In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia's intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity—what it means and how to think about it—for advocates, friends, and humans everywhere.

In a gorgeous history that spans continents and millennia, Aarathi Prasad weaves together the complex story of the queen of fabrics. Through the scientists who have studied silk, and the biology of the animals from which it has been drawn, Prasad explores the global, natural, and cultural history (and future) of a unique material that has fascinated the world for thousands of years. Silk—prized for its lightness, luminosity, and beauty—is also one of the strongest biological materials ever known. More than a century ago, it was used to make the first bulletproof vest, and yet science has barely even begun to tap its potential. As the technologies it has inspired—from sutures to pharmaceuticals, replacement body parts to holograms—continue to be developed in laboratories around the world, they are now also beginning to offer a desperately needed, sustainable alternative to the plastics choking our planet. Aarathi Prasad’s Silk is a cultural and biological history from the origins and ancient routes of silk to the biologists who learned the secrets of silk-producing animals, manipulating the habitats and physiologies of moths, spiders, and mollusks. Because there is more than one silk, there is more than one story of silk. More than one road, more than one people who discovered it, and wove its threads. From the moths of China, Indonesia, and India to the spiders of South America and Madagascar and the silk-producing mollusks of the Mediterranean, Silk is a book rich in the passionate connections made by people of science to the diversity of the animal world. It is an intoxicating read, a mix of biography and science, that not only brings to life the vast, winding history of silk, but also looks to its future as a resource with incredible, untapped potential.

Saying Toby Klein is an unlikely cheerleader is like saying Paris Hilton might be into guys - understatement of the year. But the varsity squad at Bayport High gives new meaning to the phrase All-American, and Toby's double life as a varsity cheerleader and a government operative means balancing protocol, pep rallies, computer hacking, and handsprings. Now something’s about to go down in Bayport, and the Big Guys Upstairs need to know what. The Squad is on the case, but it looks like this mission could put the "L" in lethal. And if the spy business doesn't kill Toby, it’s starting to look like Brooke, the team's captain, might. The nominations are in for homecoming court, and rumor has it that Toby is the unlikely frontrunner for queen. Terrorist threat? Bloody mission gone wrong? Demented squad captain? Bring it on.

In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud. In this death-filled setting, the movement from love at first sight to the lovers’ final union in death seems almost inevitable. And yet, this play set in an extraordinary world has become the quintessential story of young love. In part because of its exquisite language, it is easy to respond as if it were about all young lovers.

Aldous Huxley's profoundly important classic of world literature, Brave New World is a searching vision of an unequal, technologically-advanced future where humans are genetically bred, socially indoctrinated, and pharmaceutically anesthetized to passively uphold an authoritarian ruling order–all at the cost of our freedom, full humanity, and perhaps also our souls. “A genius [who] who spent his life decrying the onward march of the Machine” (The New Yorker), Huxley was a man of incomparable talents: equally an artist, a spiritual seeker, and one of history’s keenest observers of human nature and civilization. Brave New World, his masterpiece, has enthralled and terrified millions of readers, and retains its urgent relevance to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying work of literature. Written in the shadow of the rise of fascism during the 1930s, Brave New Worldd likewise speaks to a 21st-century world dominated by mass-entertainment, technology, medicine and pharmaceuticals, the arts of persuasion, and the hidden influence of elites. "Aldous Huxley is the greatest 20th century writer in English." —Chicago Tribune

1970s Afghanistan: Twelve-year-old Amir is desperate to win the local kite-fighting tournament and his loyal friend Hassan promises to help him. But neither of the boys can foresee what would happen to Hassan that afternoon, an event that is to shatter their lives. After the Russians invade and the family is forced to flee to America, Amir realises that one day he must return to an Afghanistan under Taliban rule to find the one thing that his new world cannot grant him: redemption.

In una cala rocciosa della baia di Hakata, i corpi di un uomo e di una donna vengono rinvenuti all’alba. Entrambi sono giovani e belli. Il colorito acceso delle guance rivela che hanno assunto del cianuro. Un suicidio d’amore, non ci sono dubbi. La polizia di Fukuoka sembra quasi delusa: niente indagini, niente colpevole. Ma, almeno agli occhi di Torigai Jutaro, vecchio investigatore dall’aria indolente e dagli abiti logori, e del suo giovane collega di Tokyo, Mihara Kiichi, qualcosa non torna: se i due sono arrivati con il medesimo rapido da Tokyo, perché mai lui, Sayama Ken’ichi, funzionario di un ministero al centro di un grosso scandalo per corruzione, è rimasto cinque giorni chiuso in albergo in attesa di una telefonata? E perché poi se n’è andato precipitosamente lasciando una valigia? Ma soprattutto: dov’era intanto lei, l’amante, la seducente Otoki, che di professione intratteneva i clienti in un ristorante? Bizzarro comportamento per due che hanno deciso di farla finita. Per fortuna sia Torigai che Mihara diffidano delle idee preconcette, e sono dotati di una perseveranza e di un intuito fuori del comune. Perché chi ha ordito quella gelida, impeccabile macchinazione è una mente diabolica, capace di capovolgere la realtà. Non solo: è un genio nella gestione del tempo. Con questo noir dal fascino ossessivo, tutto incentrato su orari e nomi di treni – un congegno perfetto che ruota intorno a una manciata di minuti –, Matsumoto ha firmato un’indagine impossibile, ma anche un libro allusivo, che sa con sottigliezza far parlare il Giappone.