Eleanor West’s Home for Wayward Children No Solicitations No Visitors No Quests Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere... else. But magical lands have little need for used-up miracle children. Nancy tumbled once, but now she’s back. The things she’s experienced... they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world. But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter. No matter the cost.

From the #1 New York Times bestselling author of Just for the Summer comes a new playful yet deeply emotional contemporary romance. 

Ruth Kabbah is okay with being an outcast. Between her autism, her comic book nerdery, and the whiff of scandal her small town can’t forget, Ruth will always be Ravenswood’s black sheep. Since she prefers silence and solitude to gossip and pub crawls, that suits her just fine—until Evan Miller comes to town. Ex-military man Evan is gorgeous, confident… and he’s Ruth’s new neighbour. Unlike everyone else, he doesn’t seem to mind her crotchety ways or her cooking disasters. In fact, if Ruth didn’t know any better, she might think Evan likes her. But Ruth’s been burned before, and some lessons are hard to forget. She can’t let her guard down—no matter how many home-cooked meals Evan brings over. Because affection is temporary, trust is made to be broken, and the heat of desire is a dangerous thing to play with. So why does this man feel so safe?

Cat Sebastian’s long-awaited foray into contemporary romance! A witty, emotional, and deliciously slow burn enemies-to-lovers romance between two costars on a popular sci-fi television series. Simon and Charlie, actors on a long-running sci-fi show, can’t stand one another. Charlie is impetuous, outgoing, and basically feral, and Simon thinks he should have stayed in reality television where he belongs. They’ve spent the better part of a decade quarreling over the spotlight and pretty much everything else, and everybody in the industry knows it. Now that Simon’s contract is finally done, he can move to New York, start fresh with work he actually likes, and get away from Charlie. Simon’s only problem is that people might assume he’s been pushed off the show due to being impossible to work with. And he is kind of difficult to work with. He doesn’t get along with people—unlike Charlie, who somehow tricked everyone on the show into adoring him despite some outrageously bad on-set behavior during the show’s first season. Simon would rather never have to see Charlie again, but reluctantly agrees to stage a very public friendship during the short time before he moves. When Charlie has to leave town to deal with a family emergency, this means Simon comes along. Their road trip brings Simon to places he would never have willingly chosen to visit—and he finds he’s actually not having a terrible time. The more he gets to know Charlie, the more Simon suspects he’s underestimated his former coworker. Simon also realizes that after seven years, Charlie might know him better than anyone ever has. Even stranger, Charlie seems to be starting to actually like him, despite knowing him so well. Still, Simon is about to move three thousand miles away, so whatever’s starting between him and Charlie can’t really amount to anything... right? Tropes: Enemies to Lovers Opposites Attract Forced Proximity Slow Burn

An emotional, slow-burn, grumpy/sunshine, queer mid-century romance about grief and found family, between the new star shortstop stuck in a batting slump and the reporter assigned to (reluctantly) cover his first season—set in the same universe as We Could Be So Good. The 1960 baseball season is shaping up to be the worst year of Eddie O’Leary’s life. He can’t manage to hit the ball, his new teammates hate him, he’s living out of a suitcase, and he’s homesick. When the team’s owner orders him to give a bunch of interviews to some snobby reporter, he’s ready to call it quits. He can barely manage to behave himself for the length of a game, let alone an entire season. But he’s already on thin ice, so he has no choice but to agree. Mark Bailey is not a sports reporter. He writes for the arts page, and these days he’s barely even managing to do that much. He’s had a rough year and just wants to be left alone in his too-empty apartment, mourning a partner he’d never been able to be public about. The last thing he needs is to spend a season writing about New York’s obnoxious new shortstop in a stunt to get the struggling newspaper more readers. Isolated together within the crush of an anonymous city, these two lonely souls orbit each other as they slowly give in to the inevitable gravity of their attraction. But Mark has vowed that he’ll never be someone’s secret ever again, and Eddie can’t be out as a professional athlete. It’s just them against the world, and they’ll both have to decide if that’s enough.

Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last fifteen years, has been posing as an out-of-work actor. Together this dynamic pair begin a journey through space aided by quotes from The Hitchhiker's Guide ("A towel is about the most massively useful thing an interstellar hitchhiker can have") and a galaxy-full of fellow travelers: Zaphod Beeblebrox--the two-headed, three-armed ex-hippie and totally out-to-lunch president of the galaxy; Trillian, Zaphod's girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant, and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ballpoint pens he bought over the years. Where are these pens? Why are we born? Why do we die? Why do we spend so much time between wearing digital watches? For all the answers stick your thumb to the stars. And don't forget to bring a towel!

For fans of Before the Coffee Gets Cold, What You Are Looking for Is In the Library, and Days at the Morisaki Bookshop comes an enchanting novel that will linger in your heart long after the last page is turned. As the last petal falls, the final page is turned… Welcome to The Cherry Blossom Bookshop, a haven for book lovers that only appears during the fleeting cherry blossom season. Nestled amidst the bloom of delicate petals, you’ll find a sanctuary for those burdened by regrets and past sorrows. Here, Sakura, the mysterious young owner, and her wise calico cat, Kobako, patiently await the arrival of souls in need of solace and healing. Told over four seasons, each visitor to the bookshop holds a book that bridges their past and present, guiding them towards understanding and acceptance. Within the antique charm of the shop and the soothing aroma of freshly brewed coffee, Sakura and Kobako help their guests confront their lingering sadness through the power of stories, enabling them to move forward with renewed hope.

Enter a new world of romantic fantasy from award-winning author N.E. Davenport—a journey of powerful magic, enemies-to-lovers, and political intrigue—as a warrior-princess and a vengeful king from rival fae courts form a fierce alliance to take down a merciless despot. Princess of the Aether Dominion, Kadeesha wants nothing to do with fae politics. She is a warrior, first and foremost, and believes her greatest strength is leading her squadron of elite winged serpent flyers to protect her homeland. But bound since infancy to be betrothed to the Hyperion High King, ruler of all Dominions, she has no choice but to do what men have chosen for her. Repulsed by the idea, she decides to spend one last night of freedom—in the arms of a dangerous stranger who takes her to sexual heights she’s never experienced before…but who is only using Kadeesha to set a trap for the High King. For the High King and the kings of his six Dominions were responsible for the decimation of the Apollyon Court, and its new king, Malachi, wants his pounds of flesh. On Kadeesha’s wedding day, Malachi and his special forces attack. Her father is killed, and Malachi wounds the High King, ultimately taking Kadeesha as hostage back to his land. But she is no true hostage. The two form a she will help lure the High King so Malachi can kill him once and for all, and he in turn will not harm Kadeesha or the Aether people. And as much as Kadeesha hates politics, she is now the Queen of her folk. Fae bonds are unbreakable…and so, perhaps, is the attraction Kadeesha and Malachi feel for each other. For even as they must publicly display their connection to provoke the High King’s jealousy, they struggle to resist the powerful allure between them in order to achieve their ultimate goals.