Harriet and Wyn have been the perfect couple since they met in college—they go together like salt and pepper, honey and tea, lobster and rolls. Except, now—for reasons they’re still not discussing—they don’t. They broke up six months ago. And still haven’t told their best friends. Which is how they find themselves sharing the largest bedroom at the Maine cottage that has been their friend group’s yearly getaway for the last decade. Their annual respite from the world, where for one vibrant, blue week they leave behind their daily lives; have copious amounts of cheese, wine, and seafood; and soak up the salty coastal air with the people who understand them most. Only this year, Harriet and Wyn are lying through their teeth while trying not to notice how desperately they still want each other. Because the cottage is for sale and this is the last week they’ll all have together in this place. They can’t stand to break their friends’ hearts, and so they’ll play their parts. Harriet will be the driven surgical resident who never starts a fight, and Wyn will be the laid-back charmer who never lets the cracks show. It’s a flawless plan (if you look at it from a great distance and through a pair of sunscreen-smeared sunglasses). After years of being in love, how hard can it be to fake it for one week… in front of those who know you best? A couple who broke up months ago make a pact to pretend to still be together for their annual weeklong vacation with their best friends in this glittering and wise new novel from #1 New York Times bestselling author Emily Henry.

Alternate cover edition of ISBN 9781501154850 Set on the Korean island of Jeju, The Island of Sea Women follows Mi-ja and Young-sook, two girls from very different backgrounds, as they begin working in the sea with their village’s all-female diving collective. Over many decades—through the Japanese colonialism of the 1930s and 1940s, World War II, the Korean War, and the era of cellphones and wet suits for the women divers—Mi-ja and Young-sook develop the closest of bonds. Nevertheless, their differences are impossible to ignore: Mi-ja is the daughter of a Japanese collaborator, forever marking her, and Young-sook was born into a long line of haenyeo and will inherit her mother’s position leading the divers. After hundreds of dives and years of friendship, forces outside their control will push their relationship to the breaking point. This beautiful, thoughtful novel illuminates a unique and unforgettable culture, one where the women are in charge, engaging in dangerous physical work, and the men take care of the children. A classic Lisa See story—one of women’s friendships and the larger forces that shape them—The Island of Sea Women introduces readers to the fierce female divers of Jeju Island and the dramatic history that shaped their lives.

Alternate cover edition of ISBN 9781501154850 Set on the Korean island of Jeju, The Island of Sea Women follows Mi-ja and Young-sook, two girls from very different backgrounds, as they begin working in the sea with their village’s all-female diving collective. Over many decades—through the Japanese colonialism of the 1930s and 1940s, World War II, the Korean War, and the era of cellphones and wet suits for the women divers—Mi-ja and Young-sook develop the closest of bonds. Nevertheless, their differences are impossible to ignore: Mi-ja is the daughter of a Japanese collaborator, forever marking her, and Young-sook was born into a long line of haenyeo and will inherit her mother’s position leading the divers. After hundreds of dives and years of friendship, forces outside their control will push their relationship to the breaking point. This beautiful, thoughtful novel illuminates a unique and unforgettable culture, one where the women are in charge, engaging in dangerous physical work, and the men take care of the children. A classic Lisa See story—one of women’s friendships and the larger forces that shape them—The Island of Sea Women introduces readers to the fierce female divers of Jeju Island and the dramatic history that shaped their lives.

Jack Sparks died while writing this book. It was no secret that journalist Jack Sparks had been researching the occult for his new book. No stranger to controversy, he'd already triggered a furious Twitter storm by mocking an exorcism he witnessed. Then there was that video: forty seconds of chilling footage that Jack repeatedly claimed was not of his making, yet was posted from his own YouTube account. Nobody knew what happened to Jack in the days that followed - until now.

Jack Sparks died while writing this book. It was no secret that journalist Jack Sparks had been researching the occult for his new book. No stranger to controversy, he'd already triggered a furious Twitter storm by mocking an exorcism he witnessed. Then there was that video: forty seconds of chilling footage that Jack repeatedly claimed was not of his making, yet was posted from his own YouTube account. Nobody knew what happened to Jack in the days that followed - until now.

At a Halloween party in 1999, a writer slept with the devil. She sees him again and again throughout her life and writes stories for him about things both impossible and true. Stories I Wrote for the Devil lures readers into surreal pockets of the United States and Brazil, where they’ll find bite-size Americans in vending machines and the ghosts of living people. Ananda Lima speaks to modern Brazilian-American immigrant experiences―of ambition, fear, longing, and belonging―and reveals the porousness of storytelling and of the places we call home.

At a Halloween party in 1999, a writer slept with the devil. She sees him again and again throughout her life and writes stories for him about things both impossible and true. Stories I Wrote for the Devil lures readers into surreal pockets of the United States and Brazil, where they’ll find bite-size Americans in vending machines and the ghosts of living people. Ananda Lima speaks to modern Brazilian-American immigrant experiences―of ambition, fear, longing, and belonging―and reveals the porousness of storytelling and of the places we call home.

You’re Not Supposed to Die Tonight meets Scream in this YA slasher that turns classic horror tropes on their heads. There’s a reason CJ Smith’s hometown of Satterville is known as Slasherville: it was the site of not one, but two Friday the 13th-style massacres. CJ’s dad survived the first attack; only CJ survived the second. And thanks to the mysterious writer Moon Satter’s bestselling novels based on the events, the town—and CJ—will always be defined by this horrific past. Then a new, unpublished Moon Satter manuscript shows up addressed to CJ. But unlike the others, this story isn’t about the past. Instead, it predicts new murders. On the day the book says the first murder will occur, CJ sets out to stop it. But in saving one classmate, the final girl ends up dead. CJ and their friends have suddenly gone from extras to leads—and they’ll have to use everything they know about the rules of horror to make it out alive.