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The Invasion of the Tearling (The Queen of the Tearling, #2)
Erika Johansen
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The League of Gentlewomen Witches (Dangerous Damsels, #2)
India Holton
a_cozy_philosophy wrote a review...
Glad I gave it a try. It doesn’t take itself seriously and is pure whimsy all the way through. I actually really liked our heroine, she’s feisty and fun. I did roll my eyes at the tropes, but overall it was a fun read.
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The Wisteria Society of Lady Scoundrels (Dangerous Damsels, #1)
India Holton
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The Wisteria Society of Lady Scoundrels (Dangerous Damsels, #1)
India Holton
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The Memory Police
Yōko Ogawa
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Midnight Strikes
Zeba Shahnaz
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The Invasion of the Tearling (The Queen of the Tearling, #2)
Erika Johansen
a_cozy_philosophy finished a book

The Queen of the Tearling (The Queen of the Tearling, #1)
Erika Johansen
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The Queen of the Tearling (The Queen of the Tearling, #1)
Erika Johansen
a_cozy_philosophy commented on a post
The writing of this girl it's giving manic pixie dream girl fantasy. Instead of conversation of the fantasy, we already have mention of sex, big tits and poop. Django is a man?
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Justice: What's the Right Thing to Do?
Michael J. Sandel
a_cozy_philosophy wrote a review...
Just didn’t catch my attention
a_cozy_philosophy DNF'd a book

A Very Nice Girl
Imogen Crimp
a_cozy_philosophy wrote a review...
I felt “meh” about the first book but decided to give this one a chance because my dad gave me a copy of it. I couldn’t quite articulate why I was feeling so “meh” on the first book and I think the second book helped me figure out why.
The worldbuilding is shallow. There really isn’t a backdrop to place the context of the plot and characters in. The only mentions of worldbuilding serve to advance the plot or characters, and they’re more fleeting remarks than intricate lore.
There is a lot of telling instead of showing. Characters will speak, and then the narrator will follow it up with “they said it in a way that showed they were determined” or something like that. Almost like a script writer giving an actor an emotion to portray while saying their line. But more than that, we are told what the characters feel and how they feel about each other constantly. We don’t get to figure it out ourselves.
There are no stakes. Across this duology, characters have almost died several times. Sliiiiight spoiler-esque paragraph here (I won’t name names nor will I give context as to what’s happening): Near the end, I actually low-key got excited when I thought the author killed one of the crew, because it would have shaken up the status quo and added emotional stakes to the characters and the plot. But instead, it was just another iteration of “no please don’t die I love you stay with me damnit” and they’re ok in the end.
This duology is like if Hallmark dipped their hand into slightly edgy sci-fi. I don’t mean that insultingly, if that sounds like your kinda vibe, you’ll love it! But these books just never hit for me. Shame, because I totally love the thought of a space-faring found family à la Guardians of the Galaxy.
Also these people cry way too much
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Gravity Lost (Ambit's Run, #2)
L.M. Sagas
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Gravity Lost (Ambit's Run, #2)
L.M. Sagas
Post from the When the Moon Hits Your Eye forum
Scalzi definitely had a certain elongated muskrat in mind when he was writing Jody Bannon’s chapter. The childish mentality was captured perfectly.