The Handmaid’s Tale meets The Virgin Suicides in this dystopic feminist revenge fantasy about three sisters on an isolated island, raised to fear men. King has tenderly staked out a territory for his wife and three daughters, Grace, Lia, and Sky. He has laid the barbed wire; he has anchored the buoys in the water; he has marked out a clear message: Do not enter. Or viewed from another angle: Not safe to leave. Here women are protected from the chaos and violence of men on the mainland. The cult-like rituals and therapies they endure fortify them from the spreading toxicity of a degrading world. But when their father, the only man they’ve ever seen, disappears, they retreat further inward until the day three strange men wash ashore. Over the span of one blistering hot week, a psychological cat-and-mouse game plays out. Sexual tensions and sibling rivalries flare as the sisters confront the amorphous threat the strangers represent. Can they survive the men? A haunting, riveting debut about the capacity for violence and the potency of female desire, The Water Cure both devastates and astonishes as it reflects our own world back at us.

No one speaks of the grace year. It’s forbidden. In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. They believe their very skin emits a powerful aphrodisiac, the potent essence of youth, of a girl on the edge of womanhood. That’s why they’re banished for their sixteenth year, to release their magic into the wild so they can return purified and ready for marriage. But not all of them will make it home alive. Sixteen-year-old Tierney James dreams of a better life—a society that doesn’t pit friend against friend or woman against woman, but as her own grace year draws near, she quickly realizes that it’s not just the brutal elements they must fear. It’s not even the poachers in the woods, men who are waiting for a chance to grab one of the girls in order to make a fortune on the black market. Their greatest threat may very well be each other. With sharp prose and gritty realism, The Grace Year examines the complex and sometimes twisted relationships between girls, the women they eventually become, and the difficult decisions they make in-between.

A sweeping and lyrical novel that follows a young Palestinian refugee as she slowly becomes radicalized while searching for a better life for her family throughout the Middle East, for readers of international literary bestsellers including Washington Black, My Sister, The Serial Killer, and Her Body and Other Parties.As Nahr sits, locked away in solitary confinement, she spends her days reflecting on the dramatic events that landed her in prison in a country she barely knows. Born in Kuwait in the 70s to Palestinian refugees, she dreamed of falling in love with the perfect man, raising children, and possibly opening her own beauty salon. Instead, the man she thinks she loves jilts her after a brief marriage, her family teeters on the brink of poverty, she’s forced to prostitute herself, and the US invasion of Iraq makes her a refugee, as her parents had been. After trekking through another temporary home in Jordan, she lands in Palestine, where she finally makes a home, falls in love, and her destiny unfolds under Israeli occupation.

Everyone needs to love and be loved—even men. But to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving. In The Will to Change, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are—whatever their age, marital status, ethnicity, or sexual orientation. But toxic masculinity punishes those fundamental emotions, and it’s so deeply ingrained in our society that it’s hard for men to not comply—but hooks wants to help change that. With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. She believes men can find the way to spiritual unity by getting back in touch with the emotionally open part of themselves—and lay claim to the rich and rewarding inner lives that have historically been the exclusive province of women. A brave and astonishing work, The Will to Change is designed to help men reclaim the best part of themselves.

Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?

Josie is at rock bottom. Burned out and recovering from an abusive relationship, she lives a haunted existence after returning to her isolated hometown on the edge of the Forest of Dean. But the tall, dense pine trees are not the only things casting shadows across her skin. When Josie stumbles across a dead woman's decaying, ant-infested body in the woods, she plummets into a downward spiral, facing uncomfortable truths about the victim and her own past - all whilst battling the swarming black ants that seem to have burrowed into her mind . . . and her flesh. Struggling with infestations of all kinds, Josie scratches the surface of an age-old mystery - a masked predator stalks the forest around Ellwood, a place deeply gripped by folklore and strange customs. As the village prepares for its annual festival, Josie gets closer and closer to unveiling a monster, and begins to ask Are these dark crawling insects leading her to uncover the truth? Or is she their next victim?

Virginia Woolf's Orlando 'The longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is now a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.

For fans of Fantasyland, The Road to Jonestown, and Howard Zinn, a colorful and enlightening pop history of American doomsday belief that proposes that the United States is the largest cult of all. Since the Mayflower sidled up to Plymouth Rock, cult ideology—whether among the Mormons and Oneidans of old or LuLaRoe and NXIVM today—has been ingrained in the DNA of the United States. In this eye-opening book, Jane Borden argues that we got this way because we always were. Puritan doomsday belief never went away; it just went secular and became American culture. From our fascination with cowboys and superheroes to our undying love for capitalism and violence, and our obsessions with advertising, hard work, and self-help, the United States remains a breeding ground for cult-like thinking. With compelling insight, Borden uncovers the American history you didn’t get in school, including how these ideas still brainwash us today and make us a nation of easy marks for con artists and strong men. Along the way, she highlights some of the most infamous cults in this country—including, the Branch Davidians and Love Has Won—as integral parts of our psyche and reflections of their times.

Six friends. One college reunion. One unsolved murder. A college reunion turns dark and deadly in this chilling and propulsive suspense novel about six friends, one unsolved murder, and the dark secrets they’ve been hiding from each other—and themselves—for a decade. Ten years after graduation, Jessica Miller has planned her triumphant return to southern, elite Duquette University, down to the envious whispers that are sure to follow in her wake. Everyone is going to see the girl she wants them to see—confident, beautiful, indifferent—not the girl she was when she left campus, back when Heather’s murder fractured everything, including the tight bond linking the six friends she’d been closest to since freshman year. Ten years ago, everything fell apart, including the dreams she worked for her whole life—and her relationship with the one person she wasn’t supposed to love. But not everyone is ready to move on. Not everyone left Duquette ten years ago, and not everyone can let Heather’s murder go unsolved. Someone is determined to trap the real killer, to make the guilty pay. When the six friends are reunited, they will be forced to confront what happened that night—and the years’ worth of secrets each of them would do anything to keep hidden. Told in racing dual timelines, with a dark campus setting and a darker look at friendship, love, obsession, and ambition, In My Dreams I Hold A Knife is an addictive, propulsive read you won’t be able to put down.

Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save them . . . at terrible cost.

A chilling horror novel about a haunting told from the perspective of a young girl whose troubled family is targeted by an entity she calls “Other Mommy,” from the New York Times bestselling author of Bird Box   To eight-year-old Bela, her family is her world. There’s Mommy, Daddo, and Grandma Ruth. But there is also Other Mommy, a malevolent entity who asks her every day: “Can I go inside your heart?”     When horrifying incidents around the house signal that Other Mommy is growing tired of asking Bela the same question, over and over . . . Bela understands that unless she says yes, soon her family must pay.    Other Mommy is getting restless, stronger, bolder. Only the bonds of family can keep Bela safe but other incidents show cracks in her parents' marriage. The safety Bela relies on is on the brink of unraveling.     But Other Mommy needs an answer.    Incidents Around the House is a chilling, wholly unique tale of true horror told by the child Bela. A story about a family as haunted as their home.

Oscar Wilde’s only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. In this celebrated work Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England. Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world. For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.