Award-winning environment and science reporter Zoë Schlanger delivers a groundbreaking work of popular science that probes the hidden world of the plant kingdom and reveals the astonishing capabilities of the green life all around us. It takes tremendous biological creativity to be a plant. To survive and thrive while rooted in a single spot, plants have adapted ingenious methods of survival. In recent years, scientists have learned about their ability to communicate, recognize their kin and behave socially, hear sounds, morph their bodies to blend into their surroundings, store useful memories that inform their life cycle, and trick animals into behaving to their benefit, to name just a few remarkable talents. The Light Eaters is a deep immersion into the drama of green life and the complexity of this wild and awe-inspiring world that challenges our very understanding of agency, consciousness, and intelligence. In looking closely, we see that plants, rather than imitate human intelligence, have perhaps formed a parallel system. What is intelligent life if not a vine that grows leaves to blend into the shrub on which it climbs, a flower that shapes its bloom to fit exactly the beak of its pollinator, a pea seedling that can hear water flowing and make its way toward it? Zoë Schlanger takes us across the globe, digging into her own memories and into the soil with the scientists who have spent their waking days studying these amazing entities up close. What can we learn about life on Earth from the living things that thrive, adapt, consume, and accommodate simultaneously? More important, what do we owe these life forms once we come to understand their rich and varied abilities? Examining the latest epiphanies in botanical research, Schlanger spotlights the intellectual struggles among the researchers conceiving a wholly new view of their subject, offering a glimpse of a field in turmoil as plant scientists debate the tenets of ongoing discoveries and how they influence our understanding of what a plant is. We need plants to survive. But what do they need us for—if at all? An eye-opening and informative look at the ecosystem we live in, this book challenges us to rethink the role of plants—and our own place—in the natural world.

“Murder Bimbo is Gone Girl for the Luigi Mangione era, and Rebecca Novack is one of our funniest and most acerbic new writers.” —Catherine Lacey, author of Biography of X An exhilarating and provocative debut perfect for fans of My Sister the Serial Killer, Yellowface, and Killing Eve—the origin story of sex worker turned assassin turned unlikely folk hero, Murder Bimbo, as told by the Bimbo herself (and then revised, uncensored, and reconsidered).A thirty-two-year-old sex worker is shocked when she’s approached by undercover government agents to aid them in a top-secret plot to assassinate a politician known as “Meat Neck.” But once the deed is done, she realizes what made her the perfect She’s 100% disposable. Holed up in an off-the-grid cabin in the woods, she now has only two days, her wits, and a laptop to save her own life. Her best bet is to reach out to the wildly popular feminist investigative podcast Justice for Bimbos. In a hastily typed series of emails, the newly minted “Murder Bimbo” explains how she was recruited and then trained by a cabal of code-named US agents to take out Meat Neck. Then she starts a new series of emails. This time, they’re addressed to her ex, and the facts line up a little differently… Constructed in three increasingly unhinged acts, each a more subversive, twisted version of the story than the last, Murder Bimbo can be read as a gloriously bold literary thriller, a satirical megalomaniac’s manifesto, or a raucous send-up of the political insanity we all live inside every day. Either way, it’s a dead-serious announcement of an electric new voice in American literature.

The central principles of what today is broadly known as political liberalism were made current in large part by Locke's Second Treatise of Government (1690). The principles of individual liberty, the rule of law, government by consent of the people, and the right to private property are taken for granted as fundamental to the human condition now. Most liberal theorists writing today look back to Locke as the source of their ideas. Some maintain that religious fundamentalism, "post-modernism," and socialism are today the only remaining ideological threats to liberalism. To the extent that this is true, these ideologies are ultimately attacks on the ideas that Locke, arguably more than any other, helped to make the universal vocabulary of political discourse.

Odd-mannered, obsessive, withdrawn, Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire. Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

Full of glimpses into gleaming worlds and fairy tales with teeth, Seasons of Glass and Stories is a collection of acclaimed and awarded work from Amal El-Mohtar. With confidence and style, El-Mohtar guides us through exquisitely told and sharply observed tales about life as it is, was, and could be. Like miscellany from other worlds, these stories are told in letters, diary entries, reference materials, folktales, and lyrical prose. Full of Nebula, Locus, World Fantasy, and Hugo Award-winning and nominated stories, Seasons of Glass and Stories includes "Seasons of Glass and Iron," "The Green Book," "Madeleine," "The Lonely Sea in the Sky," "And Their Lips Rang with the Sun," "The Truth About Owls," "A Hollow Play," "Anabasis," "To Follow the Waves," "John Hollowback and the Witch," "Florilegia, or, Some Lies About Flowers," "Pockets," and more.

Exiled to a desolate and harsh New Earth, in this Paradise Lost retelling, Eve faces relentless toil, pain, and the resentment of Adam, who blames her for shattering their Paradise. But even in this barren world, Eve's curiosity only grows. When Eve and Adam discover a thriving civilization in the fertile valleys of Mesopotamia, Adam is able to find peace, while Eve fights an irresistible pull further. She yearns to understand why she was created, to understand the god that made and abandoned her. Can Eve find contentment with the vestiges of Eden that remain? Or will she dare to taste the fruit forbidden to her, once more? In the end, Eve seeks to know the limits to her own power, to sate her hunger, once and for all. Navigating loves, betrayals, and the duties of motherhood from Nippur to the coastal city of Canaan and across the Aegean Sea to Cyprus, Eve will go as far as it takes. But how many Edens will she forsake, along the way, to discover who creates them? Will Eve cross the threshold from dust to divinity, at last? Or will she return to the river valley, empty-handed, a fractured family left in her wake? For who before Eve has known the minds of the gods?

Isolation can be hard on a person. It can be hard on the mind, especially when the bush closes in on you in the darkness of night. In the tin fields of Far North Queensland, Sarah, a fly-in-fly-out geologist, is working alone at a remote mine site. She spends her time in a sort of limbo, never quite fitting into her life at site or back home in Sydney with her fiancé. Strange things keep happening at the mine site, and Sarah can try to explain them away as the ramblings of a lonely mind, but there are dead bodies from a mining accident a century ago at the old Dulcie Ada mine, still buried beneath more than a hundred metres of rock.  A deeply moving novel that explores the friction that comes with the desire to understand the secrets of the Earth coupled with the knowledge that this can exact a toll. PRAISE FOR HOLLOW AIR ‘Layered with suspense, subterfuge, and the fractures that absence can cause, Hollow Air moves seamlessly from life above ground to the value of what lies beneath. Verity Borthwick’s female FIFO geologist, Sarah, is tough-as-titanium and a total joy to read. A superb debut.’ – Eleanor Limprecht, author of The Coast ‘The remote mining setting of Hollow Air infuses this novel with mystery and drama right from the start as we anxiously watch its protagonist Sarah confront isolation and uncertainty, both professional and personal. Meanwhile, haunting events from a hundred years before slowly emerge to remind her – and us – that when the earth is violated it will inevitably seek revenge. In a beautifully paced story that never falters, Verity Borthwick explores the tensions between women and men, and the abrasive truth that the past is somehow never behind us.’ – Debra Adelaide, author of The Women’s Pages ‘As starkly disarming and beautiful as its setting, Hollow Air is at once a thriller, rural gothic mystery and love story. This is a sensory wonder that both suffocates and enraptures, with all the hallmarks of an Australian classic. Borthwick’s storytelling will haunt me.’ – Anna Spargo-Ryan, author of The Gulf  

Exiled to a desolate and harsh New Earth, in this Paradise Lost retelling, Eve faces relentless toil, pain, and the resentment of Adam, who blames her for shattering their Paradise. But even in this barren world, Eve's curiosity only grows. When Eve and Adam discover a thriving civilization in the fertile valleys of Mesopotamia, Adam is able to find peace, while Eve fights an irresistible pull further. She yearns to understand why she was created, to understand the god that made and abandoned her. Can Eve find contentment with the vestiges of Eden that remain? Or will she dare to taste the fruit forbidden to her, once more? In the end, Eve seeks to know the limits to her own power, to sate her hunger, once and for all. Navigating loves, betrayals, and the duties of motherhood from Nippur to the coastal city of Canaan and across the Aegean Sea to Cyprus, Eve will go as far as it takes. But how many Edens will she forsake, along the way, to discover who creates them? Will Eve cross the threshold from dust to divinity, at last? Or will she return to the river valley, empty-handed, a fractured family left in her wake? For who before Eve has known the minds of the gods?