’s like to be notorious. Ever since he was accused of murdering his wife, prurient gossip has kept him isolated from society, alone and determined to protect his adolescent sister Bea. But when Matilda Halifax’s salacious pamphlet appears—featuring his own damned face!—he’s thrust back into the storm of public attention. Bea’s painting teacher quits. Christian’s life is in an uproar. And the only person he can find to replace Bea’s tutor at his terrifying Gothic castle is Matilda herself. The last thing Christian needs is another scandal—especially not one with the most sinfully tempting face he’s ever seen. But Matilda is determined to right what she’s set wrong. One fake elopement later, Matilda finds herself in a carriage on the way to Northumberland with Christian, whose scowls do little to hide the wounds he carries or the scorching passion beneath his reserve. Only Matilda Halifax could turn Christian’s disciplined life so decidedly inside out—and only Matilda can persuade him that love just might be worth the risk.

For seven years, Matilda Halifax and her twin have been the most scandalous ladies in London. But when Matilda accidentally sells erotic drawings of the brooding, reclusive Marquess of Ashford, she has—perhaps—gone a bit too far. Christian de Bord, Lord Ashford, knows what it’s like to be notorious. Ever since he was accused of murdering his wife, prurient gossip has kept him isolated from society, alone and determined to protect his adolescent sister Bea. But when Matilda Halifax’s salacious pamphlet appears—featuring his own damned face!—he’s thrust back into the storm of public attention. Bea’s painting teacher quits. Christian’s life is in an uproar. And the only person he can find to replace Bea’s tutor at his terrifying Gothic castle is Matilda herself. The last thing Christian needs is another scandal—especially not one with the most sinfully tempting face he’s ever seen. But Matilda is determined to right what she’s set wrong. One fake elopement later, Matilda finds herself in a carriage on the way to Northumberland with Christian, whose scowls do little to hide the wounds he carries or the scorching passion beneath his reserve. Only Matilda Halifax could turn Christian’s disciplined life so decidedly inside out—and only Matilda can persuade him that love just might be worth the risk.

The Halifax Hellions are the most scandalous, outrageous, ungovernable ladies in London. From the day of their debut—in which Matilda smoked a cheroot and Margo tied a cherry stem in a knot with her tongue—they’ve turned the ton upside down. But when Matilda elopes with a dangerous aristocrat, Margo must stop her twin before this new misadventure becomes a permanent marriage. For help, Margo turns to her brother’s best friend—because if anyone can get them to Scotland in time, it’s starchy solicitor Henry Mortimer. Henry Mortimer has precisely one secret in his otherwise buttoned-up life: he’s been in love with Margo for seven wonderful, agonizing years. When she turns up at his doorstep, soaked to the skin and desperate for his help, he cannot turn her down. A week alone in a carriage with the object of his desires an arm’s length away? Surely he can survive that. He hopes. But the road to Scotland is paved with disasters—caves and crashes and the bloody rain that keeps forcing Henry to hold a damp, shivering, dreadfully tempting Margo in his arms. Only an unstoppable force could drag the truth of Henry’s affection from his lips. Unfortunately for him, Margo Halifax has yet to be stopped.

The Halifax Hellions are the most scandalous, outrageous, ungovernable ladies in London. From the day of their debut—in which Matilda smoked a cheroot and Margo tied a cherry stem in a knot with her tongue—they’ve turned the ton upside down. But when Matilda elopes with a dangerous aristocrat, Margo must stop her twin before this new misadventure becomes a permanent marriage. For help, Margo turns to her brother’s best friend—because if anyone can get them to Scotland in time, it’s starchy solicitor Henry Mortimer. Henry Mortimer has precisely one secret in his otherwise buttoned-up life: he’s been in love with Margo for seven wonderful, agonizing years. When she turns up at his doorstep, soaked to the skin and desperate for his help, he cannot turn her down. A week alone in a carriage with the object of his desires an arm’s length away? Surely he can survive that. He hopes. But the road to Scotland is paved with disasters—caves and crashes and the bloody rain that keeps forcing Henry to hold a damp, shivering, dreadfully tempting Margo in his arms. Only an unstoppable force could drag the truth of Henry’s affection from his lips. Unfortunately for him, Margo Halifax has yet to be stopped.

Southern Beauty explains a why a feminine ideal rooted in the nineteenth century continues to enjoy currency well into the twenty-first. Elizabeth Bronwyn Boyd examines how the continuation of certain gender rituals in the American South has served to perpetuate racism, sexism, and classism. In a trio of popular gender rituals―sorority rush, beauty pageants, and the Confederate Pageant of the Natchez (Mississippi) Pilgrimage―young white southern women have readily ditched contemporary modes of dress and comportment for performances of purity, gentility, and deference. Clearly, the ability to “do” white southern womanhood, convincingly and on cue, has remained a valued performance. But why? Based on ethnographic research and more than sixty taped interviews, Southern Beauty goes behind the scenes of the three rituals to explore the motivations and rewards associated with participation. The picture that Boyd paints is not it is one of southern beauties securing status and sustaining segregation by making nostalgic gestures to the southern past. Boyd also maintains that the audiences for these rituals and pageants have been complicit, unwilling to acknowledge the beauties’ racial work or their investment in it. With its focus on performance, Southern Beauty moves beyond representations to show how femininity in motion―stylized and predictable but ephemeral―has succeeded as an enduring emblem, where other symbols faltered, by failing to draw scrutiny. Continuing to make the moves of region and race even as many Confederate symbols have been retired, the southern beauty has persisted, maintaining power and privilege through consistent performance.

Gen Z is coming of age in a world that feels stacked against them. That's exactly why conservative media is targeting them.The fight for young minds is happening daily on podcasts, YouTube, and social media—platforms saturated with conservative messaging. The right has spent decades investing in this year-round digital propaganda apparatus, targeting Gen Z’s economic insecurity and distrust of mainstream institutions to push answers rooted in hyper-individualism, misogyny, and bigotry.In Good Girls and Alpha Males, journalist Madeline Peltz takes readers inside the online conservative sphere shaping the future of politics. From “tradwife” influencers to “manosphere” mouthpieces, she exposes the voices driving Gen Z’s shift to the right along gendered lines. With equal ferocity, Peltz interrogates the Democratic Party’s culpability, condemning the hostility to its younger, more progressive flank.Personal and heartfelt, Good Girls and Alpha Males interweaves Peltz’s own story with her coverage of right-wing media over the last decade. With deep empathy for a generation caught between disillusionment and radicalization, Peltz offers a wake-up call about the forces shaping Gen Z—and what the future holds if they go unchecked.